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How do you prevent wax from peeling off during etching pysanky?
Wiki User
∙ 11y ago
Wax doesn't normally come off during etching. However, if the lines are too fine/thin, the acid can easily undermine (attack sideways below the wax from an etched area) the waxed lines and the wax will come off with a bit of shell.
If you are having this problem, you should consider either etching for a shorter period of time, or writing with a wider stylus. Medium or fine are OK; extra fine or narrower usually come off.
Wiki User
∙ 11y ago
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What did a child laborer do as a sea food and farm hand during the industrial rovolution?
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What are the origins of pysanky?
Ancient people worshipped the sun, which warmed the earth and was the source of all life. In winter, earth was dormant and appeared to be without life. Likewise a whole egg appears to be lifeless. In spring the earth renewed herself, and new life sprang from the egg. Thus the egg is a perfect symbol of the sudden burst of life from dormancy. Ancient Ukrainians believed that eggs had special powers. Eggs were decorated with symbols that had magical and protective powers; these powers were thus transfered to the egg, which was used for talismanic purposes. When Christianity came to Ukraine (Kyivan Rus), the egg was incorporated into Easter celebrations. Easter is the culmination of the Christian year, and celebrates the victory of life over death. The pysanka, which had been created in ancient times during spring festivities celebrating the rebirth of nature, was an ideal symbol for then new Christian Easter holiday. Pysanky created for Easter had many purposes. The original purposes were protective and magical. Pysanky were left in a bowl in the house to protect it from evil. They were placed in the stables and beehives to not simply protect the beasts of the household, but to insure their future fertility. Pysanky were hung in fruit trees to assure a plentiful harvest, and farmers buried eggs in their fields to assure a bountiful harvest. Pysanky were also given as gifts to friends and family: children received light, colorful pysanky with floral designs, while teenagers received eggs with lots of white, indicating that their future was a blank page. Married couples received 40 triangle eggs, which represent power in all facets of life, while older people received black eggs with ladders and gates, representing the ascent to heaven. Making pysanky was not a social event, but an important religious ritual. The women of the family would gather on the given day, say a few prayers, and work together to produce a family's pysanky. Men rarely participated (it was unheard of), and this ritual was performed in near silence at the end of a day sanctified by refraining from gossip, argument, or sin. The pysanka maker prayed that the recipient of her eggs would be endowed with joy, good fortune, happiness, and protection from harm. In the mid-19th century traditions began to change as the world grew more modern. Pysanky were less and less considered magical objects, and more and more considered mere objects of art. They began to be sold, and used mainly as pretty decorations. The knowledge of the meaning of their symbols began to be forgotten. And rather than being made and given away during the great spring holiday (velykden), they began to be given away year round.
Why were pysanky made?
Ancient people worshipped the sun, which warmed the earth and was the source of all life. In winter, earth was dormant and appeared to be without life. Likewise a whole egg appears to be lifeless. In spring the earth renewed herself, and new life sprang from the egg. Thus the egg is a perfect symbol of the sudden burst of life from dormancy. Ancient Ukrainians believed that eggs had special powers. Eggs were decorated with symbols that had magical and protective powers; these powers were thus transfered to the egg, which was used for talismanic purposes. When Christianity came to Ukraine (Kyivan Rus), the egg was incorporated into Easter celebrations. Easter is the culmination of the Christian year, and celebrates the victory of life over death. The pysanka, which had been created in ancient times during spring festivities celebrating the rebirth of nature, was an ideal symbol for then new Christian Easter holiday. Pysanky created for Easter had many purposes. The original purposes were protective and magical. Pysanky were left in a bowl in the house to protect it from evil. They were placed in the stables and beehives to not simply protect the beasts of the household, but to insure their future fertility. Pysanky were hung in fruit trees to assure a plentiful harvest, and farmers buried eggs in their fields to assure a bountiful harvest. Pysanky were also given as gifts to friends and family: children received light, colorful pysanky with floral designs, while teenagers received eggs with lots of white, indicating that their future was a blank page. Married couples received 40 triangle eggs, which represent power in all facets of life, while older people received black eggs with ladders and gates, representing the ascent to heaven. Making pysanky was not a social event, but an important religious ritual. The women of the family would gather on the given day, say a few prayers, and work together to produce a family's pysanky. Men rarely participated (it was unheard of), and this ritual was performed in near silence at the end of a day sanctified by refraining from gossip, argument, or sin. The pysanka maker prayed that the recipient of her eggs would be endowed with joy, good fortune, happiness, and protection from harm. In the mid-19th century traditions began to change as the world grew more modern. Pysanky were less and less considered magical objects, and more and more considered mere objects of art. They began to be sold, and used mainly as pretty decorations. The knowledge of the meaning of their symbols began to be forgotten. And rather than being made and given away during the great spring holiday (velykden), they began to be given away year round.
What does chemical milling do?
Chemical milling is the subtractive manufacturing process of using baths of temperature-regulated etching chemicals to remove material to create an object with the desired shape or dimensions. It is most commonly used on metals however other materials are becoming increasingly important. It was developed armor-decorating and printing etching processes developed during the Renaissance as alternatives to engraving on metal.
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