I am not assuming I am in the key of F (one flat), there is one semi-tone in each octave: B flat.
While Iam navigating the entire 2 1/2 octave range, navigating the range chromatically, then each note change is a semi-tone, 13 semi-tones in all for each octave. So 13+13+6 = 32 semi-tones in 2½ octaves.
Each semi-tone is 1/12 of an octave meaning there are 12 semi-tones in an octave.
12
idk thats why i come here
Two
Octave
octave
Petrarchan sonnet
The difference is in their structure - both have fourteen lines of iambic pentameter, but they are organized in different ways.A Petrarchan (also called an "Italian") sonnet, is composed of an octave (eight lines) followed by a sestet (six lines). The rhyme scheme of the octave is typically abbaabba (this is easy in Italian because so many words end in suffixes like "-ello" or "-etto").The octave sets up the problem of the sonnet, which might be something like the brevity of a lifetime or the transience of beauty. The sestet has its own rhyme scheme, and there are several acceptable patterns (cdcdcd, cdecde, to name a couple). The sestet resolves the problem set up in the octave - if the problem is the transience of beauty, perhaps the solution is that the person's beauty will live on in the poem. The change in tone between the octave and the sestet is called a turn, or a "volta."The Shakespearean (also called an "English") sonnet is composed of four quatrains (of four lines each) and a concluding couplet (two lines). The rhyme scheme is as follows: abab cdcd efef gg. Each quatrain serves to develop an element or a facet of the problem.For example, a sonnet about the transience of beauty might have one quatrain about the beloved's charms, one comparing her to the seasons, and one about how she will eventually die. The couplet solves the problem of the quatrains, just as the sestet solves the problem of the octave in Petrarchan sonnet. The volta traditionally occurs between the third quatrain and the couplet. Because you have to solve the problem in two lines, the couplet tends to be particularly witty and significant.
Yes
An augmented octave is an interval comprising thirteen semitones and eight note names - for example, C to C sharp.
There is no such thing as a ''tritonic scale'', a tritone is an interval of six semitones (half an octave), hence the name ''tritone'' which means ''three tones''.
There are 5 different notes in a slendro scale. Each interval is an equal division of an octave. (i.e. each interval is about 2.2 semitones.)
There are 7 semitones in a perfect 5th.
The semitones are found between the F# and G, and then between the C# and D.
This would be a chromatic scale. In this scale, the octave is divided into semitones - twelve in total - and each semitone is played in succession.
Two
Two semitones = a tone
There are 8 notes in an octave.
In a diatonic scale, there are eight notes in an octave.
A semitone is equivalent to a half-step.