William Cowper, detail of an oil painting by Lemuel Abbott, 1792; in the National Portrait Gallery, (credit: Courtesy of The National Portrait Gallery, London)
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| Britannica Concise Encyclopedia: William Cowper |
For more information on William Cowper, visit Britannica.com.
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| Biography: William Cowper |
The most characteristic work of the English poet William Cowper (1731-1800) is gentle and pious in mood and deals with retired rural life. He often anticipated the attitudes and subjects of romantic and Victorian authors.
William Cowper was born on Nov. 26, 1731; his mother was a descendant of the poet John Donne. He studied law and was admitted to the bar in 1754. A love affair with his cousin ended unhappily in 1756, largely because the girl's father was concerned over Cowper's mental stability. In 1763 Cowper suffered a complete nervous breakdown as a consequence of worry about an examination he was to take for a clerkship in the House of Lords. After several attempts at suicide he was committed to a sanatorium.
After recuperating, Cowper spent his life under the care of several friends and patrons, notably Mrs. Mary Unwin (a clergyman's widow), the evangelical clergyman John Newton (whose religious zeal probably did not aid Cowper's troubled mind), and Cowper's cousin Lady Hesketh. In collaboration with Newton, Cowper wrote numerous hymns. His life after 1765 was one of rustic retirement, punctuated by severe breakdowns in 1773, 1787, and 1794. His intermittent mental breakdowns were generally characterized by severe religious gloom and often by a sense that he was irrevocably damned.
Cowper's most significant literary work was done in the last 2 decades of his life. In 1780-1781 he wrote a series of reflective essays in couplets; in 1782 he composed the immensely popular "John Gilpin's Ride," in which he burlesques the heroic ballad. In 1783 Cowper began his curious long poem The Task (published 1785), which begins with a mock-elevated disquisition on the historical evolution of the sofa from the humble three-legged stool (a lady had suggested the topic in response to Cowper's complaint that he lacked a subject for blank verse). It then treats a multitude of descriptive and reflective subjects and is probably Cowper's most typical poem. In it quiet meditation is mingled with atmospheric description of simple rural life and placid natural scenes.
Cowper's translation of Homer (1784-1791) demonstrated his opposition to what he considered the artificial elevatedness of Alexander Pope's version. In 1799 Cowper wrote the somber poem "The Castaway;" like the earlier "Lines Supposed to Be Written by Alexander Selkirk" (published 1782), it is a study of human isolation and has poignant religious overtones.
Cowper was one of the best and most prolific English letter writers. He also composed the texts of many well-known hymns, including "There Is a Fountain Filled with Blood," "God Moves in a Mysterious Way," and "Oh for a Closer Walk with God." He died on April 25, 1800.
Further Reading
For Cowper's life see Maurice J. Quinlan, William Cowper (1953), and William N. Free, William Cowper (1970), which also contains a fine discussion of Cowper's poetry. Charles Ryskamp, William Cowper of the Inner Temple (1959), deals with the poet's early years. For critical comment see Morris Golden, In Search of Stability: The Poetry of William Cowper (1960), and Patricia A. Spacks, The Insistence of Horror: Aspects of the Supernatural in Eighteenth-Century Poetry (1962).
Additional Sources
Cowper, William, The letters and prose writings of William Cowper, Oxford: Clarendon Press; New York: Oxford University Press, 1979-1986.
Cowper, William, William Cowper, selected letters, Oxford: Clarenden Press; New York: Oxford University Press, 1989.
Roy, James Alexander, Cowper & his poetry, Norwood, Pa.: Norwood Editions, 1977.
Roy, James Alexander, Cowper & his poetry, Philadelphia: R. West, 1978.
| Columbia Encyclopedia: William Cowper |
Bibliography
See his verse and letters selected by B. Spiller (1968); letters and prose writings (ed. by J. King and C. Ryskamp, 5 vol., 1979-86); biographies by D. Cecil (1947) and J. King (1986); studies by J. A. Roy (1914, repr. 1972) and V. Newey (1982).
| Quotes By: William Cowper |
Quotes:
"Satan trembles when he sees the weakest saint upon their knees."
"No wild enthusiast could rest, till half the world like him was possessed."
"How much a dunce that has been sent to roam, excels a dunce that has been kept at home."
"Fanaticism soberly defined, is the false fire of an over heated mind."
"The man that hails you Tom or Jack, and proves by thumps upon your back how he esteems your merit, is such a friend, that one had need be very much his friend indeed to pardon or to bear it."
"Glory, built on selfish principles, is shame and guilt."
See more famous quotes by
William Cowper
| Wikipedia: William Cowper |
| William Cowper | |
|---|---|
Portrait of William Cowper attributed to George Romney. |
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| Born | 26 November 1731 Berkhamsted, Hertfordshire, England |
| Died | 25 April 1800 (aged 68) East Dereham, Norfolk, England |
| Education | Westminster School |
| Occupation | Poet |
William Cowper (pronounced /ˈkuːpər/ "Cooper"; 26 November 1731 – 25 April 1800) [1] was an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem 'Yardley-Oak'. He was a nephew of the poet Judith Madan.
Cowper suffered from severe manic depression, and although he found refuge in a fervent evangelical Christianity, the inspiration behind his much-loved hymns, he often experienced doubt and feared that he was doomed to eternal damnation. His religious sentiment and association with John Newton (who wrote the hymn "Amazing Grace") led to much of the poetry for which he is best remembered.
Contents |
He was born in Berkhamsted, Hertfordshire, England in 1731. After education at Westminster School, he was articled to Mr. Chapman, solicitor, of Ely Place, Holborn, in order to be trained for a career in law. During this time, he spent his leisure at the home of his uncle Ashley Cowper, and there fell in love with his cousin Theodora, whom he wished to marry. But as James Croft, who in 1825 first published the poems Cowper addressed to Theodora, wrote, "her father, from an idea that the union of persons so nearly related was improper, refused to accede to the wishes of his daughter and nephew." This refusal left Cowper distraught.
In 1763 he was offered a Clerkship of Journals in the House of Lords, but broke under the strain of the approaching examination and experienced a period of insanity. At this time he tried three times to commit suicide and was sent to Nathaniel Cotton's asylum at St. Albans for recovery. His poem beginning "Hatred and vengeance, my eternal portions" (sometimes referred to as "Sapphics") was written in the aftermath of his suicide attempt.
After recovering, he settled at Huntingdon with a retired clergyman named Morley Unwin and his wife Mary. Cowper grew to be on such good terms with the Unwin family that he went to live in their house, and moved with them to Olney, where John Newton, a former slave trader who had repented and devoted his life to the gospel, was curate. Not long afterwards, Morley Unwin was killed in a fall from his horse, but Cowper continued to live in the Unwin home and became extremely attached to Mary Unwin.
At Olney, Newton invited Cowper to contribute to a hymnbook that Newton was compiling. The resulting volume known as Olney Hymns was not published until 1779 but includes hymns such as "Praise for the Fountain Opened" (beginning "There is a fountain fill'd with blood") and "Light Shining out of Darkness" (beginning "God moves in a mysterious way") which remain some of Cowper's most familiar verses. Several of Cowper's hymns, as well as others originally published in the "Olney Hymns," are today preserved in the Sacred Harp.
In 1773, Cowper, now engaged to marry Mrs. Unwin, experienced a new attack of insanity, imagining not only that he was condemned to hell eternally, but that God was commanding him to make a sacrifice of his own life. This attack broke off the engagement, but Mary Unwin took care of him with great devotion, and after a year he began again to recover. In 1779, after Newton had left Olney to go to London, Cowper started to write further poetry. Mary Unwin, wanting to keep Cowper's mind occupied, suggested that he write on the subject of The Progress of Error, and after writing his satire of this name he wrote seven others. All of them were published in 1782 under the title Poems by William Cowper, of the Inner Temple, Esq..
The year before this publication, Cowper met a sophisticated and charming widow named Lady Austen who served as a new impetus to his poetry. Cowper himself tells of the genesis of what some have considered his most substantial work, The Task, in his "Advertisement" to the original edition of 1785:
"...A lady, fond of blank verse, demanded a poem of that kind from the author, and gave him the SOFA for a subject. He obeyed; and, having much leisure, connected another subject with it; and, pursuing the train of thought to which his situation and turn of mind led him, brought forth at length, instead of the trifle which he at first intended, a serious affair--a Volume!"
In the same volume Cowper also printed "The Diverting History of John Gilpin", a notable piece of comic verse. John Gilpin was later looked back on as almost saving Cowper from turning insane.
Cowper and Mary Unwin moved to Weston in 1786 and shortly before this became close with his cousin Harriet (Theodora's sister), now Lady Hesketh. During this period he started his translations of Homer's Iliad and Odyssey into blank verse, and his versions (published in 1791) were the most significant English renderings of these epic poems since those of Alexander Pope earlier in the century, although later critics have faulted Cowper's Homer for being too much in the mold of John Milton.
In 1795 Cowper moved with Mary to Norfolk. They originally stayed at North Tuddenham, then at Dunham Lodge near Swaffham and then Mundesley before finally settling in East Dereham.
Mary Unwin died in 1796, plunging Cowper into a gloom from which he never fully recovered. He did, however, continue revising his Homer for a second edition of his translation, and, aside from writing the powerful and bleak poem "The Castaway", penned some English translations of Greek verse and turned some of the Fables of John Gay into Latin.
Cowper was seized with dropsy in the spring of 1800 and died. He is buried in the chapel of St. Thomas of Canterbury, St. Nicholas Church, East Dereham. A window in Westminster Abbey honours him.[2]
Cowper is represented with fifteen hymns in The Church Hymn book 1872:
N. 127 Jesus! where'er thy people meet, n. 357 The Spirit breathes upon the word, n. 450 There is a fountain, filled with blood, n. 790 Hark! my soul! it is the Lord, n. 856 To Jesus, the Crown of my hope, n. 871 Far from the world, O Lord! I flee, n. 885 My Lord! how full of sweet content, (translation 1782), n. 932 What various hindranes we meet, n. 945 Oh! for a closer walk with God, n. 965 When darkness long has veiled my mind, n. 1002 T is my happiness below, n. 1009 O Lord! in sorrow I resign, (translation 1782), n. 1029 O Lord! my best desire fulfill, n. 1043 There is a safe and secret place and n. 1060 God of my life! to thee I call.
GOD moves in a mysterious way,
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.
There is a fountain fill'd with blood
Drawn from EMMANUEL's veins;
And sinners, plung'd beneath that flood,
Lose all their guilty stains.
Oh! for a closer walk with GOD,
A calm and heav'nly frame;
A light to shine upon the road
That leads me to the Lamb!
God made the country, and man made the town.
There is a pleasure in poetic pains
Which only poets know.
Variety's the very spice of life,
That gives it all its flavour.
I am monarch of all I survey,
My right there is none to dispute;
From the centre all round to the sea,
I am lord of the fowl and the brute.
No voice divine the storm allay'd,
No light propitious shone;
When, snatch'd from all effectual aid,
We perish'd, each alone;
But I beneath a rougher sea,
And whelmed in deeper gulphs than he.
'Tis pleasant, through the loopholes of retreat,
To peep at such a world; to see the stir
Of the great Babel, and not feel the crowd;
To hear the roar she sends through all her gates
At a safe distance, where the dying sound
Falls a soft murmur on the uninjur'd ear.
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