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A librettist writes the story of the play, opera or musical. The librettist may also be the lyricist, too, but more often is not. The composer writes the music. The lyricist writes the words of the songs. The lyricist may also be the composer, the librettist, or just the lyricist. Most commonly, they are three separate people, but there are many exceptions.
A court in the eighteenth century was not called a librettist; a librettist is typically someone who writes the text or script for an opera or other musical work. In the eighteenth century, a court usually referred to the residence of a monarch or noble where the ruler would hold court or meet with advisors, officials, and guests.
He was an important opera composer before 1829. The overture to his opera "William Tell" is a popular concert piece.
That's a subjective choice; there is no right answer. Many people would say Verdi, Puccini, Wagner or Mozart, but there are many other composers who would get votes.
Wolfgang Amadeus Mozart composed the music and Lorenzo da Ponte was the librettist for the Opera Cosi fan tutte (note the spelling of the last word :)The title means something like "That's what they all do" where the "they" is feminine (that's why the word needs the "e" ending rather than the "i", which would be masculine). Thus, "That's what all women do" :)
A libretto is the text a composer sets to music. It contains all the dialogue and stage directions of the play, and can be dramatic or comedic. Libretti (Italian plural for Libretto) without the music would simply be scripts.
Depending on the instruments that the composer wrote the score to include, those would be the instruments included in a rock Opera orchestra. For example, The Who's Tommy, known as a rock opera, played on Broadway in New York. The orchestras on Broadway are usually made up of the four major instrument groups including woodwinds, brass, percussion and strings. You can determine the exact makeup of any orchestra required to support a rock opera by looking at its score.
The lyrics of "A te, o cara, amor talora," from the 1835 Bellini opera I puritani, would be in the public domain.
According to the WSJ, "La Scala in Milan, Italy has announced it has commissioned an opera based on his film. La Scala's artistic director, Stephane Lissner, told a press conference on Thursday that the new opera had been commissioned from an Italian composer, Giorgio Battistelli. He said it would be staged in 2011." I can't even imagine what kind of opera that will turn out to be...
Basically as any composer would, however in the case of this opera the way his writing complements and supports each other is exceptionally well done and if you were to take particular note the music always 'sets the scene' without being overly intrusive. I think that possibly one of the best examples is in act 1 from 'Your tiny hand is frozen' to the very end of the act.
Assuming you mean "opera buffa" then the definition would be a comedic opera, as opposed to an "opera seria," meaning "serious opera."
Usually opera