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Yefim Bronfman

 
Artist: Yefim Bronfman
Yefim Bronfman
  • Born: April 10, 1958 in Tashkent, Uzbekistan

Biography

The Russian-born Israeli-American pianist Yefim Bronfman has been a fixture of concert stages, especially in the U.S., since becoming an American citizen in 1989. He is especially admired for his performances of modern Russian repertory, in which he balances pianistic fireworks with the moody introspection common to many of the works of the otherwise diverse Prokofiev and Shostakovich. Bronfman was born in Tashkent, Uzbekistan, on April 10, 1958. He had his first lessons from his mother, a piano teacher by trade. The family emigrated to Israel in 1973, and the teenaged Yefim began piano studies at Tel Aviv University. After just two years of work with teacher Arie Vardi, he was ready for a prestigious international debut with the Montreal Symphony under Zubin Mehta. Bronfman rounded out his studies in the U.S. at the Juilliard School, the Curtis Institute, and the Marlboro Festival; private teachers included Rudolf Firkusny, Leon Fleisher, and Rudolf Serkin. In 1978 he made his debut with the New York Philharmonic, and his recital debuts in New York and in Washington, D.C., were equally prestigious: they occurred at the 92nd Street Y and the Kennedy Center, respectively.

Since then, Bronfman's touring schedule has included stops at most of the world's major concert halls. His consistent popularity has dovetailed with that of Russian music generally, and he has recorded all five Prokofiev piano concertos and all seven of the composer's technically fearsome sonatas. His own repertoire, however, extends as far back as the music of Domenico Scarlatti, and he was given a Grammy award in 1997 for his recordings of Bartók's three piano concertos with Esa-Pekka Salonen and the Los Angeles Philharmonic. He has notched several other Grammy and Gramophone award nominations. Bronfman records for Sony, where he released a two-piano collaboration with Emanuel Ax, featuring music by Rachmaninov. He has also been an enthusiastic chamber music player. Two high points of his career came in 1991: he returned that year to Russia for the first time since his youth, and he was awarded the Avery Fisher Prize. In 2000 he reached wider audiences when his performance of Shostakovich's Piano Concerto No. 2 was featured in the film Fantasia 2000; he performed the work live at special screenings of the film in New York, Los Angeles, Paris, and Tokyo. Bronfman's performance of the two Shostakovich concertos was released in conjunction with the film, and he has continued to appear on top marquees in the early 2000s. ~ James Manheim, All Music Guide

Discography

Tchaikovsky, Anton Stepanovich Arensky: Piano Trios

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Prokofiev: Piano Sonatas Nos. 2, 3, 5 & 9

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Prokofiev: Piano Sonatas Nos. 1, 4 & 6

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Prokofiev: Piano Sonatas Nos. 1, 4 & 6

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Prokofiev:Piano Sonatas Nos. 7 & 8

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Mussorgsky: Pictures at an Exhibition; Stravinsky: Pétrouchka (Trois mouvements); Tchaikovsky: Dumka

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Shostakovich: Piano Concertos Nos. 1 & 2

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Tchaikovsky: Les Saisons; Balakirev: Islamey

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Brahms: Sonata No. 3, Op. 5; Scherzo, Op. 4

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Prokofiev: Piano Concertos Nos. 1, 3, & 5

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Wikipedia: Yefim Bronfman
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Yefim Bronfman (2008)

Yefim "Fima" Naumovich Bronfman (Russian: Ефим Наумович Бронфман; born April 10, 1958) is a Russian-Israeli pianist.

Contents

Biography

He was born in Tashkent, Uzbek SSR, and emigrated to Israel at the age of 15. He now has US citizenship[citation needed].

He made his international debut in 1975 with Zubin Mehta and the Montreal Symphony Orchestra.

He made his Carnegie Hall debut in 1989 and gave a series of recitals with Isaac Stern in 1991. He won a Grammy award in 1997 for his recording of the three Bartók piano concertos with Esa-Pekka Salonen and the Los Angeles Philharmonic. Another recording with Salonen, of the concertos of Sergei Rachmaninov, was pirated by the record label Concert Artist and re-issued with the piano part falsely attributed to Joyce Hatto.

Bronfman is also devoted to chamber music and has performed with many chamber ensembles and instrumentalists.

He made a set of Prokofiev's complete sonatas and concertos (with Zubin Mehta and the Israel Philharmonic Orchestra) for Sony Records.[1]

In 1999, he appeared in Disney's Fantasia 2000, in a short clip introducing the "Steadfast Tin Soldier" segment. His rendition of Dmitri Shostakovich's Piano Concerto #2 in F-Major (1st movement) with the Chicago Symphony Orchestra is the music used for the segment.

In March, 2006, Bronfman performed the Shostakovich Piano Concerto No. 1 with the San Francisco Symphony conducted by Mstislav Rostropovich.

Bronfman has also made an appearance with the Milwaukee Symphony Orchestra, performing Beethoven's "Emperor" Concerto.

His recent appearances have included performances with the Orchestre de Paris and the Singapore Symphony Orchestra. In January 2007, he also premiered Esa-Pekka Salonen's piano concerto, of which he is the dedicatee, with the New York Philharmonic conducted by the composer. This was later followed by a European premiere at the Proms with the BBC Symphony Orchestra. In May 2008, Bronfman performed the Brahms' Piano Concerto No. 1 with Michael Tilson Thomas and the San Francisco Symphony, during a three-week Brahms Festival.[2] On Sept. 3, 2008, Bronfman performed Piano Concerto No. 3 in D minor by Sergei Rachmaninov under the direction of Michael Tilson Thomas at the Opening Gala of the San Francisco Symphony [2], and on Sept. 28 and 29 with the St. Louis Symphony Orchestra, under the direction of Dr. David Robertson.[3]. On March 25 and 26 2009, he performed Piano Concerto No. 3 in D minor by Sergei Rachmaninov, this time under the baton of Pinchas Zukerman with the National Arts Centre Orchestra in Ottawa, Canada.

Bronfman's older sister, Elizabeth Krupnik is a violin player with the Israel Philharmonic Orchestra for the past 28 years.

Cultural References

In The Human Stain by Philip Roth, the narrator attends a rehearsal at Tanglewood at which Bronfman performs. The following colorful description is offered (page 209-210):

  • Then Bronfman appears. Bronfman the brontosaur! Mr. Fortisimo. Enter Brofman to play Prokofiev at such a pace and with such bravado as to knock my morbidity clear out of the ring. He is conspicuously massive through the upper torso, a force of nature camoufalged in a sweatshirt, somebody who has strolled into the Music Shed out of a circus where is the strongman and who takes on the piano as a ridiculous challenge to the gargantuan strength he revels in. Yefim Bronfman looks less like the person who is going to play the piano than like the guy who should be moving it. I had never before seen anybody go at a piano like this sturdy little barrel of an unshaven Russian Jew. When he's finished, I thought, they'll have to throw the thing out. He crushes it. He doesn't let that piano conceal a thing. Whatever's in there is going to come out, and come out with its hands in the air. And when it does, everything there out in the open, the last of the last pulsation, he himself gets up and goes, leaving behind him our redemption. With a jaunty wave, he is suddenly gone, and though he takes all his fire off with him like no less a force than Prometheus, our own lives now seem inextinghuishable. Nobody is dying, nobody - not if Bronfman has anything to say about it.

References

see Houston Symphony Orchestra web site

  1. ^ Sony Classics
  2. ^ a b San Francisco Symphony website
  3. ^ St. Louis Symphony website

Bronfman performed the Brahm's Second Piano Concerto with the Houston Symphony Orchestra March 12-15, 2009, under the baton of Maestro Hans Graf, resident Music Director.

External links


 
 
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