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Zhao Mengfu

 
Art Encyclopedia: Zhao Mengfu

(b Wuxing, Zhejiang Province, 1254; d 1322). Chinese painter and calligrapher. A descendant of the first Song emperor, Taizu (reg AD 960-76), Zhao was born into a privileged class towards the end of the Song period (960-1279). His father was a high official in the court at Hangzhou, the capital of the Southern Song (1127-1279). Zhao was educated in the classics and inherited a broad interest in artistic pursuits. At the age of 14 he was appointed a staff member of the Office of Revenue at Chenzhou (near modern Yangzhou). When he was 23 the Mongols overran Hangzhou and established the Yuan dynasty (1279-1368), moving the capital to Dadu (modern Beijing). Zhao returned to his home town, Wuxing, to concentrate on his studies and soon achieved distinction as a scholar. In 1286, in response to the invitation sent by the Mongol emperor Kublai Khan to recruit southern scholars to serve in his regime, Zhao went to Beijing to begin his career as a civil servant under the Yuan dynasty, sometimes at the court and sometimes in the provinces, eventually attaining the first rank and serving under five emperors. He showed himself to be an able administrator and a very shrewd politician as well as an economist, an expert in Confucian studies and an official historian. He was also a poet, an essayist and an accomplished musician, especially of the qin (zither). He was the dominant calligrapher of the Yuan period and was highly influential in later periods. His greatness as a painter has been recognized only recently, as a result of the discovery of some of his most important works. In his biography, written by one of his prot?g?s, Yang Cai (1271-1323), it was said that: 'Other people painting landscape, bamboos and rocks, men and horses, and birds and flowers, often excel in some but are weak in others. But he achieved the utmost in all of them, fathoming their heavenly qualities. His masterpieces do not rank below those of the ancient masters.' Among Yuan painters, he shows much the broadest range of subjects, techniques and expressions.

Part of the Zhao family

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Zhao Mengfu, Autumn colors on the Qiao and Hua mountains (left half)

Zhao Mengfu (simplified Chinese: 赵孟頫traditional Chinese: 趙孟頫pinyin: Zhào Mèngfǔ; Wade-Giles: Chao Meng-fu, 1254–1322) courtesy name Ziang (子昂), pseudonyms Songxue (松雪, "Pine Snow"), Oubo (鸥波, "Gull Waves"), and Shuijing-gong Dao-ren (水精宫道人, "Master of the Crystal Palace"), was a prince and descendant of the Song Dynasty, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.

He was recommended by the Censor-in-chief Cheng Jufu to pay an audience with Kublai Khan in 1286 at the Yuan capital of Dadu, but was not awarded an important position in office. His work was however, greatly appreciated later by the Confucian inspired Yuan Emperor Renzong.

He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses. His landscapes are also considered to be done in a style that focuses more on a literal laying of ground. Rather than organizing them in a foreground, middle ground, and background pattern he layers middle grounds at various heights to create a sense of depth. This pattern of organization makes his paintings appear very simple and approachable. It was this characteristic that so many people valued about his style.

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