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Will Geer

 
Actor: Will Geer
  • Born: Mar 09, 1902 in Frankfort, Indiana
  • Died: Apr 22, 1978 in Los Angeles, California
  • Occupation: Actor
  • Active: '50s-'70s
  • Major Genres: Drama, Western
  • Career Highlights: Seconds, Broken Arrow, Intruder in the Dust
  • First Major Screen Credit: Intruder in the Dust (1949)

Biography

Though perhaps best remembered for portraying the wise and crusty Grandpa Zeb Walton on the long-running The Waltons (1972-1978), character actor Will Geer had been a staple in films and television for many years before that. He had also been a Broadway regular since his theatrical debut in The Merry Wives of Windsor (1928). Born William Auge Ghere in Frankfort, IN, his interest in acting began in high school. Geer studied botany at the University of Chicago and earned a master's in botany at Columbia. During his college days, Geer also appeared in student theater. Always a bit of a rebel with a genuine love of people and the land, Geer hooked up with folksingers Woody Guthrie and Burl Ives during the Depression to travel about and perform, mostly at government work camps. Even late in life, Geer described himself as a folklorist. Actress Helen Hayes wryly described him once as "the world's oldest hippie."

He got his professional start with Eva Le Gallienne's National Repertory Company. During the '30s and '40s, Geer appeared often on Broadway. Beginning with The Misleading Lady in 1932, he began playing small occasional roles in films. By the late '40s, he had become a character actor in such films as Intruder in the Dust (1949). He often appeared in Westerns like Comanche Territory and Broken Arrow (1950). In 1951, after appearing in four films that year, Geer was blacklisted by the House Un-American Activities Committee for refusing to answer their questions. Still, Geer managed to appear in at least one film, Salt of the Earth, a defiant, incendiary documentary look at a worker's strike led by the wives of abused salt miners in New Mexico that featured a production staff largely comprised of blackballed Hollywood artists. Other than that, Geer returned to Broadway until 1962 when Otto Preminger cast him as a Senate minority leader in Advise and Consent. During the '60s, the 6'2", 230-pound Geer was frequently cast in villainous roles. He often appeared on television throughout the decade in shows ranging from Gunsmoke to Hawaii 5-0 as well as playing a regular role on the short-lived series The Young Rebels (1970-1971). He was a key member of The Waltons from the pilot special through his death when the series was on summer hiatus in 1978. His was among the show's most popular characters and he is said to have patterned Zebulon Walton after producer/creator Earl Hamner's book character, himself, and his own grandfather, a successful sourdough during the California goldrush who sported a mustache and white hair similar to Geer's own. It was his grandfather who taught the actor to love nature and to study botany. In addition to his work on the popular family series, Geer also continued a busy feature-film and television-movie career. His last film appearance was in the highly regarded made-for-TV biography of Harriet Tubman, A Woman Called Moses (1978). His daughter, Ellen Geer, is also an actor. ~ Sandra Brennan, All Movie Guide
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Wikipedia: Will Geer
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Will Geer
Born William Aughe Ghere
March 9, 1902(1902-03-09)
Frankfort, Indiana, USA
Died April 22, 1978 (aged 76)
Los Angeles, California, USA
Years active 19321978
Spouse(s) Herta Ware (1934-1954) (divorced)

Will Geer (March 9, 1902 – April 22, 1978) was an American actor and social activist. His original name was William Aughe Ghere. He is remembered for his portrayal of Grandpa Zebulon Tyler Walton in the 1970s TV series, The Waltons.

Contents

Biography

Geer was born in Frankfort, Indiana, where he was deeply influenced by his grandfather, who taught him the botanical names of the plants in his native state. Geer started out to become a botanist, studying the subject and obtaining a master's degree at the University of Chicago. While at Chicago he also became a member of Lambda Chi Alpha Fraternity.

He began his acting career touring in tent shows and on river boats. He worked on several left-oriented documentaries, including narrating Sheldon Dick's Men and Dust, about silicosis among miners.

Geer made his Broadway debut as Pistol in a 1928 production of Much Ado About Nothing, created the role of Mr. Mister in Marc Blitzstein's The Cradle Will Rock, played Candy in John Steinbeck's theatrical adaptation of his novella Of Mice and Men, and appeared in numerous plays and revues throughout the 1940s. From 1948 to 1951, he appeared in more than a dozen movies, including Winchester '73, Broken Arrow, and Bright Victory.

Geer became a member of the Communist Party of the United States in 1934. It is believed by some that Harry Hay may have influenced Geer to become interested in communism[citation needed]. In 1934, Geer and Hay gave support to a labor strike of the port of San Francisco; the 1934 West Coast waterfront strike lasted 83 days. Though marred by violence, it was an organizing triumph, one that became a model for future union strikes.[1] Geer became a reader of the West Coast Communist newspaper, the People's World.[2]

Geer became a dedicated activist, touring government work camps in the 1930s with folk singers like Burl Ives and Woody Guthrie (whom he introduced to the People's World and the Daily Worker; Guthrie would go on to write a column for the latter paper).[1][2] In 1956, the duo released an album together on Folkways Records, entitled Bound for Glory: Songs and Stories of Woody Guthrie. In his autobiography, fellow organizer and gay rights pioneer Harry Hay described Geer's activism and outlined their relationship while organizing for the strike.[3] Geer is credited with introducing Guthrie to Pete Seeger at the 'Grapes of Wrath' benefit Geer organized in 1940 for migrant farm workers.

Geer was blacklisted in the early 1950s for refusing to testify before the House Committee on Un-American Activities. During that period, he built the Will Geer Theatricum Botanicum in Topanga, California, which he and his wife, Herta Ware, helped to found. He combined his acting and botanical careers at the Theatricum, by making sure that every plant mentioned in Shakespeare was grown there.

In the late 1950s and early 1960s he played several seasons at the American Shakespeare Festival in Stratford, Connecticut, where he created a second "Shakespeare Garden" on the theater's grounds. By this time he was also working sporadically on Broadway. In 1964 he was nominated for the Tony Award for Best Featured Actor in a Musical for 110 in the Shade.

Geer maintained a vacation home, called Geer-Gore Gardens, in Nichols Connecticut. He visited often and attended the local Fourth of July fireworks celebrations, sometimes wearing a black top hat or straw hat and always his trademark denim overalls with only one suspender hooked.

When Geer died, shortly after completing the sixth season of The Waltons, the death of his character was written into the show's script as well.

His ex-wife, actress Herta Ware, was best known for her performance as the wife of Jack Gilford in the film Cocoon (1985). Although they eventually divorced, they remained close throughout the rest of their lives. Geer and Ware had three children, Kate Geer, Thad Geer and actress Ellen Geer. Ware also had a daughter, actress Melora Marshall, from a previous marriage.

As Will Geer was dying on April 22, 1978, of respiratory failure at the age of 76, his family sang Guthrie's "This Land Is Your Land" and recited poems by Robert Frost at his deathbed. Geer was cremated; his ashes are buried at the Theatricum Botanicum in the "Shakespeare Garden" in Topanga Canyon, near Santa Monica, California.

Filmography

Discography

References

  1. ^ a b Michael Bronski "The real Harry Hay", Boston Phoenix, October 31, 2002
  2. ^ a b Denning, Michael, The Cultural Front: The Laboring of American Culture in the Twentieth Century, Verso (1998), ISBN 1859841708, 9781859841709, p. 14
  3. ^ Stuart Timmons, The Trouble With Harry Hay: Founder of the Modern Gay Movement (1990), p.64 & 67

External links


 
 

 

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