Moritz Woelk has written: 'Benedetto Antelami' -- subject(s): Criticism and interpretation, Italian Sculpture, Medieval Sculpture, Romanesque Sculpture, Sculpture, Italian, Sculpture, Medieval, Sculpture, Romanesque
Lee Bontecou has written: 'Lee Bontecou' -- subject(s): Exhibitions, Sculpture, American, Criticism and interpretation, American Sculpture
Nancy Grove has written: 'Isamu Noguchi' -- subject(s): American Portrait sculpture, Criticism and interpretation, Exhibitions, Sculpture
Christoph Daniel Schenck has written: 'Christoph Daniel Schenck, 1633-1691' -- subject(s): Baroque Sculpture, Christian art and symbolism, Criticism and interpretation, Exhibitions, German Sculpture, Sculpture, Baroque, Sculpture, German
Fred Licht has written: 'Goya' 'Nivola' -- subject(s): Criticism and interpretation 'Sculpture, 19th & 20th centuries' -- subject(s): History, Modern, Modern Sculpture, Sculpture, Sculpture, Modern 'Goya in perspective' 'Goya. Die Geburt der Moderne' 'Pablo Picasso' -- subject(s): Criticism and interpretation, Exhibitions, Artists and models in art, Artists' studios in art
Yongjian Guo has written: 'Chuang zao de ao mi' -- subject(s): Chinese Sculpture, Criticism and interpretation, Sculpture, Chinese
Salvatore Costanzo has written: 'Onofrio Buccini' -- subject(s): Criticism and interpretation, Italian Sculpture, Public sculpture, Sculpture, Italian 'La scuola del Vanvitelli' -- subject(s): Architecture, Influence
Marco Campigli has written: 'Luce e marmo' -- subject(s): Criticism and interpretation, Relief (Sculpture), Renaissance, Renaissance Sculpture, Tempio malatestiano (Rimini, Italy)
Hellmut Sichtermann has written: 'Griechische Vasen in Unteritalian aus der Sammlung Jatta in Ruvo ...' 'Sophokles' -- subject(s): Art, Greek Portrait sculpture, Greek Sculpture, Portrait sculpture, Greek, Sculpture, Greek 'Winckelmann in zwanzigsten Jahrhundert' -- subject(s): Appreciation, Criticism and interpretation
Reading the myth behind a sculpture can provide valuable context, helping to deepen your understanding of the sculpture's symbolism, themes, and underlying message. It can also offer insights into the artist's intentions and the cultural or historical significance of the artwork. Knowing the myth can enhance your appreciation and connection to the sculpture, allowing you to see it in a richer, more nuanced light.
Celia Winter-Irving has written: 'Stone sculpture in Zimbabwe' -- subject(s): Biography, Black Sculpture, Sculptors, Shona Sculpture, Stone carving 'Agnes Nyanhongo, sculptor' -- subject(s): Criticism and interpretation, Women, Black, in art
Vicent Jarque has written: 'Andreu Alfaro' -- subject(s): Abstract Sculpture, Criticism and interpretation