The Greek statues were meant to look perfect. The Roman copied the Greek art and many other stuffs. But some of the things the Roman copied were different. Their statues were not meant to look perfect. They included every single features, unlike the Greeks. These are the reason why the Roman and Greek statues differ
Greek statues were naturalistic, while the Egyptian ones were stylised. Roman sculpture in the Republican period was highly realistic portraiture (busts). In the period of rule by emperors the Romans adopted full bodied statues and they were modelled on the Hellenistic sculpture of the Greeks.
The Romans were deeply influenced by the Greeks. The adopted some Greek gods and many Greek myths and later they linked their gods to Greek ones. Roman architecture adopted Greek styles for temples and porticoes. From the late 1st century BC they copied Greek statues and modelled their own on Greek ones. They adopted Greek sports and the Greek gymnasium. Today we still have Greco-Roman wrestling. They adopted Greek medicine. They adopted Greek cranes and siege machines, and greatly improved on the cranes and the ballista (a catapult). Early Latin tragedy was based on or copied Greek tragedy and early Latin poetry was based on Greek verse. The first professional educators in Rome were Greeks. The Roman elites received an education in both Latin and Greek. The pinnacle of their education was a stay in Greece to study Greek philosophy.
Greek and Roman art were similar. The Roman elites were deeply influenced by the Greeks and Greek art. Hence the term Geo-Roman art.During the period of the Roman Republic Roman portraiture (sculpture (busts) emphasised middle-aged, battle-hardened men with wrinkles, creases in the neck and eyes, sagging necks, receding heir or bald heads, scars, warts, and pronounced noses and lips. They had lifelike forward gazes. It was distinct from Greek busts in that it gave an impression of the individual was powerful and its had a verist style (its realism was heightened). In the Late Republic, the rich liked to have decorative statues of Greek divine, mythical or heroic themes for their villas. The villa market blossomed in the first century BC. Some of these were statues made by Greek sculptors. The earliest ones (4th and 3rd century BC) were terracotta ones. Bronze and marble statues arrived as part of large scale spoils of war. Syracuse was besieged in 211 BC. By the final act of war against the Greeks, the sack of Corinth (146 BC), Rome had great collections of Greek statues. The villas were cramped with Greek statues. After 146 BC the supply of looted statues dwindled and rich Romans bought them in Greece or Roman reproductions which were replicas or variants of Greek originals or new creations based on Greek themes. The latter became the largest and more inventive production. As the supply of statues from Greece decreased, Roman reproductions flourished and expanded its repertoire and combined different Greek styles (Archaic, Classical and Hellenistic). In the period of rule by emperors there were idealised statues of the emperors in the Hellenistic style. Replicas of Greek Hellenistic statues of mythical scenes, mythological figures and gods became popular.Architectural reliefs reached high quality in the 3rd century BC. Some early terracotta reliefs were comparable in quality to the Greek ones. They could be in Greek styles, but they represented historical themes, most connected to military concerns, while the Greek ones had allegorical themes. Thus, in their themes they were distinctively not Greek.Early Roman wall paintings (frescoes) were originally similar to the Greek ones, but became distinctively Roman. Early Roman mosaics were in the First Style or 'Incrustation style, which is believed to have originated in Alexandria In the 3rs century BC. It tried to reproduce the look of masonry, particularity marble, with the use of rectangular panels and a colourful, patchwork of brightly painted faux-marble. The Second Style or 'architectural style' emerged in the Late Republic. It tried to create the impression of looking through a window by painting illusionistic images. It depicted fanciful architectural scenes of Greek palaces, scenes from Greek mythology and Themes of Hellenistic kings emerged. This style reflected the Hellenization of the Roman elites. The Third Style or 'Ornate Style' was popular in the first half of the 1st century AD. It used broad single colour (especially black or dark red) panels punctuated by minute, intricate details. The Fourth Style, 'Intricate Style', became popular in the mid-first century AD. It was a combination of the three previous styles. It had faux marble blocks along the base of the walls, naturalistic architectural scenes combined with the large flat planes of colour and slender architectural details. It also incorporates central panel pictures on a much larger scale than with a much wider range of themes, mythological, landscape and still images. According to Pliny the Elder it was developed by a eccentric, painter who decorated Nero's famous Golden Palace.Early Roman mosaics where monochrome with borders depicting vegetal motives and Greek themes. Here were also monochrome mosaics punctuated by opus sectile (irregularly cut pieces on variously coloured marble). Some mosaics were while with central squares with mythological scenes. Over time, more themes from nature were introduced. Roman mosaic also displayed Greek influence, but were distinctively Roman.
The term Greco-Roman is today used as a term for western ancient history and culture. The words are combined because the Romans borrowed much from the Greeks and spread their culture combined with the Greek all over their empire.
Horace was referring to the great cultural influence which the Greeks had on the Romans. The Romans adopted some Greek gods and linked their gods to the Greek ones, adopted Greek myths, sculpture, medicine, philosophy, sports and siege machines. Latin literature started with translations of Greek epics, tragedies and comedies and their plays were originally modelled on Greek ones.
The Roman elites looked up to the Greeks. They received an education in both Latin and Greek and the pinnacle of their education was a stay in Greece to study Greek philosophy. The first professional teachers in Rome were Greek.The Romans adopted the architectural styles of the Greeks for temples and porticoes and coped Greek statues. They also adopted Greek medicine and the Greek catapult (which they improved). They adopted some Greek gods and many Greek myths and linked their gods to Greek ones.
It depends on which country's mythology. I'm only knowledgeable in Greek and Roman myths, my specialty being Greek ones.
The Greeks had the greatest influence of Roman religion. In their early days the Romans adopted five Greek deities. They also adopted Greek myths and linked their gods to the Greek ones. The Etruscans and the Sabines also had an important influence on Roman religion
No. The Romans respected Greek Culture. For a while there was a danger that Latin would die out and would be replaced by the Greek Language. A reaction occurred against that about 100 ad. Most upper class Romans admired Greek culture, and were known as Hellenophiles (Greek lovers). They looted Greece for statues and other art works. However they despised them as military easybeats. The lower classes saw them as natural slaves.
Developing an alphabet which became the basis of the Greek and Roman ones, and hence of today's alphabets.
The Romans adopted a number of Greek deities, Apollo, Asclepius, Castor and Pollux, and Cybele (whom they called Magna Mater, Great Mother), and linked their gods to the Greek gods. They bought the books of the Sibyllines of Cumae, who were Greek oracles whom lived in the Greek city of Cumae, near Naples. They adopted the Greek way of building temples. Latin literature emerged from plays which were either translations of Greek plays or modelled on plays and forms of drama and comedies from Greece. Roman theatres were inspired by those of the Greeks. However, whilst the seating of Greek theatres were always built on hillsides, the Romans also built theatres with their own foundations which could be built on flat land. From Augustus onwards, they modelled their statues on the Hellenistic ones. They also copied statues on those of great Greek sculptors. The Romans also adopted Greek medicine, Greek sports and some Greek siege machines, including the ballista (a crossbow-like catapult) which they greatly improved.
In the Republican period the Romans produced the best portrait sculpture (busts) there has ever been. It was a strictly Roman art and it was very realistic. In the fist and second centuries AD they produced sublime and accurate replicas of Greek sculptures by great Greek sculptors. Some of these are displayed at the Vatican Museums.