Choreographic structure is the building of dance phrases into longer sequences and formed into sections. These can then be used in different orders for example: section A followed by section B, followed by section A or in 'Rondo' keeping one section as a theme throughout the piece interspersed with different sections for example: ABACADA
Choreographic intention refers to the underlying purpose or message that a choreographer aims to convey through a dance piece. It encompasses the emotional, thematic, or narrative elements that guide the movement choices and overall structure of the choreography. Understanding choreographic intention helps performers and audiences connect with the work on a deeper level, as it offers insight into the creative vision behind the dance. Ultimately, it shapes the experience and interpretation of the performance.
The correct choreographic process order in dance typically begins with idea generation, where the choreographer explores concepts and themes. Next is the improvisation phase, allowing dancers to experiment with movements. This is followed by the selection and refinement of movements to create a cohesive piece, and finally, the staging and rehearsal process, where the choreography is polished for performance.
A binary choreographic form in dance refers to a structure that consists of two distinct sections, typically labeled as A and B. Each section often presents contrasting themes, movements, or moods, allowing for a dynamic interplay between the two. This form can create a sense of balance and variation, enhancing the overall narrative or aesthetic of the dance piece. It is commonly used in various dance styles to engage the audience and showcase the dancers' versatility.
Choreographic intention refers to the underlying purpose or message behind a dance piece, guiding the movement choices and overall expression. It encompasses the emotional, thematic, or narrative elements that the choreographer aims to convey to the audience. This intention shapes not only the choreography itself but also influences the dancers' interpretations and the audience's experience. Ultimately, it serves as a foundation for understanding the artistic vision of the work.
In dance, development refers to the process of evolving a dancer's skills, style, and artistry over time. This includes technical training, exploring various dance styles, and enhancing expressiveness and creativity. Development can also involve choreographic growth, where dancers learn to create and interpret movements meaningfully. Overall, it encompasses both personal and artistic progression within the dance discipline.
the omniscient is a person or use charater and narrator
Choreographic intention refers to the underlying purpose or message that a choreographer aims to convey through a dance piece. It encompasses the emotional, thematic, or narrative elements that guide the movement choices and overall structure of the choreography. Understanding choreographic intention helps performers and audiences connect with the work on a deeper level, as it offers insight into the creative vision behind the dance. Ultimately, it shapes the experience and interpretation of the performance.
The correct choreographic process order in dance typically begins with idea generation, where the choreographer explores concepts and themes. Next is the improvisation phase, allowing dancers to experiment with movements. This is followed by the selection and refinement of movements to create a cohesive piece, and finally, the staging and rehearsal process, where the choreography is polished for performance.
A binary choreographic form in dance refers to a structure that consists of two distinct sections, typically labeled as A and B. Each section often presents contrasting themes, movements, or moods, allowing for a dynamic interplay between the two. This form can create a sense of balance and variation, enhancing the overall narrative or aesthetic of the dance piece. It is commonly used in various dance styles to engage the audience and showcase the dancers' versatility.
Australian Choreographic Ensemble was created in 1992.
Reggae legends choreographic dance steps and reggae skanking was created by ras cardo reggae(Ricardo scott) under his cornerstone reggae world prophecy label. He created this to teach the world how to dance reggae in what he has described as a unique dance move known as -reggae skanking. This was copyrighted under his performing arts works at the US copyright office in 1998. He has yet to publicly release his dance- skanking reggae moves to the world like so many other things he has created in his archives. He has the special music which exemply and demonstrates this unique rastaman dance.
In dance, the term "canon" refers to a choreographic structure where movements are repeated in succession by different dancers after a delay. It creates a layered effect and is often used to add complexity and interest to a dance piece.
In dance, a narrative usually refers to a choreographic work that tells a story or conveys a specific message or theme through movement. It often involves a sequence of events or emotions portrayed by the dancers to create a coherent and engaging storytelling experience for the audience.
There is no choreographer listed in the credits, however Fred Werner is credited as Choreographic Music Associate, Jutta Beil is credited as Dance Coordinator and Bob Fosse is credited as Dance Stager and Stager for Musical Numbers.
In dance, development refers to the process of evolving a dancer's skills, style, and artistry over time. This includes technical training, exploring various dance styles, and enhancing expressiveness and creativity. Development can also involve choreographic growth, where dancers learn to create and interpret movements meaningfully. Overall, it encompasses both personal and artistic progression within the dance discipline.
i believe varganova
Donald S Blumenfeld-Jones has written: 'An illumination of the mental and physical awarenesses characteristic of the choreographic process' -- subject(s): Modern dance, Choreography, Creation (Literary, artistic, etc.)