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El Greco was a Spanish Painter who painted in the late 16th and early 17th century. He was born in Crete and moved to Venice and Rome before settling in Toledo, Spain.
During the renaissance 15th- 16th century
There have been many periods of Renaissance,French for re-birth. The 8th and 9th century. The 12th century and from the 14th to the 16th century.
The Renaissance reflects the period of the 16th century.
Albrecht Dürer worked 15th - 16th centuries.
16th century: Giorgione, Titian, Veronese, Tintoretto 18th c.: Rosalba Carriera, Tiepolo, Canaletto, Guardi.
pretty sure they pertained to oils, perfumes, spices, wines, and other Mediterranean based economies
Verona in the 16th century was a thriving city that experienced cultural and artistic growth, influenced by the Renaissance movement. It was also a center for trade and commerce, benefiting from its strategic location in northern Italy. The city was ruled by the Republic of Venice during this time, which influenced its political and social structure.
The "meme" for the word doge is a play on the similar word "doggie."A doge was an official, an elected chief lord, notably in Italian city-states from the 11th to 16th century, as in the "crowned republics" of Venice and Genoa.
1584 is in the 16th century.
16th century October.
He worked for Cesare Borgia in the early part of the 16th century as a military advisor and architectural director, and was lodged in the Belvedere of il Vaticano (The Vatican). He didn't have a true workshop in Rome. His workshop was in Venice during this time period.
The period can not be specifically defined, it reflect the fortunes of the Spanish Hapsburg Dynasty. Starting no earlier than 1492 and ending no later than 1659
The 16th. century spans the years 1501-1600.The 16th. century spans the years 1501-1600.The 16th. century spans the years 1501-1600.The 16th. century spans the years 1501-1600.
That is the last year of the 16th century
1509 would be in the 16th century.
The renaissance painters in Florence considered the drawing (contours) to be the true essence of a painting. The Venetian contemporaries, as Giorgione, Titian and Tintoretto, were of the opinion that colour is the heart and soul of a painting. So that is what they developed.