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The following line from Elie Wiesel's book "Night" provides an illustration of polysyndeton:

Their bodies remained bowed, crushed, and in a position of prayer. They passed me by like beat dogs, never batting an eye, completely unconcerned about what would happen to me, dragging their clogs, the corpses pressing down on their worn-out limbs.

The constant use of the conjunction "and" in this text underlines the severe and unrelenting difficulties that the inmates must endure (e.g., "bowed, crushed, in an attitude of prayer; they passed me by, like beaten dogs, with never a look in their eyes"). The overpowering and horrible events within the concentration camp are more effectively described because to the usage of polysyndeton.

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TM

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