When in doubt, stay in the key.
The leading tone in a key is one half-step below the tonic. In the key of A major, the leading tone is G-sharp.
dominant cord
dominant cord
STEP 1. As you approach a multi-lane roundabout, slow down to the advisory speed and prepare to stop if necessary. STEP 2. Get in the appropriate lane well in advance of the intersection. Lane use signs will always show which lanes can be used for different turns. In this example: • To turn right, get into the right lane ONLY. • To go left, get into the left lane ONLY. • The sign shows that you can go straight from either lane in this example. STEP 3. Just before you get to the roundabout, be sure to watch for any pedestrians in the crosswalk. STEP 4. When you reach the roundabout, yield to all traffic already in the roundabout. Because the inside lane of the roundabout is usually allowed to exit, never attempt to enter alongside circulating vehicles, as they may intend to exit. STEP 5. When there is a safe gap in both lanes of crossing traffic, proceed into the roundabout, keeping to the right of the center island. Stay in your lane. Never change lanes within the roundabout. As with a standard intersection, you must be in the proper lane before entering. STEP 6. Once you've entered, you have the right of way. When you reach your desired exit point, simply proceed straight out of the roundabout. STEP 7. Be sure to watch for any pedestrians as you exit the roundabout, and be sure to stop for any pedestrians within the crosswalk.
Short answer: IT IS A DOMINANT. For detailed information go to http://en.wikipedia.org/wiki/Dominant_(music)
im pretty sure you are talking about a trill
whole step, whole step, half step, whole step, whole step, whole step, half step.
whole step, whole step, half step, whole step, whole step, whole step, half step
whole step, whole step, half step, whole step, whole step, whole step, half step.
Starting with the root of the scale, the pattern is whole-step, whole-step, half-step, whole-step, whole-step, whole-step, half-step.
augmented
Half step is where your fingers are touching on the string, and a whole step is when your fingers are not touching.
Starting from the bottom: Whole step, whole step, half step, whole step, whole step, whole step, half step. The best way to think of it is all whole steps except for between the 3rd and 4th notes and the 7th and 8th notes.
To turn a major scale to natural minor, lower the third, sixth, and seventh scale tones a half step. To create a natural minor scale from scratch, it is: whole step, half step, whole step, whole step, half step, whole step, whole step. A harmonic minor scale has a seventh raised by a half step above a natural minor scale. A melodic minor scale has a sixth and a seventh raised by a half step above a natural minor scale.
They don't, A half-step is a half-step and a whole-step is a whole-step.
An interval is the distance between two pitches. These intervals are measured in half-steps and whole steps. For example, a half-step is like C to Db. A whole step would be C to D. A major scale is made up of these steps as so: C MAJOR Whole step, Whole step, Half step, Whole step, Whole step, Whole step, Half step. C to D, D to E, E to F, F to G, G to A, A to B, B to C WWHWWWH You may have noticed that from E to F and from B to C it was a half step just as if it were from C to Db. This is because these pitches are simply a half step away from each other.
Whole, whole, half, whole, whole, whole, half.WWHWWWH