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The sorrow of a woman over losing loved ones is the privileged connection with the real which Hocine Zaourar has with La madone de Bentalha. The Anglicized title "The Madonna of Bentalha" references the image which the above-mentioned l'Agence France-Presse photographer took outside the Zmirli Hospital near Algiers, Algeria, on September 23, 1997. The composition reveals a woman whose family number among the 200 victims of actions by the Groupes islamiques armés in Bentalha, Algeria.

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Q: How does 'La madone de Bentalha' by Hocine Zaourar have a privileged connection with the real?
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