It usually depends because all viola's are different and each sound different with the types of strings you use on it.
I think that Evah Pirazzi is the best one, but obligato may be good too.
Depends on which tone quality you want too...
I play the viola, and it is lower than the violin. It has four strings like a violin, but on the violin, the strings are G, D, A, and E. On the viola, the strings are C, G, D, and A. So the viola can do four notes lower than the violin. I prefer the tone on the viola to the violin. It is also a bigger instrument than a violin, even though it is held the same way. If you are wondering whether to switch from the violin to the viola, you definitely should, in my opinion. It was one of the best things I did musically! The viola is better :)
no. if you like the viola then sure but to most, no.
When choosing a reliable guitar strings label for your instrument, consider factors such as the material, gauge, and coating of the strings. Look for well-known brands with positive reviews from experienced musicians. Experiment with different brands to find the one that best suits your playing style and preferences.
The violin is a harder instrument to master than the flute. Both can be beautiful. It is also good to learn a lesser used instrument such as a bassoon or viola.
To allow the strings of a musical instrument to vibrate freely and produce the best sound quality following the principle of laissez vibrer, we need to ensure that there are no obstructions or dampening factors that could inhibit the natural vibration of the strings. This can be achieved by setting up the instrument properly, using high-quality materials, and maintaining the instrument regularly to keep it in optimal condition for vibration.
The viola is the best instrument in the world....okay I'm biased because I play one!! The viola is basically the chord filler. It fits the harmony in. In string quartets it can play with the violins or the cello. It also closes the gap between violin and cello so that the sound is complete.
harp ,bango,? Also when playing pizzicato on string intsruments - violin, viola, cello, bass - you pluck the strings when so playing. In fact, the bass uses pizzicato about as often as arco (bowed). Nowadays, on prepared pianos, players reach in to the interior to pluck strings, but that strictly speaking is not how the instrument was meant to be used.
The main types of guitar strings are steel, nylon, and coated strings. To choose the best string for your guitar, consider the type of guitar you have (acoustic or electric), your playing style, and the sound you want to achieve. It's important to select strings that are labeled for your specific type of guitar to ensure the best fit and sound quality.
If you are relatively new to playing string instruments and you’ve realized that you need new strings, the strings that came on your new instrument hurt your fingers, or your teacher has suggested you replace the strings on your instrument, you’ve probably gotten a surprise when you’ve looked for replacement strings. There are so many different kinds! How do you choose between them?There isn’t an easy answer to this question, but there are some guidelines. Some string instruments only take a certain type of string. The best example of this is the classical guitar, which is the only type of guitar that uses nylon strings. But even then you’ll see that there are lots of different types of nylon strings: different gauges, different brands, etc.With string instruments, the type of string you choose depends on the type of music you play. For instance, most people who play classical music on the violin prefer synthetic strings, which sound sweet and brilliant, while those who play traditional fiddle music, which often requires crosstuning, will need a steel string which can stand up to the rigors of crosstuning, while also giving that more edgy traditional fiddle sound.Then there are the needs of the instrument. Simply put, some instruments resonate best with a certain type and gauge of string. If you play a new instrument, you might check and see which strings the manufacturer recommends. Instruments in the violin family are especially fussy about the type of strings they like, though guitars and mandolins can be somewhat finicky as well.The best way to find out which strings may be worth trying on your instrument is to ask other players who play the same instrument and type of music as you do which brand and gauge of strings they use. This will start to narrow your choices. Within that range, you may be able to further narrow down the choices by budget considerations. Trial and error will further narrow it down.You will know when you’ve found the right strings, your instrument will tell you loud and clear.
To strum without a pick, you can use your fingers to brush or pluck the strings of the guitar or other stringed instrument in a rhythmic motion. Experiment with different finger positions and techniques to find what works best for you.
The viola came from the same roots as the violin: both developed out of the "viola da braccio", a 'viola played on the arm', as differentiated from the "viola da gamba", which was played while it rested on the player's calves or thighs. The term viola may help to inform its early history: it may have developed from the Spanish Vihuela da Mano (a 'viola' played with the hands). The viola and violin appeared at about the same time, in the relatively modern form with F sound holes instead of C holes, and a scroll adorning the pegbox, and with the extended points at the ends of the cutout on either side. The clearest iconographic evidence comes from about 1535, from the 1534-5 frescoes in the dome of the Sanctuary of Soranno. The first use of violins, and undoubtedly violas, was travelling musicians, as it could be played standing (unlike the violas da gamba). According to Praetorius (Syntagma Musicum, 1620), the viola was played 'in consort' with violins and gambas or cellos, violones (bass gambas) or the bass of the violin family. The term "Consort" infers a family of instruments in different pitches, generally named for the ranges of the human voice, cantus (or discantus), altus, tenor and bass. In this sense, the viola has nearly always commanded the position of both alto and tenor. In the first orchestras (arguably the 24 Violins of the King, in France) the viola was not even named as such: instrumentation was 6 violins, 12 violas, and 6 basses. The violas were split into 3 groups of four, named haute-contra, taille, and quinte (literally against-high [probably best thought of as along-with than 'against'), tenor and "the fifth part", in the traditional manner of naming the first four voices for voice ranges, then just numbering the rest of the parts.) Along with the violin, the viola transitioned from its Baroque form to the modern form it usually takes by a change in the angle of the neck, use of metal and synthetics in the strings (rather than gut and some metal windings), enabling higher tension and more 'projection'. Most Amati, Stradivarius and other 18th-century violins and violas have been modified in this manner, shedding honor on their creators by taking the change without complaint! The viola was treated as an equal to the violin through much of its first century, with composers such as Telemann, Vivaldi and Bach writing solo sonatas and concertos which rivaled their smaller sister. With the onset of the early Classical, the viola fell into more of a role of doubling the 'cellos when they were introduced to the orchestra. With the onset of the Classical era, violas gained some independence of voice. With notable exceptions such as Paganini, the viola was considered an afterthought by composers with bassoons, trombones and other middle-range instruments to command. But in the 20th century, solo viola music began to be composed in volume once again. About the only other part of the viola's history to mention is experimental: during the late Renaissance and Baroque, occasional attempts were made to create a violin family instrument which would fully occupy the tenor position in the family. Because a viola, to have its lowest string speak with the same tone and presence as its other strings (scaled from the violin), would require a length that would preclude tucking it under the chin while fingering the strings, these tenor violins often were played like cellos, with very long end-pins. When Carleen Hutchens designed and built the Violin Family Consort, she experimented with the viola, finding geometries which would even it's tone and 'conquer' it's reinforced tonals around Bb, only to find that the resulting instrument sounded very poorly when playing the solo works of composers like Mozart, who tended to chose the keys for solo works based on the strengths of the instrument. None the less, the Consort is worth looking at if you want to see the history of the viola to its potential end!
Actually, the instruments come in various sizes, so they cannot be classified as smaller or bigger. The smallest sizes are the same, and the largest sizes are the same. The violas, however, have more variety in sizes, considering it goes 10 inch to 16 inch, while the violin has only a few main sizes, 1/4 to 4/4.