Yes
The minor keys usually have a darker sound and feel to them - as opposed to the major keys which sound generally brighter. The minor keys are based on the sixth degree of a given major scale (lets take D major as an example, if we go up six steps in this scale we get the notes D, E, F♯, G, A, and B). So B minor will have the same key signature as D major (with two sharps). In a major scale there are four semitones between the first and third degrees of the scale but in minor keys there are only three semitones. So in the D major scale the third scale degree (mediant) is F♯ but the same degree in D minor if F♮ (natural). As with the major keys, minor keys can also contain up to seven sharps or flats in their key signature too.
The "white keys" beginning with A will play an A-minor scale: A-B-C-D-E-F-G-A. The intervals between the notes (in terms of semitones) is: A(2)B(1)C(2)D(2)E(1)F(2)G(2)A You can use the same intervals to get the minor scale in other keys. For example, C-minor is: C-D-Eflat-F-G-Aflat-Bflat-C.
The tones within a scale are divided by either tones or semitones. In a major scale, the order always goes: tone, tone, semitone, tone, tone, tone, semitone. For a minor scale, in natural form, the order always goes: tone, semitone, tone, tone, semitone, tone, tone.
The semitones (half steps) in a major scale are between the 3rd and 4th and the 7th and 8th notes.
(X) Minor Scale = 3 semitones below (Y) Major Scale E.G. C Minor = E♭ Major
Yes
The semitones (half steps) in a natural minor scale are between the 2nd and 3rd and the 5th and 6th notes.
Tone, semitone, tone, tone, semitone, tone + semitone, semitone.
The primary difference between a major and minor scale is in the positioning of the tones and semitones that make up the scale. Both scales have eight notes. In the standard harmonic minor scale, the semitones occur between the 2nd and 3rd notes of the scale, whilst in the major scale, the semitones occur between the 3rd and 4th notes, and the 7th and 8th notes.
The minor keys usually have a darker sound and feel to them - as opposed to the major keys which sound generally brighter. The minor keys are based on the sixth degree of a given major scale (lets take D major as an example, if we go up six steps in this scale we get the notes D, E, F♯, G, A, and B). So B minor will have the same key signature as D major (with two sharps). In a major scale there are four semitones between the first and third degrees of the scale but in minor keys there are only three semitones. So in the D major scale the third scale degree (mediant) is F♯ but the same degree in D minor if F♮ (natural). As with the major keys, minor keys can also contain up to seven sharps or flats in their key signature too.
Am Pentatonic= A C D E G A and repeats minor pentatonic= root, 1.5, 1, 1, 1.5, octave total of 5 out of the 7 notes in the minor scale, used to delete the semitones replacing them with 1.5 intervals
The Chromatic Scale is all twelve semitones common to Western music. The Pentatonic scale is a group of five specific notes (per octave) that can be played within a particular key. For example, the "A Minor Pentatonic".
The following sequence of whole (w) and half (h) steps produces a major scale:W W H W W W HSo, starting on D for example, go up a whole step to E, another whole step to F#, then a half step to G, and so on...eventually you get D E F# G A B C# DAnother way of referring to the notes is by their distance from the root; the interval.root, major second, major third, perfect fourth, perfect fifth, major sixth, major seventh, octave
The "white keys" beginning with A will play an A-minor scale: A-B-C-D-E-F-G-A. The intervals between the notes (in terms of semitones) is: A(2)B(1)C(2)D(2)E(1)F(2)G(2)A You can use the same intervals to get the minor scale in other keys. For example, C-minor is: C-D-Eflat-F-G-Aflat-Bflat-C.
The tones within a scale are divided by either tones or semitones. In a major scale, the order always goes: tone, tone, semitone, tone, tone, tone, semitone. For a minor scale, in natural form, the order always goes: tone, semitone, tone, tone, semitone, tone, tone.
Yes it uses the whole tone scale as there are no semitones in the melody. You are right.