Duets for bariton and bass are fairly rare. Some of the more famous of them are Suoni la tromba from Bellini's I Puritani, Suona ogni labbro il mio nome, from Verdi's Simon Boccanegra, Cheti, cheti, immantinente, from Donizetti's Don Pasquale, and Restez, from Verdi's Don Carlos (the original French version of Don Carlo). As it happens, these and some others may be heard on a CD by Samuel Ramey and Thomas Hampson, titled "No Tenors Allowed."
Two songs for a bass or baritone voice are found in Silver's Ghost and Allegro. The names of the songs are A Brigadier Retired and A Fellow Needs a Girl.
The basic male operatic voices are tenor, baritone, and bass. There is a sub-classification called "bass-baritone," which sings some baritone roles and some bass roles. Among each basic type, there are multiple variants that refer either to the various opera roles that a particular voice is suited for or the kind of sound that characterizes the voice.
The lowest male voice is base, slightly higher is base-baritone, then baritone, the highest male voice is tenor.
The two main male voices are tenor and bass. Baritone is somewhere in the middle. Then there's a countertenor, which is an exceptionally high tenor voice, and basso profondo is an extra low bass.
You can name an opera singer by the voice sung: Loosely, soprano, mezzo-soprano, tenor, baritone, or bass. There are more voice distinctions, below.
baritone
yes, he have a bass voice.
Bass is below Baritone and the lowest male voice range
No, bass is.
Bass Baritone
baritone
baritone
Bass or bass-baritone.
a deep nasel voice.
He is a high baritone, more of a second tenor type of voice
Baritone
a bass (pronounced base)., or baritone.