no
What makes anyone more memorable than anyone else? If a character is more believable, more realistic, and more entertaining, you will remember him or her better. A flat character, without any real traits, won't be remembered.
No, a subordinate character is anything other than the main character. These are not necessarily "flat" (which means someone who is a stereotype or whose character traits are only hinted at).
Yes
The characters in "The Lottery" by Shirley Jackson are mostly flat and static. They do not undergo significant development or change throughout the story, and their personalities are not deeply explored. The focus of the story is more on the ritual itself rather than the individual characters.
house is more than cheap than flat.
A flat character is one who has only one personality trait which does not change. Characters who are deeper are seen to have more than one personality trait which are sometimes in conflict, or values which come into conflict. Such internal conflicts are at the centre of literary character development. They can lead to changes in the character's personality. It is not uncommon to see a character portrayed as a flat character at the outset of a story but who becomes more complex as we learn more about him or her.
Flat characters typically lack internal conflicts because they are defined by a single trait or characteristic, which makes their motivations and actions predictable and straightforward. This simplicity means they don't undergo significant personal growth or change, as their role is often to support the development of more complex, dynamic characters. As a result, flat characters serve to advance the plot or highlight themes rather than engage in internal struggles.
Female traits are more dominant because they are more calm in times of pressure as in birth.
Plot isn't necessarily more important than characters. If you don't have good characters, the plot is going to fall flat and the story will be dull or confusing. Plot and character are the two halves of a story.
No, they are controlled by only two or more traits
Short comedic plays that introduced real characters who were more fully developed than characters in allegories were known as "commedia dell'arte." These plays emerged in 16th-century Italy and featured stock characters with distinct personalities and traits, as opposed to symbolic representations common in allegorical plays. Commedia dell'arte relied on improvisation and comedic situations to entertain audiences.
They are called Polygenic Traits.