Yes. Like C would become C# or Cb
In German musical nomenclature, the sharp notes are denoted with a "is" suffix (e.g., Fis for F sharp, Cis for C sharp). The flat notes are indicated with a "b" (e.g., Bb for B flat, Eb for E flat). The naming convention for natural notes remains the same as in English, using letters A to G.
A natural and a sharp before a note means that the note was previously a double-sharp and is now just a sharp.
A, A Sharp, B, B Flat, C, C Sharp, D, E, and E Flat!(: Good luck!(:
Do you mean that they look like notes or that they are b sharp f sharp b flat and such? if the latter: F- Fluorine B- Boron C- Carbon that's all I can think of!
b flat (half note), c, d, e flat, f, g, a , b flat (half note),a g, f, e flat, d, c, b flat b flat(half note), d, f, high b flat, a, f, e flat, c, b flat (half note), (divisi) f, e flat, d (or) d, c, b flat all divisi notes are half notes and all other notes that i have not said are quarter notes
Same as G sharp. All the notes in G (hence all three fingers) plus the fourth finger key -- all notes played using left hand, right hand is not used.
The notes respective to those keys are sharps or flats, depending on the key signature of what you are playing. For example, the black key between the C and D white keys is either a C sharp or a D flat depending on what the key signature includes.
A sharp or flat symbol stays in effect for the entire measure in which it appears. If the note is repeated in subsequent measures, the sharp or flat must be indicated again unless it is in a different octave or a natural sign is used to cancel it. This applies to all notes on the same line or space of the staff.
Only 7 - the first seven of the alphabet : A, B, C, D, E, F & G. There are more than seven notes available in music however, as there are sharp and flat versions of each note, all of which have an equivalent sharp/flat.
The circle of fifths is a way of figuring out how many sharps/flats a key. Starting with C major, you go up a fifth and put a sharp on the seventh degree of the scale, which is F sharp - so the key of G major has one sharp. This can be done by going up a fifth from G to D, in D major the F sharp (third degree) is already present and again you add a sharp to the seventh note, C-sharp, thus D major has two sharps. This goes all the way round to C-sharp major, with all notes made sharp. You go down a fifth from C major to F major and lower the fourth degree, making the B a B flat, this F major has one flat. Again by going down a fifth from F is B flat and the fourth note is lowered so you lower the E to E flat, so B flat major has two flats. You keep going until you reach the key of C flat major, with all notes in the scale flat.
(all in concert notes) f to e flat to d flat back to e flat back to d flat
A typical alto saxophone can reach a B-flat one octave lower than its natural octave and a high F-natural (sometimes F-sharp) one octave higher than its natural octave. So some notes that can be played are A-flat, B-natural, and G-sharp, which are all in the alto saxophone's natural octave.