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Archaic is a word that is used today to explain an era that happened a long time ago. The word archaic originates from the Greek language.
Egyptian
The sentence that describes a convention of Classical Greek sculpture is figures show a combination of ideal beauty and naturalistic detail and proportion. Classical sculpture refers loosely to the forms of sculpture from ancient Greece andÊancient Rome.Ê
The functions of sculpture in ancient Rome were the same as those in the Greek tradition. Statues were the a bit like an equivalent of paintings because both the Greeks and Romans only had fresco paintings. Originally Roman sculpture was portraiture (busts). Then they adopted Greek sculpture. The best sculptors were Greek. Most Roman sculptors made replica of the 'mass' market. Some Roman statues were about Greek myths.
ideal, or perfect,figures.
Frederick R. Grace has written: 'Archaic sculpture in Boeotia' -- subject(s): Antiquities, Greek Sculpture, Terra-cotta sculpture, Terra-cotta sculpture, Greek
There is a strong Egyptian bakground.
Probably the Discobolus.
Karl Schefold has written: 'Die Bildnisse der antiken Dichter, Redner und Denker' -- subject(s): Greek Portrait sculpture, Greek Sculpture, Portrait sculpture, Greek, Portrait sculpture, Roman, Roman Portrait sculpture, Roman Sculpture, Sculpture, Greek, Sculpture, Roman 'Meisterwerke griechischer Kunst' -- subject(s): Art, Greek, Greek Art 'Die Griechen und ihre Nachbarn' -- subject(s): Ancient Art, Art, Ancient, Art, Greco-Roman, Art, Greek, Greek Art 'Gods and heroes in late archaic Greek art' -- subject(s): Art, Greek, Gods in art, Greek Art, Mythology, Greek, in art 'Kertscher Vasen' -- subject(s): Greek Vases, Vase-painting, Greek, Vases, Greek 'The art of classical Greece' -- subject(s): Art, Greek, Greek Art
The Kritios Boy, also known as the Critias Boy, is a sculpture that marks the transition from the late Archaic to the early Classical period in ancient Greek art. It demonstrates the shift towards more naturalistic and dynamic depictions of the human figure, breaking away from the stiffness of the Archaic style. This statue is significant in the development of Classical Greek sculpture.
Edmund von Mach has written: 'Greek sculpture' -- subject(s): Greek Sculpture 'Germany's point of view' -- subject(s): World War, 1914-1918 'A handbook of Greek and Roman sculpture' -- subject(s): Roman Sculpture, Greek Sculpture 'Greek sculpture, its spirit and principles' -- subject(s): Greek Sculpture
Carl Bluemel has written: 'Greek sculptors at work' -- subject(s): Greek Sculpture, Sculpture grecque 'Greek sculptors at work' -- subject(s): Greek Sculpture, Sculptors, Sculpture, Technique
Luciano Laurenzi has written: 'Ritratti greci' -- subject(s): Greek Portrait sculpture, Greek Portraits, Greek Sculpture, Portrait sculpture
Ulrich Hausmann has written: 'Griechische Weihreliefs' -- subject(s): Greek Sculpture, Relief (Sculpture), Sculpture, Greek, Votive offerings
Spyros Meletzees has written: 'National Museum of Archaeology, Athens' -- subject(s): Catalogs, Greek Sculpture, Sculpture, Sculpture, Greek
Greek sculpture influenced the Romans from the 2nd century BC. Prominent 1st century BC and 1st century AD Romans such as Cicero and Pliny the Elder greatly admired the innovative work of classical Greek sculpture artists, such as Polykleitos. However, the Romans did not produce much sculpture based on the classical Greek model. Their sculpture was predominantly portraiture (see below) until , from the 1st century AD, the Romans adopted Hellenistic sculpture, which took sculpture to a different level, as a model for their own sculpture. Prior to the influence of Greek sculpture, Roman sculpture was portraiture sculpture (busts). Their portraiture sculpture is regarded as the best sculpture of this kind ever produced.
Ruurd B. Halbertsma has written: 'Beeldhouwkunst uit Hellas en Rome' -- subject- s -: Classical Sculpture, Greek Sculpture, Rijksmuseum van Oudheden te Leiden, Roman Sculpture, Sculpture, Sculpture, Classical, Sculpture, Greek, Sculpture, Roman