The texts of oratorios are drawn from Biblical stories and scriptural texts. Handel wrote "Messiah", drawing on both Old and New Testament scripture, as well as "The Creation." Mendelssohn composed an oratorio telling the story of "Elijah".
Most oratorios tell stories from the Bible.
Most of the oratorios written have taken their libretti (the words) from the Bible. Many obtain their words from the Old Testament as well as the New. For example, In Mendelssohn's Elijah, most of the story is found in the First Book of Kings in the Old Testament In Walton's Belshazzar's Feast, the words come from the same part of the Old Testament, as well as the Psalms. In Handel's Messiah, the words come a great deal from the prophesies found in the Old Testament about Jesus In the passions of Bach, the words come from the New Testament stories of Jesus' Trial and Crucifixion.
Handel's oratorios are typically based on biblical themes and stories, often drawn from the Old and New Testaments. They feature a combination of soloists, choirs, and orchestral accompaniment, showcasing dramatic narratives and moral lessons. Notable examples include "Messiah," which focuses on the life of Jesus, and "Samson," which tells the story of the biblical figure Samson. These works reflect Handel's ability to convey deep emotion and spiritual depth through music.
Because opera normally needs scenery and costumes- oratorios do not.
Messiah The triumph of the time and truth He wrote 16 oratorios
oratorios
Scenery and costumes.
The Messiah
Especially the Messiah oratorio
The Creation
A requiem is an example of a type of Oratorium
Operas, and oratorios