Yes. In most western music in a major key the song normally ends dominant to tonic
The tonic, the submediant and the dominant (1, 3 and 5).
Mey Sovannara Principal chords are main chords built from each scale and they can be used and played in replacement of other chords that are built from a scale. There are three principal chords in each scale. In the major keys, the three are tonic major chord, Subdominant major chord and dominant seventh chords. In the minor keys, the three are tonic minor chord, Subdominant minor chord and dominant seventh chords. To avoid using too many chords and chords that are not pleasant to your ears, you can use these three principal chords to replace other chords in a scale.
They preferred tonic-dominant-tonic (I - V - I) harmony.
They are basic tonal reference points. Tonic is the key the music is in. Dominant is exactly five whole tones above tonic. This is true of any key. If you are playing in C major, the dominant is G major. If you want to transpose the piece into D major, the tonic is D and the dominant is exactly five whole tones higher - A.
A movement from the tonic to the dominant seventh chord.
The tonic, the submediant and the dominant (1, 3 and 5).
Mey Sovannara Principal chords are main chords built from each scale and they can be used and played in replacement of other chords that are built from a scale. There are three principal chords in each scale. In the major keys, the three are tonic major chord, Subdominant major chord and dominant seventh chords. In the minor keys, the three are tonic minor chord, Subdominant minor chord and dominant seventh chords. To avoid using too many chords and chords that are not pleasant to your ears, you can use these three principal chords to replace other chords in a scale.
Traditional harmony is based on the diatonic scale, particularly the major and minor modes. Cadences are resolved through the dominant and subdominant chords. Indeed some simple pieces with traditional harmony of this kind use only the chords of the dominant, subdominant and tonic.
Tonic-dominant-tonic (I - V - I)
That's one of the most basic chord progressions in music. I is the Tonic, IV is the Sub-Dominant and V is the Dominant. Thousands of blues and early rock and roll songs use just those three chords.
They preferred tonic-dominant-tonic (I - V - I) harmony.
They are basic tonal reference points. Tonic is the key the music is in. Dominant is exactly five whole tones above tonic. This is true of any key. If you are playing in C major, the dominant is G major. If you want to transpose the piece into D major, the tonic is D and the dominant is exactly five whole tones higher - A.
Plagal cadance is a cadence formed by two chords at the end of a phrase, the subdominant to tonic chords (IV-I)
A movement from the tonic to the dominant seventh chord.
Ascending up the major scale, the terms for each degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and tonic again. The prefix "super" means above the tonic, and "sub" is below the tonic.
dominant
The tonic, sub-dominant and dominant are the most important. They re-affirm the given key and are also called primary chords. They form the basis of the cadence and are instrumental to the quality of the melody.