Some may argue that Montresor's revenge in Edgar Allan Poe's "The Cask of Amontillado" is justified due to the perceived insult he received from Fortunato. However, others may see his actions as extreme and disproportionate to the offense. Ultimately, whether his revenge is justified is subjective and open to individual interpretation.
Seeking revenge through violence is never justified. Killing Fortunato would have been a cruel and inhumane act, perpetuating a cycle of violence and harm. Montresor's actions should have focused on seeking forgiveness and reconciliation instead.
Yes, Montresor's conflict with Fortunato is resolved when Montresor successfully executes his plan for revenge by walling Fortunato alive in the catacombs. After this act, Montresor feels satisfied that he has taken his revenge and resolved his conflict with Fortunato.
In Edgar Allan Poe's short story "The Cask of Amontillado," Montresor seeks revenge against Fortunato for an insult by luring him into the catacombs and burying him alive behind a wall. Montresor's revenge is driven by a desire to seek justice and restore his own sense of honor.
Montresor seeks revenge on Fortunato because he believes Fortunato has insulted him, but the exact nature of the insult is not made explicit in Edgar Allan Poe's short story "The Cask of Amontillado." Montresor's desire for revenge is driven by his pride and desire for retribution.
Montresor's goal is to get revenge on Fortunato for insulting him, by luring him into the catacombs and ultimately burying him alive.
Montresor feels he has the right to punish Fortunato because he believes Fortunato has wronged him in some way, possibly insulted him in an unspecified manner. This perceived offense drives Montresor to seek revenge and enact his plan to punish Fortunato.
The Montresor family motto "No one insults me with impunity" likely influenced Montresor's actions by fueling his desire for revenge and his need to uphold his family's honor. This motto instilled a sense of pride and a belief in taking matters into his own hands when he felt his dignity had been disrespected. Ultimately, it drove Montresor to carry out his plan to seek revenge on Fortunato.
Poe motivates Montresor's behavior by suggesting that Montresor feels insulted and seeks revenge against Fortunato. Montresor’s obsession with seeking revenge, combined with his desire for justice, drives him to carefully plan and execute his act of murder. Poe presents Montresor as a complex character consumed by his need for retribution and his twisted sense of honor.
Montresor's revenge might not be successful if Fortunato manages to escape from the catacombs, if someone intervenes and rescues Fortunato before Montresor can exact his revenge, or if Montresor's guilt over committing the murder overwhelms him before he can achieve satisfaction from his revenge.
Repetition is used in "The Cask of Amontillado" in various ways, such as the repetition of Fortunato's name during Montresor's plotting and revenge, the repeated mentions of the Montresor coat of arms and family motto, and the continuous references to the Montresor family's history of revenge. These repetitions serve to build tension, highlight key themes, and emphasize the obsessive nature of Montresor's revenge.
In "The Cask of Amontillado," the conclusion reveals that Montresor successfully carries out his plan for revenge by walling up Fortunato alive. The story ends with Montresor feeling satisfied that he has finally gotten his revenge for the perceived insults he endured from Fortunato.
In the very first line of the story, Montresor says: "The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge." So the answer is Montresor vows revenge in the first line of the story, but only after Fortunato has already committed a thousand injuries but now has also insulted Montresor. This is significant because it creates some doubt as to the sanity of the narrator, Montresor. He vows revenge not after a thousand "injuries," but only when Fortunato adds insult as well. It is as if the more trivial of the two, injury and insult, has become the most important.