C, E-flat, G and B-flat - which are the notes in a C minor seventh.
In a minor scale, the interval structure consists of a specific pattern of tones and semitones. The natural minor scale follows the sequence: whole, half, whole, whole, half, whole, whole, which translates to intervals of 2 tones followed by 1 semitone, then 3 tones, and finally another semitone. This gives the minor scale its distinctive sound and characteristics. For example, in the A minor scale, the notes are A, B, C, D, E, F, and G, following this pattern of intervals.
To turn a major scale to natural minor, lower the third, sixth, and seventh scale tones a half step. To create a natural minor scale from scratch, it is: whole step, half step, whole step, whole step, half step, whole step, whole step. A harmonic minor scale has a seventh raised by a half step above a natural minor scale. A melodic minor scale has a sixth and a seventh raised by a half step above a natural minor scale.
A minor third is the same distance as the tonic to the third in a natural minor scale. This is one tone followed by on semi tone, which equates to 3 semi tones. A major sixth would equate to ten semi tones. If you are going from the sixth of a major scale, to the third of a minor scale, you would be going down by 7 semi tones. However, if you are on the sixth note of a major scale, and go down by a minor third, then you will be going down by 3 semi tones.
The tones within a scale are divided by either tones or semitones. In a major scale, the order always goes: tone, tone, semitone, tone, tone, tone, semitone. For a minor scale, in natural form, the order always goes: tone, semitone, tone, tone, semitone, tone, tone.
A, B, C, D, E, F and G (natural minor) A, B, C, D, E, F-sharp, and G-sharp (melodic minor ascending - descending is the same as natural minor) A, B, C, D, E, F, and G-sharp (harmonic minor).
The diatonic scale consists of seven notes and follows a specific pattern of whole tones (W) and semitones (H). The pattern is: whole, whole, half, whole, whole, whole, half. In terms of intervals, this translates to the sequence: W-W-H-W-W-W-H. This pattern forms the basis for major and natural minor scales, with the major scale starting on the first note and the minor scale on the sixth note of the scale.
b flat, d flat, f, and g
All three forms of the Minor scale have 7 tones, so any chromatic instrument (such as a bass) will have them all.
Major: major second, major second, minor second, major second, major second, major second, minor second.In other words, there are whole steps the whole way except between the third and fourth tones and seventh and eighth tones of the scale, where there are half steps.Minor: major second, major second, minor second, major second, major second, minor second, major second, major second.In other words, there are whole steps the whole way except between the second and third tones and fifth and sixth tones of the scale, where there are half steps.
Tone, semitone, tone, tone, semitone, tone + semitone, semitone.
A minor harmonic progression typically includes the use of the minor scale, minor chords, and the harmonic minor scale. Common patterns found in minor harmonic progressions include the use of the i, iv, and V chords, as well as the use of leading tones to create tension and resolution.
Music based on the seven tones of a major or minor scale is called diatonic music. This type of music is characterized by the use of notes that belong to the scale, creating a sense of tonal stability. Diatonic scales serve as the foundation for many Western musical genres, allowing for the development of melodies and harmonies that adhere to the tonal framework.