Often, literature is related to history in setting, as with historical fiction. Literature is also frequently bassed on history, as the ideals and themes presented in works of literature are impacted by the history of the culture that produced them.
Literature is inseparable with history because all authors write about events that people care about. As Benjamin Franklin said, "Either write something worth reading or do something worth writing." These events that interest people(current events) are preserved for future generations and the people of the future would remember these events as history.
According to Aristotle: History tells you what happened, Literature tells you what ought to have happened.
Aristotle said that Literature was 'more reliable and more reasonable' than History (spoudaioterous te Kai dikaioteros).
It is important to know the history of the author, piece of work. or the time period it is written in/ set in. This is because many times the author would have a reason for using a word, phrase, object, etc. For example, in Shakespeare's Julius Caesar , the clock tolls three times. However, during Caesar's time, there were no clocks. If one didn't know about the history, they wouldn't catch it. This just strikes the surface of why it is important.
History and literature overlap to a great deal, and this is perhaps best summed up in two ways: First, history is really little more than the study of those who wrote. Though oral history (the passing down of events by word of mouth) has a place in historical study, the majority of what historians have used to piece together the events of human past is written material. If a group of people dissolves or disappears, and they left no written records, then a great deal of evidence about their lives will be lost.
Second, a lot of writing that was made to be creative literature (as opposed to, say, strict history or written economic records) serves to help us piece together the history of a nation or people. For example, Chaucer's Canterbury Tales was written as creative literature, but the characters in it tell us about the way that the English people viewed certain members of society. Also, a piece of literature like the Ramayana is not viewed as a true history, however it helps us to piece together bits of historical information anyway.
history and literature both tackles about the past.
literature and history is that literature is used to report and represent history. The two are, therefore, intertwined with one another.
Places n period of time
That is the correct spelling of the word "inseparable".
"The inseparable couple loved each other until death."
Inseparable.
Why are women reflected powerfully in literature but ignored in history Why are women important in literature but unimportant in history
Cat In The Hat
I would say that literature came before history. Librarians put literature in the 800s and history in the 900s.
Joseph G. Kronick has written: 'Derrida and the future of literature' -- subject(s): Literature, Politics and literature, Theory, Democracy, History and criticism 'American poetics of history' -- subject(s): American literature, History and criticism, Literature and history, History in literature
Dana Phillips has written: 'The truth of ecology' -- subject(s): American literature, Ecology in literature, Environmental policy in literature, Environmental protection in literature, Environmentalism, Historiography, History, History and criticism, Natural history, Natural history literature, Nature in literature
Reuben Post Halleck has written: 'History of English literature' -- subject(s): English literature, History and criticism 'The story of English literature' -- subject(s): English literature, History and criticism '...Founders of our nation' -- subject(s): History, Juvenile literature 'New English literature' -- subject(s): English literature, History and criticism
Tim Armstrong has written: 'Colour Perception' 'The logic of slavery' -- subject(s): African American authors, Commodification, Slavery in literature, History and criticism, American literature, Slavery, LITERARY CRITICISM / American / General, Slavery in art, Reification, Psychological aspects, Economic aspects, History 'Haunted Hardy' -- subject(s): History, Literature and history, Ghosts in literature, Death in literature, Autobiographical memory in literature, History in literature, Poetic works, Memory in literature 'Modernism, technology, and the body' -- subject(s): Technology in literature, History and criticism, American literature, Psychology in literature, Modernism (Literature), Literature and science, Body, Human, in literature, History
Stefanie Lehner has written: 'Subaltern ethics in contemporary Scottish and Irish literature' -- subject(s): In literature, History and criticism, Ethics in literature, Irish authors, English fiction, Scottish authors, History in literature, History and literature, History
Edward Albert has written: 'A short history of English literature' 'History of English Literature' 'The story of English literature' -- subject- s -: English literature, History and criticism
Paul B. Miller has written: 'Elusive origins' -- subject(s): Enlightenment, Literature and history, History in literature, Intellectual life, Caribbean literature, History and criticism, Modernism (Literature), In literature
That is the correct spelling of the word "inseparable".
Valerie Krips has written: 'The presence of the past' -- subject(s): Autobiographical memory in literature, Books and reading, Children, Children in literature, Children's literature, English, English Historical fiction, History, History and criticism, History in literature, Literature and history, Literature and the war, Memory in literature, World War, 1939-1945
Christine van Boheemen has written: 'The novel as family romance' -- subject(s): Psychoanalysis and literature, Family in literature, English fiction, Authority in literature, History and criticism, Patriarichy in literature 'Joyce, Derrida, Lacan and the Trauma of History' -- subject(s): Colonies in literature, English Psychological fiction, History, History and criticism, Knowledge, Literature and history, Postcolonialism in literature, Postmodernism (Literature), Psychic trauma in literature, Psychoanalysis and literature, Psychological fiction, English, Psychology
Mitchell Greenberg has written: 'Subjectivity and subjugation in seventeenth-century drama and prose' -- subject(s): History, Power (Social sciences) in literature, Politics and literature, Psychoanalysis and literature, History and criticism, Sex role in literature, French literature, Subjectivity in literature, Classicism, Patriarchy in literature, Family in literature, Families in literature 'Baroque bodies' -- subject(s): History and criticism, French literature, Despotism, Psychoanalysis and literature, Baroque literature, History 'Racine' -- subject(s): French drama (Tragedy), History and criticism, Criticism and interpretation 'Racine' -- subject(s): French drama (Tragedy), History and criticism, Criticism and interpretation 'Detours of desire' -- subject(s): History and criticism, French literature, Baroque literature, Desire in literature, Death in literature