B.the raven might have been sent by God.
The description in italic type emphasizes the narrator's heightened state of anxiety and paranoia about the sound he hears. The narrator believes that the sound is the beating of the old man's heart, which he imagines growing louder and more persistent. The likely source of the sound is actually the narrator's own guilt and fear manifesting as auditory hallucinations.
The cast of Growing Dollars - 1978 includes: Bronwyn Drainie as Narrator
The cast of Growing Up - 1993 includes: Roger Moore as Narrator
Pine trees
The cast of The Growing Pains of a Teenage Genius - 2011 includes: Patrick Baladi as Narrator
The cast of Four Centuries of Growing Pains - 1957 includes: Edgar McInnis as Narrator
Bronwyn Drainie has: Played Narrator in "Exploding Cities" in 1978. Played Narrator in "Our Health Is Not for Sale" in 1978. Played Narrator in "Growing Dollars" in 1978. Played Narrator in "Some Call It Progress" in 1978. Played Narrator in "The Right Candidate for Rosedale" in 1979. Played Narrator in "The Business of Aging" in 1981. Played Narrator in "All About Bears" in 1985.
The cast of Growing Up in the World Next Door - 1988 includes: Murray Cruchley as Narrator
The cast of Children Growing Up with Other People - 1947 includes: Bruce Belfrage as Himself - Narrator
Edgar McInnis has: Played Narrator in "The Invisible Keystone" in 1957. Played Narrator in "Storm Clouds Over the Colonies" in 1957. Played Narrator in "Black and White in South Africa" in 1957. Played Narrator in "Crisis in Asia" in 1957. Played Narrator in "Four Centuries of Growing Pains" in 1957. Played Narrator in "Ten Days That Shook the Commonwealth" in 1957. Played Narrator in "The Colonies Look Ahead" in 1957. Played Narrator in "Portrait of the Family" in 1957.
The narrator in Willa Cather's "My Ántonia" is Jim Burden. He recounts his memories growing up in Nebraska and his enduring friendship with the title character, Ántonia Shimerda.
In "The Raven," a hyperbole is used when the narrator describes the raven as being "nevermore" on multiple occasions, exaggerating the bird's presence and his sense of despair. The usage of this hyperbole helps to emphasize the narrator's growing obsession and descent into madness.