A popular dance music of the French West Indies, combining African drumming styles with influences from American and Caribbean popular music.
[Antillean French Creole, party; probably akin to JUKE1.]
Dictionary:
zouk (zūk) ![]() |
A popular dance music of the French West Indies, combining African drumming styles with influences from American and Caribbean popular music.
[Antillean French Creole, party; probably akin to JUKE1.]
| Word Origins: zouk |
Want to have a party? Music, please!
That seems to be the way the word zouk developed in the special variety of French spoken in the French Antilles of the West Indies. Zouk means "party," but it also means a kind of dance music developed for partying. It is light and lively, blending modern technology with traditional instruments, rhythms, and melodies.
Zouk music took a roundabout way to reach English. Musicians from Guadeloupe started zouk not in the West Indies but in France. In the late 1970s, the group known as Kassav began playing what they called zouk in Paris. In the late 1980s, zouk became known in England and in the United States. By 1993, it was well enough known that the University of Chicago Press could publish a scholarly book on zouk, by Jocelyne Guilbault, asserting that zouk is an important component of world music.
Like any other music, zouk is hard to describe in words. "It is based on interlocking rhythmic and melodic patterns rather than a dense sound where all instruments play simultaneously," says the All-Music Guide on the World Wide Web. "A basic rule of zouk is to create space in the music by avoiding an overwhelming density of simultaneous parts, allowing the insertion of interesting sounds into the 'holes' that are created." "Driving tempos, layered percussion (and lots of it), sizzling brass sections, and smooth vocal harmonies all go into the mix," adds Tom Pitmon, a California, enthusiast.
The language of zouk music is Lesser Antillean Creole French, a long name referring to a mixed language, based on French, that developed for trade purposes centuries ago. It is spoken by the 350,000 people of the French possession of Guadeloupe in the French Antilles, as well as by more than half a million others in nearby Martinique, Grenada, and other islands, and in France itself. The word zouk may have originated in the Bambara word juke discussed in the African section of this book. No other words of Lesser Antillean Creole French are widely current in English.
| Wikipedia: Zouk |
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| Zouk | |
| Stylistic origins | |
|---|---|
| Cultural origins |
Started in the mid-80s by groups from the French West Indies, Haiti, Dominica, and is now shared with cultures from, South America: (Brazil, etc.) and Africa: (Angola, Cape Verde, Réunion, Mozambique etc.)
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| Typical instruments | |
| Derivative forms | Zouk-love - Kizomba - Cabo-Love |
| Subgenres | |
| Zouk-love - Kizomba - Cabo-Zouk - Zouk-R&B | |
| Fusion genres | |
| compas, biguine, Gwo ka, bele, cadence | |
| Regional scenes | |
| French West Indies - West Africa - France - Portugal | |
Zouk is a style of rhythmic music originating from the islands of Guadeloupe, Martinique and Haiti. Zouk means "party" or "festival" in the local creole of French with English influences. In Africa, it is popular in franco- and lusophone countries. In Europe it is particularly popular in France, and in North America the Canadian province of Quebec.
Contents |
The zouk music style was invented in the early 1980s when many different styles were fused, such as compas, balakadri, cadence and bal granmoun, mazurka and biguine, French and American pop, and kadans, gwo ka and other indigenous styles.[1]
The leading band to emerge from this period was the band Kassav' who came from Guadeloupe and Martinique. They gave the style a pan-Caribbean sound by taking elements from compas, reggae and salsa, and became the most famous Zouk band in the world. Kassav' was formed in 1979 by Pierre-Edouard Décimus, a long-time professional musician who worked with Freddy Marshall. Together, they decided to take carnival music and make it more modern and polished. With their first album, Love and Ka Dance (1979), "zouk" music was born. They continued to grow more popular, both as a group and with several members' solo careers, finally peaking in 1985 with Yélélé, which featured the international hit "Zouk la sé sèl médikaman nou ni."
With this hit, zouk rapidly became the most widespread dance craze to hit Latin American in some time,[citation needed] and was wildly popular even as far afield as Europe and Asia.[citation needed] Zouk became known for wildly theatrical concerts featuring special effects spectacles, colorful costumes and outrageous antics.
Other zouk musicians include Jocelyne Labylle from Guadeloupe.
A special style within the zouk is called zouk-love, where the music is slower and more dramatic. Zouk-love has its origins in a slow tempo form of cadence sang by Ophelia Marie of Dominica. The music kizomba from Angola and Cola-zouk from Cape Verde are also a derivatives of zouk which sounds similar, although there are differences noticeable to those more familiar with these genres.
Popular zouk-love artists include French West Indian artists like Patrick Saint-Eloi the precursor of zouk love, Edith Lefel, Nichols, Harry Diboula or Haitian artists like Ayenn, Alan Cavé, and Daan Junior. Netherlands based Suzanna Lubrano and Gil Semedo, as well as African artist Philipe Monteiro e uma dança chata.
There are four ways to dance to zouk music[citation needed]:
Caribbean zouk, is a dance performed in the Caribbean, most often in the islands of Haiti, Guadeloupe, Martinique, Dominica and St. Lucia. As merengue, it is danced basically by changing the weight from one leg to the other in the music, which many teachers of dance simply call the time. The choreography is simple and little elaborated.
The dance steps of Caribbean zouk dance style differ significantly from the Brazilian zouk-lambada dance style. In Caribbean zouk two steps are performed on the music ("1-2, 1-2, etc"), where in Brazilian zouk three steps are performed on the music ("1-3-4, 1-3-4, etc"). This changes the dynamics of the dance.
In Brazil, the zouk rhythm is used to dance a Brazilian style derived from the Lambada, however, with movements more suited to the music. The Lambada is usually very fast and frantic. Unlike that, the zouk in Brazil is often slow and sensual, enabling many steps and turns.
For a description of several (sometimes more individual) styles in zouk, see the lemma Zouk-Lambada.
Soulzouk was created in 2005 by China a teacher from Rio de Janeiro, Brazil. Soulzouk, or zouk "freestyle" is a new way of dancing zouk that is from Brazil. More contemporary, it differs from traditional Brazilian Zouk by a new way to connect with the music. This way of dancing is not based only on the pace, but on the melody of the song, which means it can, not only be danced with zouk music but also with a variety of musical genres like rap or R 'n'B. The gentlemen leads not only his hands and arms, but also with his legs, shoulders and head.
DJ O.K
DJ O.K DJ Vibe DJ Ice DJ Vasselli DJ Greg
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | Word Origins. The World in So Many Words, by Allan A. Metcalf. Copyright © 1999 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved. Read more | |
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