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What are the ratings and certificates for Mabu - 1961?
Mabu - 1961 is rated/received certificates of: South Korea:12
What actors and actresses appeared in Song of the Sarong - 1945?
The cast of Song of the Sarong - 1945 includes: Mariska Aldrich as Mabu Robert Barron as Jolo George Bruggeman as Native George Cleveland as Captain William Reemis Jack Curtis as Councillor William Desmond as Councillor George Dolenz as Kalo William Gargan as Drew Allen Larry Keating as Larry Keating aka Potter Nancy Kelly as Sharon Al Kikume as Guard Fuzzy Knight as Pete McGillicutty Clarence Lung as Leader Eric Mayne as Radio Contestant Eddie Quillan as Tony Romans Beatrice Roberts as Radio Telephone Operator Jay Silverheels as Spearman Jack Slattery as Announcer Pietro Sosso as Councillor Morgan Wallace as Cyrus P. Adams
What is the best and affordable resort in Brazil?
In vacation people like to visit Brazil with family and get lots of enjoyment. People like to stay luxurious and affordable resort for a memorable experience. There are many resort available in Brazil but Mabu Parque Resort is one of the great and affordable resort.
Is Brazil a good place for a holiday?
Yes, Brazil is a good place for a holiday, because there are so many attractions available for tourist like Salvador Beaches, Pantanal, Statue of Christ the Redeemer, Sugarloaf Mountain, Amazon river, Iguazu Falls etc. and especially famous for their Rio carnival. As well as there are so many luxurious beach resorts are available like Resort Grand Palladium Imbassai, Vila gale cumbuco resort, Mabu Parque Resort, Portobello Resort etc.
What movie and television projects has Hae Hwang been in?
Hae Hwang has: Performed in "Seongbyeokeul ddulgo" in 1949. Performed in "Jayu jeonseon" in 1955. Performed in "Chongchun ssanggogseon" in 1956. Performed in "Jayu buin 2" in 1957. Performed in "Du nammae" in 1958. Performed in "Hanmanheun cheongchun" in 1958. Performed in "Nunmul" in 1958. Played Myeong-ho in "Salangi gagijeone" in 1959. Performed in "Taeyangui geori" in 1959. Performed in "Gwageoreul mudji maseyo" in 1959. Performed in "Yeonggwangui chimshil" in 1959. Performed in "Dokribhyeobhwiwa cheongnyeon Lee Seung-man" in 1959. Performed in "Naneun gobalhanda" in 1959. Performed in "Park Sa-bang" in 1960. Performed in "Jinju tab" in 1960. Performed in "Saranghaeseon andoel sarangeul" in 1960. Performed in "Jeo eondeokeul neomeoseo" in 1960. Performed in "Beorimbadeun cheonsa" in 1960. Performed in "Cheongchun hwawon" in 1960. Performed in "Haetbit sodajineun beolpan" in 1960. Performed in "Myeongdongi teuldae" in 1961. Performed in "Jang Hie-bin" in 1961. Performed in "Jipyoengseon" in 1961. Performed in "Ibok hyeongje" in 1961. Performed in "Nodaji" in 1961. Performed in "Mabu" in 1961. Performed in "Hyeonsang buteun sanai" in 1961. Performed in "5inui haebyeong" in 1961. Performed in "Baekjui amheuk" in 1961. Performed in "Sanghan galdaereul geokjimara" in 1962. Performed in "Jeonjaenggwa sarang" in 1962. Performed in "Dumanganga jal itgeola" in 1962. Performed in "Sauneun sajadeul" in 1962. Performed in "Geutorok oraen ibyeol" in 1962. Performed in "Bukgeukseong" in 1962. Performed in "Naeilgajineun malhaji mara" in 1962. Performed in "Gongpoui yeodeolb shigan" in 1962. Performed in "Daejiyeo malhaedayo" in 1962. Performed in "Angaeggin geori" in 1963. Performed in "Changsal eobtneun gamok" in 1963. Performed in "Geomeun ggotip childae" in 1963. Performed in "Geumhaeng yeolchareul tara" in 1963. Performed in "Moksumboda deohan geot" in 1964. Performed in "Songhwagangui samakdang" in 1965. Performed in "Pokryeok jidae" in 1965. Performed in "Barama malhara" in 1965. Performed in "Piwa sal" in 1965. Performed in "Gwangyaui horangi" in 1965. Performed in "Seongnan doksoli" in 1965. Performed in "Mumyeonggaui jibaeja" in 1965. Performed in "Akmyeong nopeun sanai" in 1966. Performed in "Gwishinjabneun haebyeong" in 1966. Performed in "Ulmyeo hegin yeomchungyo" in 1966. Performed in "Jashikdeul" in 1966. Performed in "Shimsulgakhe" in 1966. Performed in "Gwangyaui gyeolsadae" in 1966. Performed in "Maengho jakjeon" in 1966. Performed in "Jisangeseo yeongeuro" in 1967. Performed in "Idaero jukeul su eobta" in 1967. Performed in "Dukgo jeonseon" in 1967. Performed in "Yeongho jeokjeon" in 1967. Performed in "Wolhaui gongdongmyoji" in 1967. Performed in "Yeomajaeok" in 1968. Performed in "Hyeongsa sucheob" in 1968. Performed in "Bijeongui hanggu" in 1968. Performed in "Nam" in 1968. Performed in "Odaebokdeokbang" in 1968. Performed in "Paldo sanai" in 1969. Performed in "Saranghago isseoyo" in 1969. Performed in "Suhak yeohaeng" in 1969. Performed in "Amheukgaui jibaeja" in 1969. Performed in "Majimak winsonjabi" in 1969. Performed in "Sarangeun gago sewolman nama" in 1969. Performed in "Dokjitneun neulgeuni" in 1969. Performed in "Hanmaethin teojudeaegam" in 1970. Performed in "Hanggumujeong" in 1970. Performed in "Myeongdong sanaiwa nampodong sanai" in 1970. Performed in "Gukgyeongui bam" in 1970. Performed in "Dwitgolmok obeonji" in 1970. Performed in "Hwanggeum 70 Hong Kong jakjeon" in 1970. Performed in "Hong Kongui danjangjabi" in 1970. Performed in "Teukgongdaewa dolaoji anhneun haebyeong" in 1970. Performed in "Naneun chameul su eobta" in 1970. Performed in "Myeongdong blues" in 1970. Performed in "Donggyeongui mujeongga" in 1970. Performed in "Daejeongjang" in 1971. Performed in "Nareul beorishinaigga" in 1971. Performed in "Ingan sapyoreul seora" in 1971. Performed in "Weonhan ui tu kkobchu" in 1971. Performed in "Pyeongyang pokgyeokdae" in 1972. Performed in "54 byeongaui madam" in 1972. Performed in "Ingwangsan horangi" in 1972. Performed in "Myeongdong samgukji" in 1972. Performed in "Daejiok" in 1973. Performed in "Seokyangui du eolgul" in 1973. Performed in "Teukbyeol susabombu kisaeng Kim So-san" in 1973. Performed in "Hongui janggun" in 1973. Performed in "Ulji aneuri" in 1974. Performed in "Ingan danji" in 1975. Performed in "Shibnyeonmanui wichul" in 1975. Performed in "Sonyeoui gido" in 1976. Performed in "Cheonui eolgul" in 1976. Performed in "Bangbeomdaewon Yong-pali" in 1976. Performed in "Dosolsan choihui nal" in 1977. Performed in "Gwanseumbosal" in 1978. Performed in "Nanjung ilgi" in 1978. Performed in "Seulpeumi padoreul neomeul dae" in 1978. Performed in "Golmok daejang" in 1978. Performed in "Ggotshin" in 1978. Performed in "Doksuli nalgaeleul pyeola" in 1978. Performed in "Seulpeumeun jeobyeoldeulegedo" in 1978. Performed in "Shimbwatda" in 1979. Performed in "Je3 gongjak" in 1979. Performed in "Aengmusae momeulo uleotda" in 1981. Performed in "Goraeseom sodong" in 1981. Performed in "Cheolindeul" in 1983. Performed in "Ihanmom doli dweo" in 1983. Performed in "Ddaemjangi anae" in 1983. Performed in "Geumdalrae" in 1986. Performed in "Dokbul janggun" in 1988. Performed in "Chunhwa chunpung" in 1990.
What movie and television projects has Aljon Jimenez been in?
Aljon Jimenez has: Performed in "Last Two Minutes" in 1989. Played (segment "Aparador") in "Regal Shocker (The Movie)" in 1989. Performed in "Student Body" in 1989. Performed in "I Have 3 Eggs" in 1990. Performed in "Lessons in Love" in 1990. Played Edgar in "Aswang" in 1992. Played Mabu in "Ali in Wonderland" in 1992. Played Rommel in "Iisa pa lamang" in 1992. Performed in "Guwapings: The First Adventure" in 1992. Played Leo in "May minamahal" in 1993. Performed in "Buhay ng buhay ko" in 1994. Played Dindo in "Hindi magbabago" in 1994. Performed in "Ulong pugot: Naglalagot" in 1995. Played Rexor in "Magic Temple" in 1996. Played Gerard in "Taguan" in 1996. Performed in "Kailanman" in 1996. Performed in "Lahar" in 1996. Played Vic (episode 1) in "Ipaglaban mo II: The movie" in 1997. Played Maestro Lazarus in "Super Idol" in 2001. Played himself in "Magpakailanman" in 2002. Played Dagon Del Fuego in "Darating ang umaga" in 2003.
What does the tiger mean in martial arts?
The Dragon is an ancient symbol for power and is viewed as an ancient Deity in some cultures and can be either a power for good or evil. In martial arts the Dragon is portrayed many ways. In Kung-Fu it is portrayed as an aggressive style and many techniques are named after a dragon such as Dragon's Tail, or Dragon's Claw. In the Yin/Yang philosophy the dragon is often portrayed as a symbol countered and mirrored by the Tiger. Titles may even be given to Master practitioners as a Dragon. The Dragon is deeply embedded in eastern lore and therefore deeply embedded in martial Arts as a symbol for power.
What movie and television projects has Mariska Aldrich been in?
Mariska Aldrich has: Played Motion Picture Crew in "Souls for Sale" in 1923. Played Lucretia in "Lady by Choice" in 1934. Played German Teacher in "The Painted Veil" in 1934. Played Swedish Cook in "If You Could Only Cook" in 1935. Played German Woman in "Bad Boy" in 1935. Played Woman in "Vagabond Lady" in 1935. Played Bit Role in "One Rainy Afternoon" in 1936. Played Friend of Camille in "Camille" in 1936. Performed in "Love Begins at Twenty" in 1936. Played Brazilian Opera Troupe in "Fatal Lady" in 1936. Played Tall Woman in "Under Your Spell" in 1936. Played Madame Enitiba in "Rhythm in the Clouds" in 1937. Played Dowager in "Live, Love and Learn" in 1937. Played Opera Singer in "Maytime" in 1937. Played Policewoman in "Exclusive" in 1937. Played Tough Wagon-Woman in "The Cherokee Strip" in 1937. Played Beauty Operator in "Paradise for Three" in 1938. Played Singing Teacher in "The Women" in 1939. Played Police Matron in "Stronger Than Desire" in 1939. Played Homely Woman in "The Forgotten Woman" in 1939. Played Crazy Woman in "Four Girls in White" in 1939. Performed in "Bar Buckaroos" in 1940. Played Hilda in "Whistling in the Dark" in 1941. Played Tall Woman in "Madame Curie" in 1943. Played Mabu in "Song of the Sarong" in 1945. Played Big Woman in Elevator in "The Hidden Eye" in 1945. Played Russian Opera Team Member in "Two Sisters from Boston" in 1946.
Is there a form of tai chi or yoga that can be self-taught?
The simpler styles of Yoga, as some can be dangerous without the aid of an instructor, can be self taught, as well as the Yang, Hao, Wu, and Sun styles of Tai Chi Chuan if all you want to do with them is exercise. However the Chen style of Tai Chi is very, very dangerous, as it uses a lot of leaps and squats requiring guided specialized conditioning under expert eyes. If you do not have a teacher closely observing your stances in the Chen style, you can very easily blow out your knees. Its the same thing with Shaolin Kung Fu; its more advanced routines can be very dangerous if you do not build up to them under the watchful eye of a teacher. However, the other 4 schools of Tai Chi, are benign enough to be self taught. If you wish to learn them as martial arts you need to; 1) Condition yourself to eventually hold mabu (google it) for 4 hours. 2) Practice the given Tai Chi routine for at least 3 hours a day every single day. 3) Push hands with a more advanced student, or your teacher, once a week, to gain a feel for how momentum applies to the human body. If you do not meet all 3 of those requirements, no Tai Chi style can used as a martial art. Additionally like all Kung Fu, Tai Chi Chuan uses chin na, advanced joint locking techniques reliant on momentum. If you do not know how to properly time when to lock a punch or kick, a chin na lock won't work. Chin na, operates on the principle of using an opponent's attack against them in order to trap them. Simply put, an attacker's attack helps you, the person defending, trap himself. The harder he strikes, the tighter and more painful the lock. Because a lot of men can strike with extreme power and speed however, the timing needs to be precise, consequently the need for repetitive drilling, and patience spanning years, decades even.
What movie and television projects has Lee Seung Hyung been in?
Seok Hyeon has: Performed in "Dalryeora Man-seoka" in 1980. Performed in "Du adeul 2" in 1981. Performed in "Chueogeui bitt" in 1984. Performed in "Ibyeoleobtneun achim" in 1985. Performed in "Pari aema" in 1988.
Is there a form of tai chi or yoga that can be self taught?
The simpler styles of Yoga, as some can be dangerous without the aid of an instructor, can be self taught, as well as the Yang, Hao, Wu, and Sun styles of Tai Chi Chuan if all you want to do with them is exercise. However the Chen style of Tai Chi is very, very dangerous, as it uses a lot of leaps and squats requiring guided specialized conditioning under expert eyes. If you do not have a teacher closely observing your stances in the Chen style, you can very easily blow out your knees. Its the same thing with Shaolin Kung Fu; its more advanced routines can be very dangerous if you do not build up to them under the watchful eye of a teacher. However, the other 4 schools of Tai Chi, are benign enough to be self taught. If you wish to learn them as Martial Arts you need to; 1) Condition yourself to eventually hold mabu (Google it) for 4 hours. 2) Practice the given Tai Chi routine for at least 3 hours a day every single day. 3) Push hands with a more advanced student, or your teacher, once a week, to gain a feel for how momentum applies to the human body. If you do not meet all 3 of those requirements, no Tai Chi style can used as a martial art. Additionally like all Kung Fu, Tai Chi Chuan uses chin na, advanced joint locking techniques reliant on momentum. If you do not know how to properly time when to lock a punch or kick, a chin na lock won't work. Chin na, operates on the principle of using an opponent's attack against them in order to trap them. Simply put, an attacker's attack helps you, the person defending, trap himself. The harder he strikes, the tighter and more painful the lock. Because a lot of men can strike with extreme power and speed however, the timing needs to be precise, consequently the need for repetitive drilling, and patience spanning years, decades even.
Is it possible to learn martial arts by yourself without the help of another person?
Yes but it is extremely difficult; the majority of Chinese martial artists, are open to the idea that some people have uncommon "genius" for martial arts. However, such people are exceedingly rare. From a Chinese Kung Fu viewpoint, this is what mastery of martial arts requires; 1) Humility, and it is cultivated, often, through janitorial work. In the Shaolin temple, the children who first enter the gates spend the first 3 years there, doing nothing but sweeping, scrubbing floors and yes cleaning toilets, only at the age of 8, does any actual martial arts training begin. In the internal schools, specifically Tai Chi Chuan, janitorial duties last for a whopping 10 years, however I believe that during those 10 years, the Tai Chi trainee is made to stretch, and hold the Zhan Zhuang posture (google it) for long hours. The first 10 years of actual, serious martial Tai Chi Chuan training, involves heavy physical conditioning through janitorial work, which also serves as psychological conditioning to instill humility, in addition to develop a strong flow of chi, which requires flexibility and the constant practice of the Zhan Zhuang posture. The Zhan Zhuang posture, unclogs any blockages of chi in the body, and by the begining student's 10th year, all chi channels have been unblocked, and actual Tai Chi training can begin. 2) Physical conditioning which begins with flexibility, in most forms of Kung Fu, this is what usually follows janitorial work. All Kung Fu schools in China, demand total flexibility, roughly equivalent of that of a female Olympic gymnast. You are not taught any martial arts, unless you are that flexible first. 3) From flexibility, they move you on to strength conditioning, which involves a lot of stance work, "exotic" calisthenics like the kind you see in Kung Fu movies, they may have you do upside down hand stand pushups for example, until you can do 1,000 of them, and hold the horse stance for 2 to 4 hours. Some weight training may also be involved, specific to the muscles used in the martial art most predominantly. For example, part of the reason Bruce Lee was such a forearm fanatic, and emphasizes his forearm muscles so much, is because Wing Chun uses a lot of "trapping." That is, trapping an opponent's arms, so that they are open for a hit to the head. Hence, although Lee trained his whole entire body, he placed special emphasis on the forearms, muscles specific to his main martial art (Wing Chun). 4) Finally, Chi Kung, and Nei Kung, depending on style. All styles of Kung Fu, use Chi Kung, no exception. Chi Kung is known in the west as an exotic sequence of often circular movements, designed to promote better breathing, and to a point that's true, but, different styles of Kung Fu emphasize different things. Some styles of Chi Kung for example, send chi only to the bones, to promote bone health. In the Shaolin temple a form of Chi Kung known as "marrow washing" is used. In the Yang style of Tai Chi Chuan, abdominal Chi Kung is used. That is, while breathing in and saying "heng" with the wind passing through your vocal chords, you suck in your gut as hard as you can, and when you breathe out, you say "ha." That method of abdominal breathing, is designed to bathe the entire body with Chi, every single tissue. Different Kung Fu schools also, have different methods of Nei Kung. I'm sure you have googled the Zhan Zhuang posture by now, or seen it before, that "tree hugger" posture. Although the most highly regarded method of Nei Kung ("internal work"), it is not the only one. Take for example the Shaolin horse stance, that is, holding the horse stance for 4 hours; that qualifies as Nei Kung. Assuming the horse stance position, lowers the Dantian in a manner which circulates the chi to every single muscle in the body, in due time, making the muscles work in total harmony with each other, the purpose of the horse stance, is to harmonize the muscles so that they work as a single unit. Look man, a martial art can use Chi stuff a lot, and still be considered "external." How can I put this another way? In Shaolin Kung Fu, although Chi is used to protect the body, your primary weapons are your muscles and bones, and any way, you are trained to use them in self defense, in Tai Chi Chuan your main weapon is your body's own energy, hence why the Zhan Zhuang is emphasized, that is development of the Chi to the point where it is so potent, it can be used in a fight. Harmonizing the flow of Chi, causes the body to more readily absorb the Chi of the air itself without conscious thought (at the master level), and, it also has the effect of harmonizing the muscles. The Mabu (horse) stance, harmonizes the muscles through the use of Chi, and gets them to work together, however the Zhan Zhuang, it pretty much does everything but see, that is precisely why the Zhan Zhuang posture, although seemingly simple, even silly looking, is that much more difficult to master. That is the reason that, the truth is, serious internal martial arts work is in fact far more brutal. Assuming you have a strong work ethic, you actually stand better odds of surviving the Shaolin temple, than you do Wudang mountain. The point I'm making here is that it is difficult enough to survive having a teacher there, much less studying on your own. Besides before you even learn any martial arts, you need to emphasize Chi development and flexibility, together, both having equal importance, and only after you have achieved superior health, can strength conditioning with martial arts moves training begin. If you do everything backwards like me, your moves will be sloppy, no matter how much you correct them. First the body must be balanced and harmonized, then the training can begin, if you are planning on doing that stuff on your own, stretch, stretch, and keep stretching, until you're like an Olympic female gymnast, you don't need to be a contortionist, but you DO need to be that flexible. Also "pretty flexible" won't be enough; Olympic Female gymnast, or not at all. Also, as best you can you need to train in either the Mabu, or Zhan Zhuang, depending on what you want (internal or external). Between those two the Mabu stance is easier, believe it or not. I'm not kidding around here, the Zhan Zhuang, can be overwhelming, if you stretch before hand, to loosen the muscles, sometimes you may feel a potent flow of energy between your finger tips. On some days it may flow so strongly, you may even hear it; chi will actually make noise, if its flowing strongly enough. Remember though, just because you have those few "lucky moments" that does not make you a master. So long as good health, outstanding good health and being lean and physically fit as is proper for a man or woman, ellude you, as long as perfect calm and peace are not yours all the time, not just when you meditate, or shortly after you meditate, you are not a master. The gold standard of what a "master" is, if anything, of any discipline, was set by Lao Tzu. A true master, has the following qualities; 1) Outstanding, almost unnatural good health. 2) Calm and peaceful, no matter their situation, a very small to non-existent ego. 3) The flexibility of a newborn baby, which is your actual goal when stretching, actually. 4) The body of a physically fit 18 year old minus the acne, and youthfulness, even into middle and old age. Lots of people who practice Tai Chi and Nei Kung, have had moments when they feel their gut heat up, or they feel a potent flow of energy course through them, what means is not that you have attained mastery, but that you are making progress, that is the warning I read from an obscure Chinese gentleman. You must keep in mind that the mark of mastery is good health, but it is good health that is outstanding, almost unnatural. A man who is not lean, or at least lean far as they way he is built, is not healthy. In the western world good health is defined as not being sick, either with a long term, or short term illness however in the east, at least in olden times the way "good health" was defined, was someone possessing outstanding, glowing health. A healthy man, is lean, and his muscles are naturally, reasonably well toned, and if he so chooses to build strength, he will gain strength quickly, while a woman, a healthy woman will have the *cough* pliability of an 18 year old girl, and perfect skin. Yes there is a gold standard, and Lao Tzu talks about it frequently in his Tao Te Ching; the Chinese believe, that different people require different disciplines to perfect the spirit, some require martial arts, because they are physically and mentally weak, and need self-confidence, some require caligraphy because they do not know how to be delicate or gentle, while some, require medicine, the study of medicine because they have little compassion for others and need to learn it. Whatever discipline has fallen on your lap, that is the discipline meant to perfect your spirit, at least that is what a Chinese Daoist would say. If your spirit has been perfected and purified, through that discipline, and you almost glow you are so healthy, then you have become a master. Remember a strong flow of Chi, assuming you have studied that on your own and stretched hard, does not mean you have reached mastery so long as glowing health and good habits ellude you, you are not even close.
