Of course you know that Hamlet never actually asks Ophelia to marry him. That is because he is a prince, the son of a king, and a potential heir to the throne, and if she married him she might become queen. Usually members of royalty are not free to marry as they will, but need the permission of the government. Royal marriages were often made to seal alliances and so royalty were stuck with the people chosen for them. This is what Laertes means when he warns Ophelia, "He may not, as unvalued persons do, carve for himself, for on his choice depends the safety and health of this whole state."
Ironically, at Ophelia's funeral Gertrude says "I hoped thou shouldst have been my Hamlet's wife." but by then it was way too late. If Polonius had suggested the match instead of pooh-poohing it, Hamlet and Ophelia might have married.
In Act 1 Scene 3 of Hamlet, both Laertes and Polonius advise Ophelia to stop seeing Hamlet, in their own ways. Laertes, as Ophelia's brother, gives the explanation that Hamlet, as heir to the throne of Denmark, must ultimately do what benefits the country. That means that though he may love Ophelia now, he will never be able to marry her because she is not of royal blood so it would not reflect well on the country, and because Denmark must come first, their relationship is doomed to end. Laertes says that Hamlet's affections for Ophelia are essentially flirtation and are going nowhere. (Of course he is dead wrong about Ophelia's chances of marrying Hamlet. At her funeral Gertrude says "I hoped thou shouldst have been my Hamlet's wife.") Polonius, Ophelia's father, gives the same advice for a different reason. He basically says that Hamlet is a young guy and offers her affection because he wants her, not because he loves her. He advises that Ophelia should stop seeing Hamlet because what she thinks is love is simply lust.
In Act 1 Scene 3 of Hamlet, both Laertes and Polonius advice Ophelia to stop seeing Hamlet in a romantic way. Laertes, as Ophelia's brother, gives the explanation that Hamlet, as heir to the throne of Denmark, must ultimately do what benefits the country. That means that though he may love Ophelia now, he will never be able to marry her because she is not of royal blood so it would not reflect well on the country, and because Denmark must come first, their relationship is doomed to end. Laertes says that Hamlet's affections for Ophelia are essentially flirtation and are going nowhere.Polonius, Ophelia's father, gives the same advice for a different reason. He basically says that Hamlet is a young guy and offers her affection because he wants her, not because he loves her. He advises that Ophelia value herself more highly than Hamlet will, and says she should stop seeing him because what she thinks is love is simply lust.Stay away from Hamlet. Do not be childish. This is not love between you and Hamlet, it is called lust.
In Act 1 Scene 3 of Hamlet, both Laertes and Polonius advise Ophelia to stop seeing Hamlet, in their own ways. Laertes, as Ophelia's brother, gives the explanation that Hamlet, as heir to the throne of Denmark, must ultimately do what benefits the country. That means that though he may love Ophelia now, he will never be able to marry her because she is not of royal blood so it would not reflect well on the country, and because Denmark must come first, their relationship is doomed to end. Laertes says that Hamlet's affections for Ophelia are essentially flirtation and are going nowhere. (Of course he is dead wrong about Ophelia's chances of marrying Hamlet. At her funeral Gertrude says "I hoped thou shouldst have been my Hamlet's wife.") Polonius, Ophelia's father, gives the same advice for a different reason. He basically says that Hamlet is a young guy and offers her affection because he wants her, not because he loves her. He advises that Ophelia should stop seeing Hamlet because what she thinks is love is simply lust.
Polonius treats his children, Laertes and Ophelia, with a mix of authority and concern, but his methods can be quite controlling. He offers Laertes advice on how to conduct himself while away from home, emphasizing reputation and prudence. With Ophelia, he is more protective, often dictating her interactions, particularly with Hamlet, which reflects his desire to control her choices. Overall, his parenting style is characterized by a blend of guidance and manipulation, aimed at maintaining familial honor.
Ophelia returns Hamlets gifts because she no longer feels that have any value to her since the sentimental value that they once carried has been lost due to his rude and insane behaviour towards her.
I believe he apologizes because he is ultimately responsible for the death of Ophelia and his father Polonius. Also, Hamlet finally sees how similar they are to each other and offers his apology to prevent him from following the same destructive path Hamlet did.
Laertes asks Hamlet to forgive him for killing him. In exchange, he offers to forgive Hamlet for killing him (and perhaps also his father and sister.) This may be just so he can die in peace or it may have some bearing on where the two end up in the afterlife.
The recorder is a symbol for the manipulation of people. Hamlet offers it to Rosencrantz and while doing this Hamlet reveals to Rosencrantz that he (Hamlet) is not a person who can be manipulated.
In Scene One of Act V, the presence of the gravedigger provides a moment of clarity regarding Hamlet's age, as he reveals that Hamlet is likely in his thirties, having been a child when Yorick, the jester, died. The gravedigger's casual remarks about Hamlet's childhood contrast with the weighty themes of mortality and legacy that permeate the scene, highlighting Hamlet's transition from youth to adulthood. However, the ambiguity surrounding Hamlet's maturity and the existential dilemmas he faces can still leave audiences questioning the depth of his experience and understanding, thus adding a layer of confusion to his age’s implications. Overall, while the scene offers concrete information, it simultaneously deepens the complexity of Hamlet's character.
The quote is spoken by the character of the Ghost in the play "Hamlet" by William Shakespeare. The Ghost warns Hamlet about the dangers he faces and offers a means of escape from the troubles surrounding him. The line captures the tension between fate and free will, highlighting the Ghost's role in guiding Hamlet while also foreshadowing the perilous journey ahead.
The theme of "Reviving Ophelia" by Mary Pipher revolves around the challenges that adolescent girls face in a society that often undermines their self-esteem and worth. The book explores how societal pressures, media influences, and cultural expectations can negatively impact young girls and offers insights on how to support and empower them.
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