That's the definition of resolution, yes.
Plots usually include storylines and characters with conflicts that need to be resolved. A story wouldn't be the same without some element of necessary resolution.
Without a conflict, the story will be boring, so yes.
Plots develop around conflict and tension because that's what makes an interesting story.
plots centered on a moralist conflict in which the main character were archtypes of good vs evil
Conflict is essential in plots because it drives the story forward by creating tension, engaging the audience, and allowing for character development. It presents obstacles for the protagonist to overcome, leading to growth and change. Ultimately, conflict adds depth and interest to the narrative, making it more compelling for the audience.
plots centered on a moralist conflict in which the main character were archtypes of good vs evil
The outcome of a story is the "denouement". Denouement is a French word derived from denouerwhich means "untie". The French origin is from the Latin word nodus meaning "a knot". Given that a story, as well as having an author, has * a title, and sub titles * a theme, and threads * a setting, and supporting settings * a main character, and supporting characters * a plot, and sub-plots * a climax, and anti-climaxes * and a conclusion, then the denouement is the conclusion in which all the components that were seemingly tied together in a knot, ranging from the simple to the complex, unravel to reveal the truth of their existence.
* The story should start out with some descriptive setting and characterization with hints of mood, tone and voice. * As soon as possible you should introduce the conflict that will drive the plot of the story * you should now introduce all subplots and minor character that will encompass the totality of the plot while maintaining constant setting variance and character development at the same time * should develop the plots and subplots to some resolution - with no set criteria as to which is to be resolved first. * end as quickly as possible.
The conflict in "The Cask of Amontillado" involves Montresor seeking vengeance on Fortunato. This conflict drives Montresor's actions to manipulate Fortunato into following him to the catacombs and ultimately leads to Fortunato's demise. The conflict also reveals the dark nature of Montresor's character as he plots his revenge meticulously.
Edward James Swenson has written: 'High resolution root locus plots' -- subject(s): Feedback control systems, Mathematical models
It means the last part of a story. "Threads" are the parts of a story that you've told, such as the main story with the conflict and climax, along with all of the sub-plots that have been happening around the main story. "Tying them up" just means that everything that's happened in your story gets explained, and the reader has a satisfied feeling at the end of your story instead of wondering what just happened.
Ironic, who-done-it plots.