No. An intelligent human can imagine/envisage the performance.
While tragedies are traditionally written for performance on stage, they can also be appreciated through reading. Reading tragedies allows individuals to engage with the complex themes, characters, and language in a different way, offering a deep and personal understanding of the work separate from a theatrical experience. Ultimately, the medium through which one engages with a tragedy does not diminish its impact or value.
No. There is a subset of dramas known as closet dramas that were intended not to be performed but only read. This is what happens when dramatist wish to write a novel and don't know how. The most famous of closet dramas was 'The Damnation of Faust'.
NO
Considering that there were no electric lights or other ways to light a large stage or auditorium, all plays performed in ancient Greece were done in an outside theater during the day. Scenes meant to be performed at night where shown by several characters holding torches. Addition: The tragedies were performed as a trilogy - three consecutive sequential plays, followed by a satyr play followed by a comedy, so it was an all-day event.
A play. Shakespeare's plays are intended to be performed on stage, and that makes them plays. The fact that the characters speak in poetry a lot of the time is not significant.There are dialogues, often in poetry but also in prose which are written and are not intended to be performed on stage. These are sometimes called poetic dialogues, or, if they really strongly resemble play form, closet dramas.
Drama is a work intended to be performed either on stage, film, or video. Instead of the story being told or narrated, it is performed by actors, as if the audience is seeing the events being depicted.
The Greek playwright who added elaborate state settings and a flute accompaniment to his tragedies was Sophocles. Euphrides was also a Greek playwright that used this type of stage presence.
Three
Greek tragedies were set off stage because the action primarily occurred in the open space of the orchestra, which was the performance area in front of the stage. The skene, or stage building, was used for actors to change costumes and sometimes to serve as a backdrop, but most of the dramatic action took place in the orchestra. Additionally, having the action occur off stage allowed for a focus on verbal storytelling and the dramatic impact of the dialogue.
The Focus.
The ancient Greek plays which have come down to us are the tragedies of Aeschylus, Sophocles and Euripides, and the comedies of Aristophanes. There were probably more which have not survived the last 2300 years.
A stage
in the "Stage"