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ziggurat

 
Dictionary: zig·gu·rat   (zĭg'ə-răt') pronunciation
 
n.

A temple tower of the ancient Assyrians and Babylonians, having the form of a terraced pyramid of successively receding stories.

[Akkadian ziqqurratu, temple tower, from zaqāru, to build high.]


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Pyramidal, stepped temple tower characteristic of the major cities of Mesopotamia between 2200 and 500 BC. It was built with a core of mud brick and an exterior covered with baked brick. It had no internal chambers and was usually square or rectangular. Some 25 ziggurats are known, located in Sumer, Babylonia, and Assyria. The best-preserved ziggurat is at Ur, and the largest is at Elam. The legendary Tower of Babel has been associated with the ziggurat of the great temple of Marduk in Babylon.

For more information on ziggurat, visit Britannica.com.

 
Architecture: ziggurat
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A Mesopotamian temple tower; from the end of the 3rd millennium B.C. on, ziggurats rose in three to seven stages, diminishing in area and often in height square (Sumer) or rectangular (Assyria), built of mud brick and faced with baked brick laid in bitumen.


 
Dictionary of Dance: Ziggurat
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Modern dance in one act with choreography by Tetley, music by Stockhausen, designs by Baylis, and projections by Alan Cunliffe. Premiered 20 Nov. 1967 by the Ballet Rambert at the Cochrane Theatre in London with Chesworth, Curtis, Smith, Taylor, and Craig. According to the programme note, ‘The Ziggurat was a mighty temple-tower of ascending rectilinear terraces built by the Assyrians and worshipped as the earth-soul. It is said to have been the Hanging Gardens of Babylon, perhaps the stairways of Jacob's dream, and the origin of the Tower of Babel.’ This was Tetley's first created work for Rambert.

 

[MC]

Literally, the ‘high point’. A temple-tower with a square or rectangular ground-plan and a stepped profile built as a series of superimposed platforms. There are sometimes steps for access up one or more sides. Mainly found in Mesopotamia (especially Sumerian, Babylonian, and Assyrian sites) and Mesoamerica. The platform on the top usually supports a building or temple dedicated to a particular deity.

 
Columbia Encyclopedia: ziggurat
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ziggurat (zĭg'ʊrăt) , form of temple common to the Sumerians, Babylonians and Assyrians. The earliest examples date from the end of the 3d millenium B.C., the latest from the 6th cent. B.C. The ziggurat was a pyramidal structure, built in receding tiers upon a rectangular, oval, or square platform, with a shrine at the summit. The core of the ziggurat was of sun-baked bricks, and the facings were of fired bricks, often glazed in different colors, which are thought to have had cosmological significance. Access to the summit shrine was provided by a series of ramps on one side or by a continuous spiral ramp from base to summit. The number of tiers ranged from two to seven. Notable examples are the ruins at Ur and Khorsabad in Mesopotamia. Similar structures were built by the Mayan people of Central America.


 
Wikipedia: Ziggurat
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The 4100 year old Great Ziggurat of Ur, near Nasiriyah, Iraq

Ziggurats (Akkadian (transliterated): ziqqurat, D-stem of zaqāru "to build on a raised area") were massive pyramidal temples built in the ancient Mesopotamian valley and western Iranian plateau, having the form of a terraced step pyramid of successively receding stories or levels. There are 32 ziggurats known at, and near, Mesopotamia. Twenty-eight of them are in Iraq, and four of them are in Iran. Notable Ziggurats include the Great Ziggurat of Ur near Nasiriyah, Iraq, the Ziggurat of Aqar Quf near Baghdad, Iraq, Chogha Zanbil in Khūzestān, Iran, the most recent to be discovered - Sialk near Kashan, Iran and others.

Contents

Description

Ziggurats were built by the Sumerians, Babylonians, Elamites and Assyrians as monuments to local religions. The precursors of the ziggurat were raised platforms that date from the Ubaid period[1] during the fourth millennium BC. The step pyramid style began near the end of the Early Dynastic Period.[2] The latest Mesopotamian ziggurats date from the 6th century BC. Built in receding tiers upon a rectangular, oval, or square platform, the ziggurat was a pyramidal structure with a flat top. Sun-baked bricks made up the core of the ziggurat with facings of fired bricks on the outside. The facings were often glazed in different colors and may have had astrological significance. Kings sometimes had their names engraved on these glazed bricks. The number of tiers ranged from two to seven. It is assumed that they had shrines or temples at the top but there is no archaeological evidence for this and the only textual evidence is from Herodotus.[3] Access to the shrine would have been by a series of ramps on one side of the ziggurat or by a spiral ramp from base to summit. The Mesopotamian ziggurats were not places for public worship or ceremonies. They were believed to be dwelling places for the gods and each city had its own patron god. Only priests were permitted on the ziggurat or in the rooms at its base, and it was their responsibility to care for the gods and attend to their needs. The priests were very powerful members of Sumerian society. Ziggurats were usually found in the centre of villages.

CAD rendering of Sialk's largest ziggurat based on archeological evidence.

One of the best-preserved ziggurats is Choqa Zanbil in western Iran. The Sialk ziggurat, in Kashan, Iran, is the oldest known ziggurat, dating to the early 3rd millennium BC. Ziggurat designs ranged from simple bases upon which a temple sat, to marvels of mathematics and construction which spanned several terraced stories and were topped with a temple.

An example of a simple ziggurat is the White Temple of Uruk, in ancient Sumer. The ziggurat itself is the base on which the White Temple is set. Its purpose is to get the temple closer to the heavens, and provide access from the ground to it via steps. The Mesopotamians believed that these pyramid temples connected heaven and earth. In fact, the ziggurat at Babylon was known as Etemenankia or "House of the Platform between Heaven and Earth".

An example of an extensive and massive ziggurat is the Marduk ziggurat, or Etemenanki, of ancient Babylon. Unfortunately, not much of even the base is left of this massive structure, yet archeological findings and historical accounts put this tower at seven multicolored tiers, topped with a temple of exquisite proportions. The temple is thought to have been painted and maintained an indigo color, matching the tops of the tiers. It is known that there were three staircases leading to the temple, two of which (side flanked) were thought to have only ascended half the ziggurat's height.

Etemenanki, the name for the structure, is Sumerian and means "The Foundation of Heaven and Earth". Most likely built by Hammurabi, the ziggurat's core was found to have contained the remains of earlier ziggurats and structures. The final stage consisted of a 15-meter hardened brick encasement constructed by King Nebuchadnezzar.

A pseudo-ziqqurat in Sardinia

A ziqqurat-like building with no known analogs in Europe was erected in 3-2 millennium B.C. in Sardinia near Monte d'Accoddi, see it:Altare preistorico di Monte d'Accoddi.

Interpretation and significance

According to Herodotus, at the top of each ziggurat was a shrine, although none of these shrines has survived.[1] One practical function of the ziggurats was a high place on which the priests could escape rising water that annually inundated lowlands and occasionally flooded for hundreds of miles, as for example the 1967 flood.[4] Another practical function of the ziggurat was for security. Since the shrine was accessible only by way of three stairways,[5] a small number of guards could prevent non-priests from spying on the rituals at the shrine on top of the ziggurat. These rituals probably included cooking of sacrificial food and burning of carcasses of sacrificial animals. The height of the ziggurat allowed the smoke to blow away without polluting city buildings. Each ziggurat was part of a temple complex that included a courtyard, storage rooms, bathrooms, and living quarters, around which a city was built.[6]

Ancient Ziggurats

Modern buildings resembling ziggurats

The ziggurat style of architecture continues to be used and copied today in many places of the world.

Examples include:

See also

Notes

  1. ^ a b Crawford, page 73
  2. ^ Crawford, page 73-74
  3. ^ Crawford, page 85
  4. ^ Aramco World Magazine, March-April 1968, pages 32-33
  5. ^ Crawford, page 75
  6. ^ Oppenheim, page 328

References

  • T. Busink, "L´origine et évolution de la ziggurat babylonienne". Jaarbericht van het Vooraziatisch-Egyptisch Genootschap Ex Oriente Lux 21 (1970), 91-141.
  • R. Chadwick, "Calendars, Ziggurats, and the Stars". The Canadian Society for Mesopotamian Studies Bulletin (Toronto) 24 (Nov. 1992), 7-24.
  • R.G. Killick, "Ziggurat". The Dictionary of Art (ed. J. Turner, New York & London: Macmillan), vol. 33, 675-676.
  • H.J. Lenzen, Die Entwicklung der Zikurrat von ihren Anfängen bis zur Zeit der III. Dynastie von Ur (Leipzig 1942).
  • M. Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (New York 1990), 104-107.
  • E.C. Stone, "Ziggurat". The Oxford Encyclopedia of Archaeology in the Near East (ed. E.M. Meyers, New York & Oxford 1997), vol. 5, 390-391.
  • J.A. Black & A. Green, "Ziggurat". Dictionary of the Ancient Near East (eds. P. Bienkowski & A. Millard, London: British Museum), 327-328.
  • Harriet Crawford, Sumer and the Sumerians, Cambridge University Press, (New York 1993), ISBN 0-521-38850-3.
  • A. Leo Oppenheim, Ancient Mesopotamia, University of Chicago Press, (Chicago 1977), ISBN 0-226-63187-7.
  • Beck, Roger B.; Linda Black, Larry S. Krieger, Phillip C. Naylor, Dahia Ibo Shabaka, (1999). World History: Patterns of Interaction. Evanston, IL: McDougal Littell. ISBN 0-395-87274-X. 
  • Leick, Gwendolyn (2002). Mesopotamia: The Invention of the City. Penguin Books. ISBN 0-140-265-740. 

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