('') pronunciation
n., pl., -yos.
  1. A toy consisting of a flattened spool wound with string that is spun down from and reeled up to the hand by motions of the wrist.
  2. Informal. One that undergoes frequent abrupt shifts or reversals, as of opinion or emotion; a vacillator.
  3. Slang. A stupid or objectionable person.
intr.v. Informal, -yoed, -yo·ing, -yos.
To undergo frequent abrupt shifts or reversals, as of opinion or emotion; vacillate.

[Originally a trademark.]


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Gale's How Products Are Made:

How is a yo-yo made?

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Background

A yo-yo is a toy that has two disks connected together and sandwiching a long string. Traditionally made of wood, the disks are now commonly made of plastic. Attached to the center of the disks, the string winds, unwinds, and rewinds, while attached to a person's finger.

The specific origin of the yo-yo is uncertain. Early versions of the toy have been placed in China, Greece, and the Philippines. The National Museum of Athens houses several vases dating from around 500 B.C. depicting young Greeks playing with discs tethered to a cord. The word yo-yo means come come in the native Philippine language, Tagalog, and yo-yos have been hand-carved in that country for thousands of years.

History

The European introduction to the yo-yo occurred much more recently. The toy arrived in France during the eighteenth century, probably brought by missionaries returning from China, and it became a craze among the elite. The future king at that time, Louis XVII, was painted at age four with a yo-yo in hand. The French called the toy l'emigrette, after the aristocrats who popularized the toy and who were forced to emigrate to safer territories when the revolution began.

From France the yo-yo traveled to England where again it sparked a craze among the upper classes. The English dubbed the toy bandalore and also quiz, and illustrations from the period show soldiers, aristocrats, and even kings playing with it.

In 1927, a Filipino busboy named Pedro Flores began carving and selling a toy from his childhood to the guests at the Santa Monica, California, hotel where he worked. By 1929, the Flores Yo-yo Corporation had two factories in Los Angeles, California, feeding a craze for the toy that was sweeping across the United States. Flores' yo-yo utilized a unique innovation, the slip string. Previous designs had the string tied to the yo-yo's axle, and so the yo-yo would only go up and down. With Flores' design, a twisted length of string looped around the axle, allowing the yo-yo to spin or "sleep" so that various tricks could be performed.

Soon Flores' spinning top attracted the attention of marketing genius Donald Duncan. Duncan opened a Flores Yo-yo factory in Chicago, Illinois, and soon after, he bought the company. To promote his new purchase, Duncan staged yo-yo contests in cities across the country. The yo-yo became a nationwide craze; one 30-day campaign in 1930 sold three million of them.

A shortage of wood and labor put the yo-yo on hiatus during World War II. When production restarted in 1947, Duncan was not alone in the market. For years, the company was able to maintain an edge over the competition with a fierce defense of their trademark on the name yo-yo, forcing competitors to give their toys names such as return tops or Filipino twirlers.

In 1962, the yo-yo reached new heights in the United States, selling 45 million units in a country that only had 40 million children. Feeling that they were in a position to finally take back the market, Duncan sued its chief rival Royal Tops for trademark infringement. They lost. The court ruled that Duncan could not legally hold a trademark on the name yo-yo because it was, and always had been, simply the name of the toy, like kite or baseball. Three years later, deeply in debt from court battles, expensive television promotions, and the cost of retooling production lines from wooden to plastic yo-yos, Duncan was forced by its creditors into bankruptcy. In 1968, Flambeau Plastics Company bought the Duncan name and restarted production; the company still makes Duncan yo-yos today.

Raw Materials

The Greeks fashioned their discs from terra cotta. The French emigrettes were ivory and brass. Philippine yo-yos are carved from water buffalo horn or from wood. Until the switch to plastic in the late 1960s, American-made yo-yos were carved from solid blocks of maple. Most modern manufacturers of wooden yo-yos still use maple as it has the ideal density to give the yo-yo the proper weight at the required size. But 90% of the yo-yos sold today are plastic. Manufacturers use a plastic called K-resin. K-resin takes color well, is non-toxic, and is resilient enough to survive repeated abuse, but soft enough not to develop sharp edges.

The string is, and has been since 1927, pure Egyptian cotton. Recently, some manufacturers have introduced synthetic strings, but these do not maintain the proper friction against the inside of the yo-yo and against the axle and will not perform properly.

Traditionally, the axle was made out of the same wood as the sides of the yo-yo as the toy was carved out of a single, solid block. While wood provides ideal friction against the string, this friction eventually causes the string to cut the axle. And a broken axle cannot be repaired. So most modern axles are made from either aluminum or steel.

Design

A yo-yo functions on the two basic physical properties of friction and rotational inertia. Rotational inertia says that a spinning object will resist moving from the axis on which it is currently spinning, which is why a yo-yo will descend and return in a straight path rather than twisting and twirling on the end of the string. It also means that the object will continue spinning until some other force—usually friction—stops it. The friction in a yo-yo comes from the contact of the string with the inside surfaces of the two halves and from the contact of the string with the axle. Decreasing the diameter of the axle reduces friction, allowing the yo-yo to spin longer, giving more time to perform tricks. But if the axle is too small, the yo-yo will not return properly. The distance between the two halves requires similar considerations; widening the gap decreases the friction against the string and allows the yo-yo to spin longer, but that friction of the string against the sides as the yo-yo descends is part of what makes the yo-yo spin. The width of the string has the same effect; a thicker or thinner string is essentially the same as a wider or narrower gap and will produce the same results. In addition, yo-yo string is designed to have a natural twist so that it will not unwind and let loose the yo-yo. But if the string is given too much twist, the end loop will wrap too tightly around the axle and stop the yo-yo from sleeping.

Rotational inertia increases as weight is distributed to the outside rim of the spinning object. A bicycle wheel, for example, has a lot of rotational inertia so it spins for a long time and is very stable while it spins, ideal for a yo-yo. Unfortunately, a yo-yo the size of a bicycle wheel is difficult to hold in one hand and is almost impossible to throw, so most yo-yos are made considerably smaller.

Considering all of these variables, each yo-yo manufacturer arrives at a different conclusion about specifics, usually varying by a sixteenth of an inch (0.16 cm) in any dimension and a sixteenth of an ounce (1.75 g) in overall weight. But they all end with the same basic conclusion, a yo-yo that weighs about one and three-quarters ounces (49 g) and is about two and five-eighths inches (6.67 cm) in diameter.

The Manufacturing
Process

The first yo-yos manufactured in the United States were carved out of solid blocks of maple. This was a time-intensive but straight forward process. Lumber was first dried in huge kilns. This step is critical in the making of a wooden yo-yo because wood warps and shrinks as it dries, which is something that should happen before it is carved into the specific, balanced shape of a yo-yo. Once dried, the lumber was cut down to size. It was then put on a lathe and, using a master pattern to ensure the correct dimensions, it was shaved with a variety of chisels into a yo-yo. The yo-yo was either stained with wood stain or painted, and then it was finished with clear lacquer. Today, most manufacturers of wooden yo-yos still use this process except that very few make solid yo-yos anymore. Most drill into the wooden halves and connect them with a steel axle. However the majority of yo-yos made today are of plastic. That process has nine steps.

Shells and discs

  • Each half of a plastic yo-yo begins as two pieces: the flat, inner piece that will take the axle is called the disc, and the rounded outer piece is called the shell (the butterfly type yo-yo is opposite, with a rounded disc and a flat shell. It is made via the same process but on a separate assembly line). The plastic used to make the discs and shells is fed in the form of solid pellets into a huge funnel with an equally huge screw inside. The outside of the funnel is wrapped with flexible strips called heater bands, which are like narrow electric blankets for the funnel. Each band gets progressively warmer as the funnel gets narrower, and as the screw pushes the pellets toward the bottom of the funnel, they become more and more liquid. This process ensures that the pellets will melt evenly and completely, which is critical to the next step. At the bottom of the funnel, the screw pushes the liquid plastic into a mold through a tube called a gate.
  • Inside the mold are the shapes of four discs and four shells, all connected by gates. The mold has a valve, which allows hot air to be pushed out ahead of the plastic and ensures that the mold is completely filled. Because the mold is completely filled and because the plastic has been entirely and evenly melted, each shell and each disc will always be perfectly round and have perfectly even weight distribution. Once the mold is filled, it holds the plastic for 17 seconds and cools it with water-filled tubes running along the outside of the mold. Then the mold, which is actually two halves clamped tightly together, releases the shells and halves, all connected by the plastic that filled the gates, onto an assembly line to be fashioned into yo-yo halves.

Axles

  • While the molding line is making yo-yo halves, a separate machine is cutting the axles to connect them. The machine is fed long pieces of round metal. The exact length of metal to make an axle is fed into a clamp where it is cut. The cut piece is then notched at each end so that it will grip the plastic.

Assembly

  • Once the mold releases the flat of shells and discs, a worker clips them apart, removes any extra plastic and snaps them together to make halves. Each shell and disc has a lip that fits into its complimentary piece. When the plastic is still slightly warm from the mold, these lips will snap together. Once fastened, they will not release.
  • The halves are sent down a belt to a machine called the hot stamper. The hot stamper has a circular tray with cup-like holders around its edge. Each holder takes a yo-yo half and rotates it to a heated press. The press feeds a roll of whatever logo the yo-yo will display onto the top of the yo-yo half. It then presses the logo onto the half and heats it, affixing the logo. Other designs use a round insert displaying the logo which fits into the disc and a clear shell so the insert can be seen.
  • The halves continue down the line to a worker who places an axle in one half and sets it with a mallet. The next worker places the other half on top and sets it with a mallet. Then the assembled yo-yo is placed in an air-driven press. The press has a tray in the shape of the yo-yo and a metal plate that fits between the yo-yo halves. The metal plate has a groove cut out to fit around the axle and is the exact thickness of the manufacturer's specified gap between the halves. When the press fires, it both permanently secures the two halves to the axle and sets the correct gap between the halves.
  • The finished yo-yo is now placed on a table with a spool of string and a cutter at one end and an upright, with several notches in it at the other. The distance between the cutter and the upright is exactly the length of the manufacturer's desired length of string for each yo-yo. The string is pulled down from the spool through the notch in the upright, where it is looped around the axle of the yo-yo. Then it is pulled back to the cutter, cut, and tied. The yo-yo is then allowed to hang from its string, held by the notch in the upright, to twist onto the axle.
  • The strung yo-yo moves down the line to a machine that resembles a miniature turntable. A worker places the yo-yo on the wheel, holds it down with one hand, holds tension in the string with the other hand, and with a foot-operated switch, spins the string onto the yo-yo.

Packaging

  • The most common packaging for a yo-yo is called a skin card. The skin card is the cardboard sheet with the product attached to it with what appears to be melted plastic wrap you see hanging on store displays. To package a yo-yo this way, a sheet of several cards is slid under a piece of wood with holes in it corresponding to the cards below. A yo-yo is dropped through each hole onto the card. This assures correct placement on the card. The sheet then moves on rollers to a machine that feeds plastic film over the entire sheet of cards and yo-yos. The film is made from a special plastic that conforms to any shape and shrinks when heated but does not melt. The machine heats the plastic, which tightly seals the yo-yos to the cards. The machine then cuts the sheet into individual cards and rolls them into a basket where they are collected and boxed for shipping.

The Future

The foremost modern advancement to yo-yo design was Pedro Flores' creation of the slip string. Some would argue that the advent of durable metal axles was an advancement. Others say that only wooden axles offer the proper friction to make a truly playable yo-yo. San Francisco yo-yo entrepreneur Tom Kuhn has invented a system that addresses both durability and spin. His yo-yos have a replaceable wooden sleeve that fits over a steel axle. His latest creation replaces the fixed axle altogether. It uses the same sealed bearing on which computer disk drives spin and is said to sleep 10 times longer than a conventional axle. But the basic design of yo-yos is the same as it has always been. And barring some radical change in the laws of physics, that design will never change.

Where to Learn More

Books

Cassidy, John. The Klutz Yo-yo Book. Klutz Press, 1987.

Malko, George. The One and Only Yo-yo Book. Avon Books, 1978.

Zeiger, Helane. World on a String. TK Yo-yos, Ltd., 1989.

Periodicals

Crump, Stuart, ed. Yo-yo Times. Creative Communications, Inc.

Kowalick, Vince. "Yo-yo Entrepreneur Had to Pull Some Strings." Los Angeles Times, May 23, 1994, pg. 5.

Other

"SoCool…Sonoma County ONLINE…Just Say Yo." http://www.socool.com/socool (1/29/97).

"The American Yo-yo Association Home Page." http://www.pd.net/yoyo (1/29/97).

[Article by: Michael Cavette]


Slang for a very volatile market.

Investopedia Says:
Basically, a yo-yo market moves up and down like its toy namesake.

Related Links:
Check out how the assumptions of theoretical risk models compare to actual market performance. The Uses And Limits Of Volatility
Make sure you know the difference between a change in market outlook and short-term recovery. The Dead Cat Bounce: A Bear In Bull's Clothing?


noun
noun, US

A fool. (1970 —) .
V. Bugliosi I've got enough problems without some punk yo-yo threatening me (1978).

[From earlier sense, toy that goes up and down.]


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Yo-yo
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Availability 500 BC–present

The yo-yo in its simplest form is an object consisting of an axle connected to two disks, and a length of twine (usually called a string) looped around the axle, similar to a slender spool. It is played by holding the free end of the string (usually by inserting one finger in a slip knot) allowing gravity or the force of a throw to spin the yo-yo and unwind the string (similar to how a pullstring works), then allowing the yo-yo's spin to wind itself back to one's hand; Often called "yo-yoing". First made popular in the 1920s, yo-yoing remains a popular pastime of many generations and cultures. The newest generation and culture of yo-yo participants often refer to the act of yo-yoing as "flinging".

In the simplest play, the string is intended to be wound on the spool by hand; The yo-yo is thrown downwards, hits the end of the string, then winds up the string toward the hand, and finally the yo-yo is grabbed, ready to be thrown again. Many other tricks exist, most based on the basic sleeper trick.[1] One of the most famous tricks on the yo-yo is "walk the dog". This is done by throwing a strong sleeper and allowing the yo-yo to roll across the floor, before tugging it back to the hand. English historical names for the yo-yo include bandalore (from French) and quiz. French historical terms include bandalore, incroyable, de Coblenz, emigrette, and joujou de Normandie (joujou meaning little toy).[2]

Contents

History

Boy playing terracotta yo-yo, Attic kylix, ca. 440 BC, Antikensammlung Berlin (F 2549)

The earliest yo-yo use is that as a hunting tool in the Phillipine Islands.

The earliest surviving yo-yo dates to 500 BCE and was made using terra cotta skin disks. A Greek vase painting from this period shows a boy playing yo-yo (see right). Greek records from the period describe toys made out of wood, metal, or painted terra cotta (fired clay). The terra cotta disks were used to ceremonially offer the toys of youth to certain gods when a child came of age—discs of other materials were used for actual play.

Origin of name and the american yo-yo

A 1791 illustration of a woman playing with an early version of the yo-yo, then known as a "bandalore"
Lady with a yo-yo, Northern India (Rajashtan, Bundi or Kota), ca. 1770 Opaque watercolor and gold on paper

Webster’s Collegiate Dictionary states that the word "yo-yo" derives from the northern Philippine Ilokano language word "yóyo".

Many other sources including Panati's Extraordinary Origins of yesterdays Things say that "yo-yo" was a Tagalog word supposedly meaning "come-come" or "return".[3] It has been acknowledged the yo-yo was used as a weapon in the Philippines.[4][5] Lucky Meisenheimer, author of "Lucky's Collectors Guide to 20th Century Yo-Yos - History and Values", characterizes this as popular but fabricated.[6] The allegation was nevertheless used in a Diet Mountain Dew ad from 2008 as part of the drink's "Surprising Facts" ad campaign.[7]

In the American design, one continuous piece of string, double the desired width, is twisted around itself to produce a loop at one end which is fitted around the axle. Also termed a looped slip-string, this seemingly minor modification allows for a far greater variety and sophistication of motion, thanks to increased stability and suspension of movement during free spin.

The principal distinction between the Filipino design and more primitive yo-yos is in the way the yo-yo is strung. In older (and some remaining inexpensive) yo-yo designs, the string is tied to the axle using a knot. With this technique, the yo-yo just goes back-and-forth; it returns easily, but it is impossible to make it sleep.

Surprisingly, this innovation in the string design is useful even for off-string yo-yo play, in which the yo-yo is not attached to the string at all. The looped winding ensures that the free end of the string has no bulges, splices, or other deformities, which can cause the string to jam uncontrollably in off-string play.

Birth of the modern yo-yo

James L. Haven and Charles Hettrick of Cincinnati, Ohio, USA, received the first from a Filipino in United States patent on "...an improved construction of the toy, commonly called a bandelore..." in 1866.[8]

However, the yo-yo would remain in relative obscurity until 1928 when a Filipino American named Pedro Flores opened the Yo-yo Manufacturing Company in Santa Barbara, California.[9] The business started with a dozen handmade toys; by November 1929, Flores was operating two additional factories in Los Angeles and Hollywood, which altogether employed 600 workers and produced 300,000 units daily.[9]

The Duncan era

Shortly thereafter (ca. 1929), an entrepreneur named Donald Duncan recognized the potential of this new fad and purchased the Flores Yo-yo Corporation and all its assets, including the Flores name, which was transferred to the new company in 1932 - the same year that the name "Yo-yo" was first registered as a trademark[10] and Harvey Lowe won the first World Yo-Yo Contest in London, England.[11]

Duncan's first yo-yo thereafter was the Duncan O-BOY. Duncan is reputed to have paid more than $250,000, a fortune by depression era standards. It turned out to be a sound investment, making many times this amount in the years to follow. In 1946, the Duncan Toys Company opened a yo-yo factory in Luck, Wisconsin, prompting the town to dub itself 'Yo-yo Capital of the World'.

The Duncan yo-yo was inducted into the National Toy Hall of Fame at The Strong in Rochester, New York, in 1999.

1960s resurgence

Declining sales after the Second World War prompted Duncan to launch a comeback campaign for his trademarked "Yo-Yo" in 1962 with a series of television advertisements. The media blitz was met with unprecedented success; thanks in great part to the introduction of the Duncan Butterfly, the yo-yo was more accessible to the beginner than ever.

This success would be short-lived, however, and in a landmark trademark case in 1965, a federal court's appeals ruled in favor of the Royal Tops Company, determining that yo-yo had become a part of common speech and that Duncan no longer had exclusive rights to the term. As a result of the expenses incurred by this legal battle as well as other financial pressures, the Duncan family sold the company name and associated trademarks in 1968 to Flambeau, Inc, who had manufactured Duncan's plastic models since 1955. As of 2011, Flambeau Plastics continues to run the company.

The rise of the ball bearing

Modern yo-yos.

The 1970s and 1980s saw a number of innovations in yo-yo technology, primarily dealing with the connection between the string and the axle. In 1978, dentist and yo-yo celebrity Tom Kuhn patented the “No Jive 3-in-1” yo-yo, creating the world's first "take-apart" yo-yo, which enabled yo-yo players to change the axle.

In 1980, Michael Caffrey patented what would later become the Yomega Brain, a yo-yo with a centrifugal clutch transaxle. Designed with a free-spinning plastic sleeve linkage, "The Brain" could spin much longer than previous fixed-axle designs.[12] In addition, the axle was "clutched" with spring-loaded weights which would pull away from the axle at higher speeds and grab again at lower speeds. The result is an automatic return of the yo-yo when speed drops below a given threshold.

Swedish bearing company SKF briefly manufactured novelty yo-yos with ball bearings in 1984.

Tom Kuhn introduced the SB-2 yo-yo that had an aluminum transaxle, making it the first successful ball-bearing yo-yo.[13]

In all transaxle yo-yos, ball bearings significantly reduce friction when the yo-yo is spinning, enabling longer and more complex tricks. Subsequent yo-yoers used this ability to their advantage, creating new tricks that had not been possible with fixed-axle designs.

1990s technological renaissance

The 1990s saw a resurgence of the popularity of the yo-yo and yo-yo culture. Continued development of yo-yo technology is evident in the widespread sale of the Yomega Brain, based on Michael Caffrey's design, and the Playmaxx Pro-yo, a take-apart fixed axle yo-yo.

In 1990, Tom Kuhn released the SB-2 yo-yo (short for Silver Bullet 2), a high-performance ball bearing transaxle made with aluminum. This marked a major breakthrough for the modern yo-yo, as it was the first ball bearing yo-yo that actually worked. This ensured extremely long spin times and the ability to return as well. This yo-yo, (along with his many other accomplishments in the yo-yo world), eventually brought him the title "Father of the modern yo-yo," receiving the "Donald F. Duncan Family Award for Industry Excellence" in 1998. He was the first to receive this award.

In the late 1990s, Yomega partnered with HPK Marketing and helped fuel the yo-yo boom that spread across the globe. From this partnership, Team High Performance was born, a group of skilled demonstrators that toured the world. In this period, Yomegas were heavily marketed in Japan, where Bandai produced several yo-yos under the Yomega name which were sometimes different from those sold in the US.

At the turn of the century, 1999–2000, Yomega partnered with McDonald's and distributed a large number of Yomega X-Brain and Firestorm yo-yos at outlets throughout the US. Another development around this time included the use of different materials such as billet machined Aluminum as seen in the ‘Dif-e-Yo’ Range.

Contemporary yo-yo culture

Online community

Many yo-yo enthusiasts are members of the online yo-yo community. Using social media sites such as YouTube, Facebook, Twitter, and yo-yo store forums, players discuss news topics, trade tricks, and trade yo-yo collectables. The most popular forums are attached to yo-yo stores such as YoYoNation.com, YoYoExpert.com, and YoYoGuy.com (not to exclude reddit.com/r/throwers). Many yo-yo manufactures also have their own blogs or forums such as YoYoFactory.com, OneDropDesigns.com, Yo-Yo.com and Yomega.com. Recently there has also been a rise of personal news and review blogs on the subject of yo-yos. A popular yo-yo culture website is YoYoSkills.com, a personal blog dedicated to collecting and publishing news pertinent to the yo-yo community. Add to this sites that are devoted to helping players learn yoyo tricks like YoTricks.com and Rethinkyoyo.com and you have the makings of a vibrant online yoyo community.

Yo-yo contests

John Ando, a 2A (double looping) division finalist at the 2004 US nationals in Chico, California.

A yo-yo competition normally consists of two parts, a set of compulsory tricks and a freestyle, where points are scored for each and the winner is the yo-yoer who scores the most points. Compulsory tricks (also known as a trick ladder) are a set of tricks that have been chosen before the contest, and the competitor must successfully complete each trick on their first or second attempt to score points. The freestyle is when the yo-ist performs a routine to their choice of music in front of a panel of judges, and is judged based on difficulty of the tricks, synchronization with the music and artistic performance.

The World Yo-Yo Contest is held every year in Orlando, Florida and is hosted by YoYoGuy.com during early August or late July.[14] This contest takes the winners from national yo-yo contests around the world and pits them against each other. Japanese players in particular have risen to the top of the yo-yo world. The eleven-time, double-handed world champion Shinji Saito—considered the best in the world—is Japanese.[15] Countries such as the United States, Brazil, Japan and the UK hold competitions at the national and regional levels. In addition, national yo-yo contests, without regionals, are held every year by Mexico, Taiwan, Singapore, Hong Kong, Korea, France, Germany, Switzerland, The Czech Republic, Hungary, and Australia.

The International Yo-Yo Open was held annually in August at South Street Seaport in New York City from 2007 to 2009, but is "on hiatus" in 2010. This contest is hosted by YoYoNation.com and aims to showcase the best yo-yo players in the world. In the inaugural 2007 contest, there were over 8,500 people in attendance and the event received almost 30 million media impressions. Besides US contests, European contests are becoming better and better. Hungary and the Czech Republic are the leaders of European yoyoing. In Prague (Czech Rep.) the european championship is held, and in Sopron(Hungary) the Sopron International Yo-Yo Contest Hosted by sleeper.hu

The TV Times world yo-yo championship was held in the United Kingdom in 1974 with heats across the United Kingdom and a final in London in 1975, the championship was sponsored by the Louis Marx toy company with the 'Lumar' brand of yo-yo. The competition was judged by a celebrity panel in each city and also Lumar demonstrator and European yo-yo champion Don Robertson. The winner of the final was Simon Harris (intermediate category). The championship was not repeated.

1A (string tricks) division finalist, Augie Fash, at the 2004 US nationals in Chico, California.

Contest divisions

Currently there are nine yo-yo divisions to compete in:

  • 1A-The player uses a long sleeping yo-yo to perform string tricks which usually require the manipulation of the string.
  • 2A-The player uses two yo-yos simultaneously to perform reciprocating or looping tricks. This tends to be the most visually entertaining style with some players incorporating acrobatics into their routines.
  • 3A-The player uses two long spinning yo-yos to perform tricks that involve manipulation of the string.
  • 4A-The player uses an offstring yo-yo, often releasing the yo-yo into the air and attempting to catch it on the string.
  • 5A-The player uses a yo-yo with a counterweight on the other end of the string rather than having it attached to a finger.
  • AP-This is Artistic Performance where the yoist uses any type of yo-yo or other prop in order to perform a freestyle.
  • CB-This is the Combined Division held only at the world competition, where players have to compete and demonstrate skill in multiple styles.
  • 1S-The player must perform 25 string tricks to the regulation standards and can only miss one trick.
  • 2S-The player must perform 25 looping tricks to regulation standards and can only miss one trick.

Competitors usually bring a number of yo-yos to the performance stage with them to allow for mid-routine replacements in the case of knots/jams (common with string tricks), string breakage (common with looping tricks), or drops (common with offstring tricks).

Top 3 Players as of 2011: (results Taken From the World Yo-Yo Contest) 1st. Marcus Koh 2nd. Sebastian Brock 3rd. Gentry Stein

Popular literature

David Sutherland's comic children's story Alma and the Magic Yo-Yo is based on an imaginary yoyo competition, the Hollywood Yoyo Universathon.[16]

2009 World Yo-Yo Contest Results for 1A 1st. Shinya Kido 2nd. Hiroyuki Suzuki aka Mickey 3rd. Chris Fraser

2010 World Yo-Yo Contest Results for 1A 1st. Jensen Kimmitt 2nd. Hiroyuki Suzuki aka Mickey 3rd. Christopher Chia

2011 World Yo-Yo Contest Results for 1A 1st. Marcus Koh 2nd. Sebastian Brock 3rd. Gentry Stein

Yo-yo techniques

Sleeping

Keeping a yo-yo spinning while remaining at the end of its uncoiled string is known as sleeping. Sleeping is the basis for nearly all yo-yo tricks other than looping, the player first putting the yo-yo in a "sleep" before throwing the yo-yo around using its string. Most modern yo-yos have a transaxle or ball bearing to assist this, but if it is a fixed axle yo-yo, the tension must be loose enough to allow this. The two main ways to do this are (1), allow the yo-yo to sit at the bottom of the string to unwind, or (2) perform lariat or UFO to loosen the tension (see yo-yo basics for video demonstration of throw down, sleeper, and UFO using a responsive yo-yo).

In competition, mastery of sleeping is the basis for the 1A division. Inexpensive fixed-axle yo-yos usually spin between 10–20 seconds, while expensive ball bearing yo-yos (such as the dark magic) can spin about 1–4 minutes depending on the throw [17] As of 2010, the world record sleep times were 3m51.540s for fixed-axle and 21m15.170s for transaxle yo-yos.[18]

Looping

Looping is a yo-yo technique which emphasizes keeping the body of the yo-yo in constant motion, without sleeping.[19]

Yo-yos optimized for looping have weight concentrated in their centers so they may easily rotate about the string's axis without their mass contributing to a resistance due to a gyroscopic effect.

In yo-yo competitions, looping plays a strong role in the 2A division. Looping both to the inside and outside of the hand with the yo-yo.

Off-string

In the "off-string" technique, the yo-yo's string is not tied directly to the yo-yo's axle, and the yo-yo is usually launched into the air by performing a "forward pass" to be caught again on the string. However, some players can 'throw down' off-string yo-yos and catch it on the string just as it leaves the end of the string by pivoting the string around a finger as it unwinds, so that the yo-yo is caught on the string. This is exactly the opposite of a "forward pass", but with the same result.

Yo-yos optimized for off-string tricks have flared designs, like the butterfly shape, which makes it easier to land on the string, and often have soft rubber rings on the edges, so minimum damage is inflicted on the yo-yo, the player, or anyone who happens to be standing nearby, should a trick go wrong.

Yo-yo competitions have the 4A division for off-string tricks.

Freehand

In freehand(5A) tricks, the yo-yo's string is not tied to the player's hand, instead ending in a counterweight. The counterweight is then thrown from hand to hand and used as an additional element in the trick.

Developed in 1999 by Steve Brown, as of 2008 freehand is considered to be the fastest-growing style of yo-yo play. Steve Brown was awarded a patent on his freehand yo-yo system, which was assigned to Flambeau Products (Duncan's parent company).

In yo-yo competitions, counterweight yo-yos are emphasized in the 5A division.

Yo-yo shapes

Imperial Yo-Yo Shape
Modified Yo-Yo Shape
Butterfly-shaped yo-yo

Yo-yo bodies come in a number of form factors or "silhouettes," each designed with specific advantages in mind. However, there are three popular configurations.

Imperial

The Imperial shape is often considered the original yo-yo shape, and is very commonly recognized. It is sometimes called a sculpted design. The shape's design is helpful in performing looping tricks. It was first produced by Pedro Flores, who is also the first person to mass-produce yo-yo.[20] Duncan bought the rights to the design in 1929.

Modified

The modified shape is a very popular design for looping style tricks. This shape is also known as a flywheel or modern shape. It usually has a hollowed face (sometimes covered with paper or plastic) with extra material left in the rim. The modified shape yo-yo is also used for string tricks because of the long spin times due to its shape.

Butterfly

Duncan released its first wooden butterfly yo-yo. Wayne Lundberg, the inventor, was one of the demonstrators.[21] The butterfly looks a bit like the separated halves of a standard yo-yo that have been reconnected back-to-back. The wider string gap to make it easier to catch the yo-yo body on the string. Although the butterfly shape is good for 'string tricks,' it is not good for 'looping' tricks, because the winged shape of the body does not allow it to easily flip while looping. This shape is similar to a small Diabolo, sometimes called a Chinese yo-yo.

Newer shapes

Introduced to the "yo-yoing community" only within the past few years, many yo-yos are being produced with wide-gaps, H-shapes, and dimples. Wide-gap yo-yos are not exclusive to any one yo-yo manufacturer and as their name suggests, have a wider gap. The wide gap allows more layers of string to be stacked in the yo-yo, and tricks using string slack or lacerations. The drawback for this shape is that the yo-yo does not return to the player's hand unless bound through the use of a front or under mount. H-shaped yo-yos are much like the butterfly-shaped, but the center (toward the bearing/axle) is offset to a smaller diameter to add to circumferential weight and allow for easy "grinding" tricks. Utilizing the technology of a golf ball, dimples are found in Roo-Yo (Italian yo-yo manufacturer) yo-yos and reduce air friction.

Other shapes

There are, of course, many other shapes. Other less popular shapes are: Humphrey, Ball, Slimline, Russell Style (Bulge Face), Puck, Satellite, Coaster and Riveted Disk.[22]

Weight distribution

Each silhouette may have more weight distributed at either the center of the yo-yo or the edge. More weight towards the rim will make the yo-yo more stable for string tricks; more weight towards the center will make the yo-yo easier to turn and therefore better for looping tricks.

Heavier yo-yos will have more angular momentum when spinning at a given speed, and thus will spin freely for a longer period.

Body

Two high-tech yo-yos, both take-apart models using the "modified" perimeter weighted body. The Veriflex on the left uses a ball bearing transaxle, with rubber O-rings to allow a variable string gap. The Playmaxx Pro-yo uses a replaceable wooden unit that acts as wooden axle and friction pad.

Most modern yo-yos are made from a "take-apart" design, designed to be taken easily apart and reassembled by the player. This design was first created by Tom Kuhn. This enables the replacement of yo-yo components, including the string, renewable friction sources, or even trans-axle components.

In order to increase spin times, extra weight was added to the outermost portion of the yo-yo. The first to do this was Dale Oliver (Spintastics Skill Toys, Inc) with the addition of steel rings when he brought out the Tigershark yo-yo early in 1998.

Some take-apart designs allow the player to reconfigure the yo-yo's halves. In the Tom Kuhn No Jive 3-In-1, the halves may be attached in three different configurations, resulting in a traditional, butterfly, or "pagoda" silhouette. In the Yo-yo Factory FlyMaster, the body has two different "shells" to convert to and from an off-string yo-yo.

Another innovation to the yo-yo is the ability to adjust the gap between the two halves of the yo-yo, in order to increase or decrease response. In most designs, this is accomplished by twisting the yo-yo halves, but some designs (such as the Tom Kuhn Silver Bullet) can be disassembled for adjustment without twisting. This second option eliminates the possibility of the yo-yo coming out of adjustment during play.

  • John Jerome McAvoy, Jr. was awarded patents for the gap-adjustable yo-yo: patent #5389029 on February 14, 1995, and #6066024 on May 23, 2000.[23][24]
  • In 1998, HSPIN launched the Handquake series of yo-yos, which sported an adjustable gap by using shims of 0.1-0.5mm thickness. By adding or removing shims, the gap could be widened or shrunk by +/- 1mm.
  • Harry Baier (creator of the "Mondial" yo-yo) and the Flambeau Products Company (owner of Duncan) were awarded patent #6162109 on December 19, 2000 for a gap-adjustable yo-yo which has discrete positions for specific gap widths. This patent was first implemented in the CameYo Mondial before being bought by Duncan.[25]
  • YoYoFactory's productline of Speed Dial yo-yo's feature "Fully Adjustable Starburst Technology" which allow the gap to be adjusted using a dial on the yo-yo. This allows for a more discrete response setting that stays the same after the yo-yo is taken apart and put back together.[26]

Axle/bearing differentiation

A Yomega Brain

The basic innovation since the 1990s is the transaxle, a system where the string is not directly connected to the axle that connects the two halves of the yo-yo.

  • Fixed axle yo-yos are represented by the original yo-yo design popularized in the first half of the 20th century, where the axle is directly connected to the string and halves of the yo-yo body. In order to enable the throwing of a "sleeper", the player must ensure the string is not wound too tightly around the axle, because it must freely spin in order to accomplish this move. Yo-yos designed for "looping" tricks tend to be fixed-axle yo-yos.
    • Some more exotic fixed-axle yo-yos have axles made from low-friction materials such as ceramic alloys—this allows for easier "sleeping," which is essential for string tricks.
  • The majority of trick yo-yos sold are Bearing transaxle yo-yos. In these transaxle yo-yos the string is not connected to the axle directly, but rather it is wrapped about a ballrace bearing. The bearing, in turn, surrounds the true axle of the yo-yo. In this way, the body of the yo-yo may spin freely about the string's point of contact.
    • There are transaxle systems which do not use a ball bearing, such as the Duncan ProFire and Yomega Fireball. These use a low-friction metal or plastic collar around the axle.
  • The clutch transaxle, innovated by Yomega with the Yomega Brain, is a transaxle that can be engaged or disengaged.
    • the Yomega Brain is a centrifugal clutch transaxle-- when spinning at a sufficiently high speed, counterweights inside the yo-yo body disengage the axle, automatically allowing the yo-yo to "sleep." Conversely, when the speed slows below the threshold, the yo-yo will return automatically.
    • Other clutch transaxles feature a manual switch which can engage or disengage the axle.

Friction sources

With the innovation of the transaxle, the notion of a yo-yo's response has become important to players. The "response" is a qualitative estimate of how easily the yo-yo will exit a "sleep" and return to the hand of the player.

  • A starburst is a series of bumps molded onto the inner surface of each half of the yo-yo. The bumps form a star pattern, radiating out from the axle that protrudes into the yo-yo's gap where it can snag upon the string. Because the starburst is an integral part of the yo-yo body, the yo-yo's responsiveness cannot be easily adjusted. Depending upon the material the yo-yo is made from, some starbursts can last the life of the yo-yo, but on many plastic yo-yos, the friction between the string and the yo-yo can eventually wear away the starburst.
  • A Reverse starburst is an arrayed pattern of grooves or recesses that are engraved or molded into the inner faces of the yo-yo. Because they do not protrude into the gap, they are claimed to offer a smoother response system that is less likely to wear away due to string friction. Reverse stabursts were invented and patented by the Playmaxx company.[27]
  • An O-ring response system is a rubber ring embedded in a recessed groove in the inside side wall of each half of the yo-yo body, surrounding the axle. Because it is made of a weaker material than the body, it wears down and is designed to be replaceable.
  • Silicone, like the O-ring, is a rubber component recessed into the side of the yo-yo around the axle. However, using silicone results in a far less responsive yo-yo than would a rubber O-ring, and so silicone is typically used in higher level unresponsive play.
  • Friction stickers, popularized by Duncan, are O-shaped stickers that affix to the inside wall of each half of the yo-yo body, and are slightly tacky to the touch. They are made to be replaceable. Many brands of friction stickers are now produced. Each give a unique feeling to the yo-yo. They are commonly made out of silicone, rubber, or a cloth material.
  • Brake Pads, the friction sticker's predecessor, are made of cork rubber and the first patented sticker response system.[28] It was used mainly in the Turbo Bumble Bee and other Playmaxx ball bearing products. The Playmaxx company was later renamed Proyo and was bought by Duncan. Duncan still produces some of the models using brake pads.
  • Hybrid, a combination of O-ring and Starburst, O-ring and a friction sticker, starburst and a friction sticker, and so on. This is mostly found in butterfly shaped yo-yos. Mostly used by Yoyojam, the most popular example being the Dark Magic, or the Hitman.

Hubstacks

Hubstacks are bearings added to the hub (the outside) of a yo-yo and covered with some form of side cap to allow it to be held while it spins. With the side cap bearing you can hold the yo-yo in many different planes and perform different styles of tricks which are difficult, or impossible in some cases, to be performed with conventional yo-yos. "Hubstacks" is the preferred name from YoYoFactory and is most commonly used, however other yo-yo makers have other terms such as bearing caps (Anyyoyo), synergy caps (Yoyojam), and jimmy hats (Werrd). One of the problems associated with side bearings is the tendency for the bearings to fall off. YoYoFactory currently has a patented design that uses rubber rings to hold the bearing by its seat onto the side hubs, keeping the bearing on the yo-yo.[29][30]

Performance accessories

A number of yo-yo accessories are available as "after-market" modifications—players buy items separately from the yo-yo to augment performance over the original model shipped from the factory.

  • Ceramic bearings tend to spin longer and be more durable.
  • Dif-E-Yo Konkave bearings are tapered inward on perimeter, to force the string into the center of the axle to prevent the string from rubbing on the sides of the yo-yo.
  • Center-Trak bearings are very similar to Konkave, except they have a flat center, and a sharp edge slope.
  • Friction stickers different "grips" other than the ones shipped with the yo-yo, are available as a separate purchase to customize the user's style of play.
  • Brake Pads Similar to friction stickers, however they break down quicker and can only be used in specific yo-yos.
  • High-tensile, Slick Strings, generally made from polyester and cotton, are added by some players to improve sleep times (thinner string touches less of the yo-yo gap) and for better looping (low friction string performs "faster" and will not break as easily).
  • Weight rings are affixed to the yo-yo's rim to increase the weight and percentage of mass at the yo-yo's rim, thus improving sleep time.

Modifications

Some yo-yoers have their yo-yo modified (or modded) by themselves or by a yo-yo 'Modder' to achieve desired performance. Some of the most popular mods are:

  • Satining, sanding the outside of the yo-yo with high grit sandpaper to improve grinds.
  • Beadblasting, usually only done on metal yo-yos, is abrasive blasting the yo-yo with glass beads to slightly pit the surface improving grinds.
  • Mediablasting, When other forms of media are used other than beads as a surface on yoyos. One popular example is using baking soda in a process called sodablasting.
  • Siliconing, is filling the friction sticker recess with silicone to change the response of the yo-yo.
  • Shmooving, cutting small shallow grooves into the face of the yo-yo, where the string rubs, to reduce friction and increase sleep times.
  • Dyeing, is dyeing yo-yo to change its color or add a design.
  • Anodizing, only done on aluminium and titanium yo-yos, changes the color of an aluminium or titanium yo-yo and increases durability slightly.
  • Recessing, when part of the inner wall surrounding the bearing is lower than the surrounding inner wall of the yoyo. This reduces response.
  • Bearingization, when a bearing is added to a yoyo that does not normally accept ball bearings like adding a Yomega Maverick bearing to a Yomega Fireball

Exotic materials

Originally manufacturing yo-yos from wood, yo-yo technology improved in the 1960s when the industry switched to plastic. Benefits of a plastic yo-yo include the uniform weight distribution only possible with plastic, as the natural variations in wood density are undesirable for an even spin.

  • new metals – contemporary releases of high-end Yo-yos may be constructed of metal, normally aluminum, steel, titanium, and very rarely, magnesium, gold, copper, and tungsten alloys.
  • exotic plastics – the "Milk," by manufacturer Born Crucial; the "Silk," by manufacturer Alchemy; and the "Gung Fu," by manufacturer Death by Yo Yo, are made almost entirely from the low-friction plastic Delrin.
  • exotic woods – The "jamboo" manufactured by "Yoyojam" is a free-spin, ball-bearing yo-yo made of bamboo.

Physical mechanism

When the yo-yo is first released, the throw gives it translational kinetic energy. As the string unwinds, much of this energy is converted into rotational kinetic energy, causing the yo-yo to spin rapidly. As the yo-yo unwinds, it also gains some energy from gravity. Because the yo-yo has a significant rotational inertia, the yo-yo can store enough energy in its rotation allow it to fight gravity all the way back up to your hand. The string winds in the opposite direction upon the return of the yo-yo. If the string is connected to the shaft with a loop, there may not be enough friction to overcome gravity, and begin winding the string. In this case, the yo-yo will continue to spin at the end of the string instead of returning. However, if the yo-yo is jerked slightly, it will enter free fall for a brief moment, and the string's friction becomes the most significant force on the yo-yo. This allows the slack string to bind, and the energy from the yo-yo's rotation finishes the rest of the return.

Patents have been issued to create more complicated mechanisms to allow tension control and an adjustable mechanism.[31][32]

See also

References

  1. ^ Easy Yo-Yo Tricks, Editors of Publications International, Ltd., howstuffworks.com
    ^ Advanced Yo-Yo Tricks for Kids, Editors of Publications International, Ltd., howstuffworks.com
  2. ^ "National Yo-Yo Museum, California". Nationalyoyo.org. Archived from the original on May 13, 2008. http://web.archive.org/web/20080513174344/http://www.nationalyoyo.org/museum/generalhistory.htm. Retrieved 2010-01-17. 
  3. ^ Extraordinary Origins of Everyday Things by Charles Panati,Harper Paperbacks (1989) ISBN 0060964197
  4. ^ Mary Bellis. "The History of the Yo-Yo". inventors.about.com. http://inventors.about.com/library/weekly/aa120297.htm. Retrieved 2008-03-09. 
  5. ^ Eloisa Gomez Borah, Was the Yo-Yo really a weapon?, http://personal.anderson.ucla.edu/eloisa.borah/filfaqs.htm#yoyo, retrieved 2008-03-09 
  6. ^ Lucky Meisenheimer, M.D., Lucky's History of the Yo-Yo, Yo-Yos.net, http://www.yo-yos.net/Yo-yo%20history.htm, retrieved 2008-03-09 
  7. ^ Diet Mountain Dew Surprising Facts – Yo-Yo Spot, YouTube, http://www.youtube.com/watch?v=yecWdiVFny8, retrieved 2010-04-15 
  8. ^ U.S. Patent 59,745 dated November 20, 1866
  9. ^ a b Pedro Flores, National Yo-Yo Museum, archived from the original on January 20, 2008, http://web.archive.org/web/20080120172822/http://www.nationalyoyo.org/museum/pedroflores.htm, retrieved 2008-02-18 
  10. ^ Online Etymology Dictionary. Etymonline.com. Retrieved on 2012-04-09.
  11. ^ Hopkins, Michelle (2009-04-19). "'Great ambassador' passes away". Richmond News. http://www2.canada.com/richmondnews/news/story.html?id=e758b728-d280-4d01-8bae-deb3c3b5cb11. Retrieved 2009-04-12. 
  12. ^ U.S. Patent 4,332,102 Filed October 27, 1980; Issued June 1, 1982
  13. ^ Classic Toys: The Yo-Yo. Retro Planet (2009-05-12). Retrieved on 2012-04-09.
  14. ^ By admin (2010-04-27). "Home of the National Yo-Yo Contest, National Yo-Yo Museum and National Yo-Yo League". National Yo-Yo. http://nationalyoyo.org/. Retrieved 2011-05-23. 
  15. ^ Tzeng, Grace. "Toy Story: Gravity-defying yo-yo tricks on display at California State Yo-Yo Championships". AsianWeek. Retrieved on 8 September 2008.
  16. ^ David Sutherland (1999). Alma and the Magic Yo-Yo. Mammoth. ISBN 978-0-7497-3780-1. http://books.google.com/books?id=ygxMAAAACAAJ. 
  17. ^ Yo-Yo Basics, howstuffworks.com.
  18. ^ American Yo-Yo Association website.
  19. ^ Science News, Week of April 17, 2004; Vol. 165, No. 16, p. 250[dead link]
  20. ^ "Pedro Flores – History of the Yo-Yo and Pedro Flores". Inventors.about.com. 1930-07-22. http://inventors.about.com/od/hispanicinventors/a/Pedro_Flores.htm. Retrieved 2010-01-17. 
  21. ^ Team Offstring Superheroes, October 17, 2008.
  22. ^ Lucky's Collectors Guide to 20th Century Yo-Yos, 1999
  23. ^ U.S. Patent 6,066,024 Filed August 4, 1998; Issued May 23, 2000
  24. ^ U.S. Patent 5,389,029 Filed April 27, 1993; Issued February 14, 1995
  25. ^ U.S. Patent 6,162,109 Filed October 29, 1999; Issued December 19, 2000
  26. ^ www.YoYoSkills.com/hans-interview.html - Interview with Hans Van Dan Elzen, YoYoFactory
  27. ^ U.S. Patent 5,813,897 Filed May 8, 1997; Issued September 29, 1998
  28. ^ U.S. Patent 6,155,903 Filed September 13, 1999; Issued December 5, 2000
  29. ^ Head 2 Head – Plastic Grind Machine VS Legacy, yoyoskills.com
  30. ^ "Interview with Hans Van Dan Elzen, YoYoFactory President". Yoyoskills.com. 2008-12-06. http://www.yoyoskills.com/?p=36#more-36. Retrieved 2011-05-23. 
  31. ^ U.S. Patent 6,331,132 Filed July 27, 1999; Issued December 18, 2001
  32. ^ U.S. Patent 7,192,330 Filed October 29, 1999; Issued December 19, 2000

Top

Dansk (Danish)
n. - jo-jo, idiot, fjols
v. intr. - lege med jo-jo

Nederlands (Dutch)
jojo (speelgoed), domoor, op- en neergaand (onvoorspelbaar), met een jo-jo spelen, op- en neergaan

Français (French)
n. - (gén) yo-yo, (US) abruti (péj)
adj. - instable
v. intr. - fluctuer (des prix, l'inflation)

Deutsch (German)
n. - Jo-Jo
v. - schwanken
adj. - schwankend

Ελληνική (Greek)
n. - γιο-γιο
v. - αμφιρρέπω, αμφιταλαντεύομαι
adj. - πάνω-κάτω, αυξομειούμενος

Italiano (Italian)
yo-yo

Português (Portuguese)
n. - ioiô (m)
v. - brincar de ioiô
adj. - pessoa estúpida

Русский (Russian)
чертик на ниточке (игрушка), беспринципный человек, неустойчивый, ездить взад-вперед, колебаться

Español (Spanish)
n. - yoyo
v. intr. - jugar al yoyo
adj. - relativo al yoyo

Svenska (Swedish)
n. - jojo, dumskalle (sl.)
v. - åka jojo upp o ner, vackla
adj. - jojo-, hastigt svängande

中文(简体)(Chinese (Simplified))
溜溜球, 上下起落, 波动, 犹豫不决

中文(繁體)(Chinese (Traditional))
n. - 溜溜球
v. intr. - 上下起落, 波動, 猶豫不決

한국어 (Korean)
n. - 요요(장난감의 일종), 의견이 자꾸 변하는 자
v. intr. - 흔들리다, 변동하다

日本語 (Japanese)
n. - ヨーヨー
v. - 変動する

العربيه (Arabic)
‏(الاسم) لعبه اليويو ( بكرة خشبيه يلف خيط حول حز بها وتجذب لتدور صعودا ونزولا) (فعل) لعب باللعبه اليويو (صفه) يتغير باستمرار‏

עברית (Hebrew)
n. - ‮יו-יו (צעצוע), משהו הנופל וקם שוב‬
v. intr. - ‮שיחק ביו-יו, נע למטה ולמעלה‬


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