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Yehudi Menuhin (1916-1999) was one of the most celebrated violinists of the twentieth century. From his debut at the age of 8 until his death at 82, he was renowned for his talent as a violinist and conductor.
Menuhin was born April 22, 1916 to Moshe and Maratha Menuhin, Jewish immigrants from Russia, who had met in Palestine. Mehuhin was born in New York, but moved to San Francisco when he was nine months old. Moshe Menuhin supported his family by teaching Hebrew. Maratha Menuhin was an overbearing mother who was very protective of her son. She and her husband taught Menuhin and his two younger sisters, Hephzibah and Yaltah, at home.
A Child Prodigy
Menuhin first demonstrated his interest in music at the age of two, when he accompanied his parents to a San Francisco Symphony Orchestra concert. The toddler listened intently to the music without making a sound. When he was five, he began taking violin lessons from Sigmund Anker, a teacher who specialized in teaching young children. Six months later, he made his first public appearance at Anker's studio. In 1923, Menuhin began studying with Louis Persinger, concertmaster of the San Francisco Symphony Orchestra. He gave a solo performance with the symphony at the age of eight. When Persinger moved to New York in 1925, Menuhin followed him, making his debut at the Manhattan Opera House the following year.
A wealthy San Francisco attorney, Sidney Behrman, became Menuhin's patron. He underwrote the family's expenses for a trip to Europe so that Menuhin could pursue his musical career. Menuhin was soon recognized throughout Europe as a virtuoso performer. He made his debut in Paris and Brussels in 1927 and in Berlin and London in 1929. After a 1929 concert in Berlin, Albert Einstein went backstage, kissed the 13-year-old prodigy and said, "Today Yehudi, you have once again proved to me that there is a God in heaven," the New York Times reported.
Menuhin began recording his music in 1928. His recordings were often made with his sister, Hephzibah, who would continue to accompany Menuhin on the piano for 40 years. When she died in 1981, Menuhin told the New York Times," We needed few words. We played almost automatically, as if we were one person."
Menuhin's performances were applauded for their maturity. Following a solo performance of a Beethoven violin concerto with the New York Symphony Society at the age of 11, a Herald Tribune critic hailed his "ripeness and dignity of style." It continued: "What you hear takes away your breath and leaves you groping helplessly among the mysteries of the human spirit."
In 1934, Menuhin went on his first world tour, visiting 63 cities in 13 countries and performing at 110 engagements. Following the tour, his family moved back to California, where they built a compound in Los Gatos. Menuhin went through a two-year hiatus in which he made no public appearances. He spent the time in study and self-examination. Biographers have suggested that this first crisis of confidence followed a realization that his early musical education lacked sufficient technical training. It has been suggested that his overprotective mother contributed to Menuhin's withdrawl.
When Menuhin returned to the concert stage in 1937, he was praised as one of the foremost violinists of the century. He often used original texts, rather than relying on the edited versions preferred by other violinists. Menuhin performed rarely featured works and popularized neglected pieces such as Elgar's Violin Concerto, a "lost" violin concerto of Schumann, and little known music of Bartok, Enesco, Ernest Bloch, William Walton and other twentieth century composers.
On May 26, 1938, Menuhin married Nola Ruby Nicholas, the daughter of an Australian industrialist. The couple had a daughter Zamira and a son Krov. They divorced in 1947.
The 1940s was a stressful decade for Menuhin, who had to cope with a failing marriage and the dangers of war. He gave more than 500 concerts for American and Allied troops, often in combat zones. After the war, Menuhin performed in displaced person camps and visited concentration camps soon after their liberation. He held concerts in the recently liberated cities of Brussels, Bucharest and Budapest.
In 1947, Menuhin married Diana Rosamon Gould, a British actress and ballerina who had worked with the noted choreographer, George Balanchine. They had two sons, Jeremy and Gerard. Gould was a positive influence in the musician's life and helped him recover from depression.
Political Controversy
It was during this time that Menuhin's political beliefs first drew attention. Jewish groups did not approve of his performance with the Berlin Philharmonic Orchestra under Wilhelm Furtwangler soon after the Second World War. Much criticism was leveled at Furtwangler, who had remained in Germany and prospered during the war. Menuhin countered that Furtwangler had never joined the Nazi Party and had helped Jewish musicians. In 1949, Furtwangler was being considered for the position of music director of the Chicago Symphony Orchestra. Many musicians said they would never play with the orchestra if Furtwangler got the position. Menuhin continued to support his friend. In 1950, when he made his first tour of Israel, many Jews denounced him for his 1947 Berlin appearance.
Menuhin drew further criticism in 1967, when he played benefit concerts for Israeli organizations as well as Arab refugees following the Six-Day War in the Middle East. Although Menuhin was recognized as a gifted musician in Israel, his reputation remained clouded.
Menuhin considered himself to be an internationalist. In the 1950s, he told interviewers that peace could only be achieved under a single benign world government. Through Menuhin's influence, the United States and the Soviet Union participated in a cultural exchange in 1955.
Menuhin was an American by birth, but lived in Europe most of his life. He became a British subject in 1985 (while retaining his American citizenship). Menuhin was given an honorary knighthood in 1966 and was made a life peer in 1993 with the title Lord Menuhin of Stoke d'Abernon. In addition to his home in Britain, Menuhin also kept his family's Los Gatos, California home and maintained homes in Switzerland and the Greek island of Mykonos.
Greater Attention to Conducting
During the 1950s and 1960s, Menuhin became involved with the inauguration of music festivals at Gstaad, Switzerland in 1956 and Bath, England in 1959. Although he had made his debut as a conductor in Dallas in 1942, it was at Gstaad and Bath that he began conducting regularly.
By the late 1960s, Menuhin had led most of the world's great orchestras and had recorded with many. He took a sabbatical in 1976 and played less and less often during his last two decades. Critics noted many technical flaws in his performances during these years.
Menuhin made his first tour solely as a conductor with the Royal Philharmonic Orchestra in the United States in 1985. He told U.S. News and World Report in 1987 that conducting was "the most complete form of exercise. It combines the work of the body with that of the mind, the heart, the emotions, the memory and intellect." By the 1990s, partial deafness forced him to stop playing violin in public, but he continued to conduct.
Responsibility to Young Musicians
Menuhin was dedicated to teaching young musicians. His gentle approach toward teaching children contrasted with his mother's overbearing attitude. Menuhin told the BBC that he felt a "'special responsibility' to help young people enrich and fulfill themselves." In an interview with U.S. News and World Report, Menuhin said, "I try to make them feel that they are members of a great human community with contact through music to all parts of the world and to all human beings."
Menuhin established the Yehudi Menuhin School for Music in Stoke d'Abernon, England in 1963. The school specializes in music and academic subjects for students from the ages of 8 to 14. Menuhin himself taught classes at the school. He was named president of the Trinity College of Music in London in 1971 and founded the Menuhin Academy at Gstaad, Switzerland in 1977.
Broad Range of Interests
Menuhin's interests outside music were broad. He was known as an environmentalist and practitioner of yoga. He was introduced to yoga in the 1950s and studied with B.K.S. Iyengar, a noted guru. Menuhin's daily regimen included 15 to 20 minutes of standing on his head. He also used yoga to relax before concerts. Menuhin advocated a vegetarian diet and warned of the dangers of eating white rice, white bread, and refined sugar.
Menuhin's diverse musical interests were demonstrated in his work. He recorded jazz albums with Stephane Grappelli and Eastern music with the noted Indian sitarist, Ravi Shankar. Menuhin admired the Beatles. In 1979, Menuhin and Curtis W. Davis wrote The Music of Man, an international study of music, from ancient times to punk rock.
Menuhin continued to conduct until his death from heart failure on March 12, 1999 in Berlin. He is remembered as a child prodigy whose musical talent spanned some 70 years. As a humanitarian, Menuhin supported hundreds of cultural and charitable organizations. Throughout his life, he maintained a vision of a utopian future.
Further Reading
Musicians Since 1900: Performers in Concert and Opera, edited by David Ewen, Wilson, 1978.
New York Times, March 13, 1999.
U.S. News and World Report, April 13, 1987.
"Music World Mourns Death of Violinist Yehudi Menuhin," http://cnn.com(October 26, 1999).
"Lord Yehudi's Legacy," http://news.bbc.co.uk(October 26, 1999.
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Bibliography
See his Theme and Variations (1972) and Unfinished Journey (1977); biographies by R. Magidoff (1955) and N. Wymer (1961).
His sister, the pianist Hepzibah Menuhin, 1920-81, b. San Francisco, also a prodigy, often appeared in recital with him. Yaltah Menuhin, 1921-2001, b. San Francisco, their sister and the youngest of the three, was also a classical pianist.
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| Born April 22, 1916, in New York, NY; son of Moshe and Marutha Sher Menuhin (name originally Mnuchin; both teachers); married Nola Ruby Nicholas, 1938 (divorced); married Diana Gould, 1947; children: (first marriage) Zamira (daughter), Krov Nicholas; (second marriage) Gerard, Jeremy. Education: Studied violin with Sigmund Anker and Louis Persinger in California; Georges Enesco in Paris and Romania; and Adolf Busch in Basel, Switzerland. Made professional debut, Oakland Auditorium, Oakland, CA, c. 1923; gave first recital, Scottish Rite Hall, San Francisco, 1925; (with New York Symphony Orchestra) made debut at Carnegie Hall, New York City, 1927; made first recordings, 1928; (with Bruno Walter and Berlin Philharmonic Orchestra) performed concerto program, Berlin, 1929; mounted first world tour, 1935; gave concerts for Allied troops and relief organizations, 1940s. Author of Theme and Variations, 1972, autobiograpy Unfinished Journey, 1977, and (with C. W. Davis) The Music of Man, 1980. Founded Yehudi Menuhin School, Surrey, England, 1962. Principal guest conductor, Warsaw Sinfonia, 1982—, English String Orchestra, 1988—. President and associate conductor, Royal Philharmonic, 1982—. Awards: Nehru Award for Peace and International Understanding (India), Canadian Music Council Gold Medal, Kennedy Center Honor, Brahms Medal, Ordre des Arts et des Lettres (France), Légion d’honneur (France), Croix de Lorraine (France), Order of Merit (Germany); honorary knighthood from Queen Elizabeth II, 1965. Addresses: Record company—Symphonic Music Co. Ltd., 65 Chester Square, London SW1, England. |
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Yehudi Menuhin, Baron Menuhin, OM, KBE (22 April 1916 – 12 March 1999) was a Russian Jewish American violinist and conductor who spent most of his performing career in the United Kingdom. He was born to Russian Jewish parents in the United States, but became a citizen of Switzerland in 1970, and of the United Kingdom in 1985. He is often considered to be one of the greatest violinists of the 20th century.
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Yehudi Menuhin was born in New York City, New York, to Bielorussian Jewish parents from what is now Belarus. His sisters were the concert pianist and human rights worker Hephzibah Menuhin and the pianist, painter, and poet Yaltah Menuhin. Through his father Moshe Menuhin, a former rabbinical student and anti-Zionist writer, Menuhin was descended from a distinguished rabbinical dynasty.
Menuhin began violin instruction at age four under violinist Sigmund Anker; his parents had wanted Louis Persinger to be his teacher, but Persinger refused.[1] Menuhin displayed extraordinary talents at an early age. His first solo violin performance was at the age of seven with the San Francisco Symphony in 1923. Persinger then agreed to take Menuhin as a student. When the Menuhins went to Paris, Persinger suggested Yehudi go to his own teacher, Eugène Ysaÿe. He did have one lesson with Ysaÿe, but did not like his method or the fact that he was very old.[1] Instead, he went to the Romanian composer and violinist George Enescu, after which he made several recordings with his sister Hephzibah. He was also a student of Adolf Busch. In 1929 he played in Berlin, under Bruno Walter's baton, three concerti by Bach, Brahms and Beethoven. In 1932 he recorded Edward Elgar's Violin Concerto in B minor for HMV in London, with the composer himself conducting, and between 1934 and 1936 he made the first integral recording of Johann Sebastian Bach's Sonatas and Partitas for Solo Violin.
Yehudi Menuhin performed for Allied soldiers during World War II, and accompanied English composer Benjamin Britten to perform for inmates of Bergen-Belsen concentration camp, after its liberation in April 1945. He returned to Germany in 1947 to perform with the Berlin Philharmonic Orchestra under the baton of conductor Wilhelm Furtwängler as an act of reconciliation, becoming the first Jewish musician to do so following the Holocaust. He said to critics within the Jewish community that he wanted to rehabilitate Germany's music and spirit. After building early success on richly romantic and tonally opulent performances, he experienced considerable physical and artistic difficulties caused by overwork during the war as well as unfocused and unstructured early training (reportedly he said "I watched myself on film and realized that for 30 years I'd been holding the bow wrong").[citation needed] Careful practice and study combined with meditation and yoga helped him overcome many of these problems. His profound and considered musical interpretations are nearly universally acclaimed. When he finally resumed recording, he was known for practicing by deconstructing music phrases one note at a time.
He and Louis Kentner (brother-in-law of his wife, Diana) gave the first performance of William Walton's Violin Sonata, at Zürich on 30 September 1949.
Menuhin continued to perform to an advanced age, becoming known for profound interpretations of an austere quality, as well as for his explorations of music outside the classical realm.
Menuhin credited German-Jewish philosopher Constantin Brunner with providing him with "a theoretical framework within which I could fit the events and experiences of life".[2]
In 1952 Menuhin met and befriended the influential yogi B. K. S. Iyengar before he had come to prominence outside India. Menuhin arranged for Iyengar to teach abroad in London, Switzerland, Paris and elsewhere. This was the first time that many Westerners had been exposed to yoga.
Following his role as a member of the awards jury at the 1955 Queen Elisabeth Music Competition, Menuhin secured a Rockefeller Foundation grant for the financially-strapped Grand Prize winner at the event, Argentine violinist Alberto Lysy. Menuhin made Lysy his first and only personal student, and the two toured extensively throughout the concert halls of Europe. The young protégé later established the International Menuhin Music Academy in Gstaad, in his honor.[3]
Menuhin made several recordings with the German conductor Wilhelm Furtwängler, who had been criticized for conducting in Germany during the Nazi era. Menuhin defended Furtwängler, noting that the conductor had helped a number of Jewish musicians to flee Nazi Germany.
In 1962, he established the Yehudi Menuhin School in Stoke d'Abernon, Surrey. He also established the music program at The Nueva School in Hillsborough, California, sometime around then. In 1965 he received an honorary knighthood from the British monarchy. In the same year, Australian composer Malcolm Williamson wrote a violin concerto for Menuhin. He performed the concerto many times and recorded it at its premiere at the Bath Festival in 1965. Originally known as the Bath Assembly,[4] the festival was first directed by the impresario Ian Hunter in 1948. After the first year the city tried to run the festival itself, but in 1955 asked Hunter back. In 1959 Hunter invited Yehudi Menuhin to become artistic director of the Festival. Menuhin accepted, and retained the post until 1968.[5]
Menuhin also had a long association with Ravi Shankar, which began with their 1966 album West Meets East. During this time, he commissioned composer Alan Hovhaness to write a concerto for violin, sitar, and orchestra to be performed by himself and Shankar. The resulting work, entitled Shambala (c. 1970), with a fully composed violin part and space for improvisation from the sitarist, is the earliest known work for sitar with western symphony orchestra, predating Shankar’s own sitar concertos, but Menuhin and Shankar never recorded it. Menuhin also worked with famous jazz violinist Stéphane Grappelli in the 1970s on Jalousie, an album of pop music of the 1930s arranged in chamber style.
At the Edinburgh Festival in 1957 Menuhin premiered Priaulx Rainier's violin concerto Due Canti e Finale, which he had commissioned Rainier to write. He also commissioned her last work, Wildlife Celebration, which he performed in aid of Gerald Durrell's Wildlife Conservation Trust.
In 1983 Menuhin and Robert Masters founded the Yehudi Menuhin International Competition for Young Violinists. Now one of the world's leading competitions for young violinists, many of its prizewinners have gone on to become prominent violinists, including Tasmin Little, Nikolaj Znaider, Ilya Gringolts, Julia Fischer, Daishin Kashimoto and Lara St. John.
In 1991 Menuhin was awarded the prestigious Wolf Prize by the Israeli Government. In the Israeli Knesset he gave an acceptance speech in which he criticised Israel's continued occupation of the West Bank:
In 1997 Menuhin and Ian Stoutzker founded the charity Live Music Now, the largest outreach music project in the UK. Live Music Now pays and trains professional musicians to work in the community, bringing the experience to those who rarely get an opportunity to hear or see live music performance.
Menuhin's pupils included Nigel Kennedy, Nicola Benedetti, and the violists Paul Coletti and Csaba Erdélyi. He owned and played several notable instruments; arguably the most famous of which is the Lord Wilton Guarneri del Gesù (1742).
In the 1980s Menuhin wrote and oversaw the creation of a "Music Guides" series of books; each covered a musical instrument, with one on the human voice. Menuhin wrote some, while others were edited by different authors.
Menuhin regularly returned to the San Francisco Bay Area, sometimes performing with the San Francisco Symphony Orchestra. One of the more memorable later performances was of Edward Elgar's Violin Concerto, which Menuhin had recorded with the composer in 1932.
On 22 April 1978, along with Stéphane Grappelli, Yehudi played Pick Yourself Up, taken from the Menuhin & Grappelli Play Berlin, Kern, Porter and Rodgers & Hart album as the interval act at the 23rd Eurovision Song Contest for TF1. The performance came direct from the studios of TF1 and not that of the venue (Palais des Congrès), where the contest was being held.
Menuhin hosted the PBS telecast of the gala opening concert of the San Francisco Symphony from Davies Symphony Hall in September 1980.
During the 1970s, 1980s and 1990s, Menuhin made jazz recordings with Stéphane Grappelli, classical recordings with L. Subramaniam and albums of Eastern music with the great sitarist Ravi Shankar. In 1983 he founded the Yehudi Menuhin International Competition for Young Violinists in Folkestone, Kent.
His recording contract with EMI lasted almost 70 years and is the longest in the history of the music industry. He made his first recording at age 13 in November 1929, and his last in 1999, when he was nearly 83 years old. He recorded over 300 works for EMI, both as a violinist and as a conductor. In 2009 EMI released a 51-CD retrospective of Menuhin's recording career, titled Yehudi Menuhin: The Great EMI Recordings.
In 1990 Menuhin was the first conductor for the Asian Youth Orchestra which toured around Asia, including Japan, Taiwan, Singapore and Hong Kong with Julian Lloyd Webber and a group of young talented musicians from all over Asia.
Yehudi Menuhin was married twice. He married Nola Nicholas, daughter of an Australian industrialist, and sister of Hephzibah Menuhin's first husband Lindsay Nicholas. They had two children, Krov and Zamira (who married pianist Fou Ts'ong). Following their 1947 divorce he married the British ballerina and actress Diana Gould, whose mother was the pianist Evelyn Suart (who had played with artists such as Eugène Ysaÿe and Karel Halíř), and whose stepfather was Admiral Sir Cecil Harcourt. Menuhin and Gould had two sons, Gerard and Jeremy, a pianist. A third child died shortly after birth.
The name Yehudi means 'Jew' in Hebrew. In an interview published in October 2004, he recounted to New Internationalist magazine the story of his name:
Menuhin died in Martin Luther Hospital,[8] Berlin, Germany, from complications of bronchitis.
Soon after his death, the Royal Academy of Music acquired the Yehudi Menuhin Archive, one of the most comprehensive collections ever assembled by an individual musician.
Menuhin used a number of famous violins including the Giovanni Bussetto 1680, the Giovanni Grancino 1695, the Guarneri filius Andrea 1703, the Soil Stradivarius, the Prince Khevenhüller 1733 Stradivari, the Guarneri del Gesù 1739, and the Lord Wilton 1742 Guarneri del Gesù.
The catchphrase "Who's Yehoodi?" popular in the 1930s and 1940s was inspired by Menuhin's guest appearance on a radio show, where Jerry Colonna turned "Yehoodi" into a widely recognized slang term for a mysteriously absent person. It eventually lost all of its original connection with Menuhin.
Yehudi Menuhin was also 'meant' to appear on The Morecambe and Wise Show but could not do so as he was 'opening at the Argyl Theatre, Birkenhead in Old King Cole'. He was replaced by Eric Morecambe in the famous "Grieg's Piano Concerto by Grieg" sketch featuring the conductor André Previn.
Yehudi Menuhin was referenced in an episode of the US television series Sports Night. The episode, "Celebrities", featured an after-hours game of Celebrities among the Sports Night staff. Dan Rydell, a co-anchor of the fictional show, gave clues to his teammates, trying to get them to guess the name Yehudi Menuhin. He had shown his co-anchor, Casey McCall, a secret hand gesture that would clue him in to say “Yehudi Menuhin”, but during the game, Casey forgot the secret signal, and could not recall Menuhin's name.
Menuhin was also mentioned a number of times in Pat Conroy's novel The Prince of Tides.
The song "Amateur Hour" by Sparks refers to Menuhin.
A picture of Menuhin as a child is sometimes used as part of a Thematic Apperception Test.[11]
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