To get C to F, you multiply the F be 1.8 and then add 32. Or to get F to C you subtract 32 then divide by 1.8
You would be either in the key of F or D minor. Impossible to say which one without knowing the chord progression or the melody; does the Dm or the F feel more like "home"? You could modulate to any key you like, but you're be more likely to modulate to a "close" key. Since F or D minor have one flat, the close keys would be those with two flats (Bb or G minor) or no flats (C or A minor). Most likely, you'd go to the dominant key, which would be C or A minor (depending on whether your tonic key was F or D minor).
e major
c# d# f# g# a# g# f# f# f# f# f# d# c# d# f# g# a# g# f# f# f# f# f# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c# a# a# c# d# a# a# c# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c#
This is the whole of one verse. F F F C D D C A A G G F C F F F C D D C A A G G F C C F F F C C F F F F F F F F F F F F F F F F F F C D D C A A G G F
Just by ear I came up with this.. Intro 1-2m7 (say F-Gm7)(repeat 8 bars) 1st Verse 1-2m7-5 (say F-Gm7-C) 2nd Verse Modulate half-tone up 1-2m7-5 (say F#-G#m7-C#) Not sure but i sing along with it fine...I eventually moved it into the key of C for my voice to sing.
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
You would be either in the key of F or D minor. Impossible to say which one without knowing the chord progression or the melody; does the Dm or the F feel more like "home"? You could modulate to any key you like, but you're be more likely to modulate to a "close" key. Since F or D minor have one flat, the close keys would be those with two flats (Bb or G minor) or no flats (C or A minor). Most likely, you'd go to the dominant key, which would be C or A minor (depending on whether your tonic key was F or D minor).
Transpose the music down a major second.
e major
I think it is pretty logical>
The fastest method could be a common tone modulation from D-flat to F, which is then the dominant of B-flat. The D-flat moves to C, the A-flat up to A-natural, and the F carries through.
The answer to this question is not always simple, however if you want a definite answer, look at the tips below: If you wanted to end on a perfect cadence, you should modulate to a G major chord and then move down to the tonic chord (C major). If you wanted to end on a plagal cadence, you would modulate up a fourth to a F major chord and then resolve on a C major chord. If you wanted to end on am imperfect cadence you simply modulate to the dominant chord (in this case G major) and end there. Finally, if you wanted to end on an interrupted cadence you modulate from the tonic chord (C major) to the relative minor, an A minor chord. So in most cases a song which began in C major should end in the tonic key (C major), however a song in C major can end in G major (an imperfect cadence) or in A minor (an interrupted cadence). Hope this helps.
c# d# f# g# a# g# f# f# f# f# f# d# c# d# f# g# a# g# f# f# f# f# f# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c# a# a# c# d# a# a# c# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c#
c# d# f# g# a# g# f# f# f# f# f# d# c# d# f# g# a# g# f# f# f# f# f# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c# a# a# c# d# a# a# c# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c#
C g g f g f c c d d c d f g a g f c c g f d c g g f g f c d d c d f g c c a g f c a g d f a g f c a g f g c f e d c e d c d f a g f d d f a g c d f f a g f d f g c g g f g f c c d d c d f g a g f c a g f d c g g f g f c d d c d f g c c a g f c a g d f a g f c a g f g c f e d c e d c d f a g f d d f a g c d f f a g f d f g c g f g f g f c c d f c d f c g g-f g-f g-a-f c d f c d f c g g-f g-f g-f-d c d f c d f c g g-f g-f g-a-f
This is the whole of one verse. F F F C D D C A A G G F C F F F C D D C A A G G F C C F F F C C F F F F F F F F F F F F F F F F F F C D D C A A G G F