Choreographic structure is the building of dance phrases into longer sequences and formed into sections. These can then be used in different orders for example: section A followed by section B, followed by section A or in 'Rondo' keeping one section as a theme throughout the piece interspersed with different sections for example: ABACADA
Choreographic intention refers to the underlying purpose or message that a choreographer aims to convey through a dance piece. It encompasses the emotional, thematic, or narrative elements that guide the movement choices and overall structure of the choreography. Understanding choreographic intention helps performers and audiences connect with the work on a deeper level, as it offers insight into the creative vision behind the dance. Ultimately, it shapes the experience and interpretation of the performance.
In dance, we use transitions to link motifs together. Transitions can take various forms, such as changes in tempo, dynamics, or direction, helping to create a seamless flow between different movements or sections. They can also involve the use of specific choreographic devices, like repetition, variation, or contrast, to maintain the audience's engagement and enhance the overall narrative or theme of the dance.
A Choreographic device is a method applied to a movement phrase that changes or developes the phrase. Chroeographic devices such as CANNON, this is where the performance of a movement is passed from one dancer to the next, like a ripple or (Mexican wave.) You can Also Change the direction the dance is perfomed in, as well as the levels and the order in which the movements are performed in the phrase or (motif). There are many devices which help chreographers to create new and inventive ways in which the body can move and perform movements.
Levels in dance are different height structures for a routine. For Example the people in the front go down while the people in the back go up
When someone refers to the "levels" of a dance, they mean the different physical levels that the dancer or dancers reach. A dance with a variety of levels would include floor work (a low level), work on the feet (medium), and jumps that reach higher levels. A mixture of levels can also be achieved by having some dancers on the floor at the same time as having some standing up. There are infinite different "levels" that a dancer can be at at any given time in a dance, giving plently of choreographic freedom in any situation. A dance with levels is generally more interesting to watch, as it is more fluid and dynamic.
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Choreographic intention refers to the underlying purpose or message that a choreographer aims to convey through a dance piece. It encompasses the emotional, thematic, or narrative elements that guide the movement choices and overall structure of the choreography. Understanding choreographic intention helps performers and audiences connect with the work on a deeper level, as it offers insight into the creative vision behind the dance. Ultimately, it shapes the experience and interpretation of the performance.
Australian Choreographic Ensemble was created in 1992.
Reggae legends choreographic dance steps and reggae skanking was created by ras cardo reggae(Ricardo scott) under his cornerstone reggae world prophecy label. He created this to teach the world how to dance reggae in what he has described as a unique dance move known as -reggae skanking. This was copyrighted under his performing arts works at the US copyright office in 1998. He has yet to publicly release his dance- skanking reggae moves to the world like so many other things he has created in his archives. He has the special music which exemply and demonstrates this unique rastaman dance.
In dance, the term "canon" refers to a choreographic structure where movements are repeated in succession by different dancers after a delay. It creates a layered effect and is often used to add complexity and interest to a dance piece.
In dance, a narrative usually refers to a choreographic work that tells a story or conveys a specific message or theme through movement. It often involves a sequence of events or emotions portrayed by the dancers to create a coherent and engaging storytelling experience for the audience.
There is no choreographer listed in the credits, however Fred Werner is credited as Choreographic Music Associate, Jutta Beil is credited as Dance Coordinator and Bob Fosse is credited as Dance Stager and Stager for Musical Numbers.
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Donald S Blumenfeld-Jones has written: 'An illumination of the mental and physical awarenesses characteristic of the choreographic process' -- subject(s): Modern dance, Choreography, Creation (Literary, artistic, etc.)
music, writing, theatre, and dance
A Choreographic device is a method applied to a movement phrase that changes or developes the phrase. Chroeographic devices such as CANNON, this is where the performance of a movement is passed from one dancer to the next, like a ripple or (Mexican wave.) You can Also Change the direction the dance is perfomed in, as well as the levels and the order in which the movements are performed in the phrase or (motif). There are many devices which help chreographers to create new and inventive ways in which the body can move and perform movements.
Levels in dance are different height structures for a routine. For Example the people in the front go down while the people in the back go up