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In "The Phantom Tollbooth," characters like the Whether Man, who controls the weather, and the Spelling Bee, who personifies spelling, serve as examples of personification. The Dodecahedron, a 12-faced creature with different personalities on each side, is another instance of personification in the story.
butt face
some person
words grow on trees
Alec Bings is characterized by his extreme politeness and tendency to do things in reverse in The Phantom Tollbooth.
The Phantom Tollbooth has faced challenges and bans in some places because some readers have found its depiction of authority figures or wordplay to be controversial or inappropriate for young readers. Some objections have been based on concerns about the book's themes, while others have centered on perceived offensive language or references.
God is the personification of love.
page 119, "stripes of purple and orange and crimson and gold piled themselves on distant hills
The Phantom Tollbooth is a children's adventure novel and a modern fairy tale published in 1961, written by Norton Juster and illustrated by Jules Feiffer.Critics have compared it to Lewis Carroll's Alice's Adventures in Wonderland in terms of classic appeal and importance.Norton Juster was in an interview some time ago, he was inspired by reading encyclopedia as a child. Then in 1960 to 1961, he had written a boy name Milo, his watchdog Tuck who is beckoned by a Phantom Tollbooth to come drive through with his toy car.Animation director Chuck Jones adapted the book into The Phantom Tollbooth, a feature live-action/animated film of the same name, in 1971.In 1995, Juster adapted Tollbooth into a libretto for an opera.
King Azaz the Unabridged in "The Phantom Tollbooth" is characterized as wise, intellectual, and somewhat prideful. He values knowledge and words, but can also be stubborn and overly concerned with his own importance. Despite his flaws, he ultimately proves to be a good-hearted and supportive ruler.
In Chapter 5 of "The Phantom Tollbooth," some homophones include: grater and greater, knights and nights, chord and cord, and beet and beat. These homophones play a fun linguistic role in the wordplay and humor found in the book.
Examples of personification in "Rebecca" include the sea whispering secrets and the house Manderley holding its breath in anticipation. These instances give life-like qualities to inanimate objects, adding to the eerie and atmospheric tone of the novel.