cubism is like a shattered glass basically you just have to put the object together but in a different form.
Depicting objects from one viewpoint.
Synthetic Cubism
cubism
Synthetic Cubism
create recognizable images out of unrelated objects.
In Cubism,painters draw objects broken up,analysed &reassembled in an abstracted form in quadrilaterals mostly & also in other geometrical forms.
Cubism was a way for Picasso and Georges Braque to present objects as seen simultaneously from different viewpoints, thus bridging the gap between sculpture and painting. In this connection color was of no interest.
The two main types of Cubism are Analytical Cubism and Synthetic Cubism. Analytical Cubism, developed primarily by Pablo Picasso and Georges Braque between 1908 and 1912, focuses on breaking down objects into geometric shapes and presenting multiple viewpoints simultaneously. Synthetic Cubism, which emerged around 1912, involves the use of mixed media and collage techniques, emphasizing the construction of forms rather than deconstruction, with a greater emphasis on color and texture.
It showed it is possible to depict objects in other than realistic .ways
depicting objects in a flat and abstract way (apex) hope this helps
Analytical cubism was developed before Synthetic cubism. Basically, analytical cubism sought to analyze a subject matter and idea by breaking down an image. As a result, the artist combines various perspectives, angles, and views of the object in various possible forms and qualities. On the other hand, synthetic cubism is like a collage: it combines different surfaces, textures, and subject matters. Therefore, analytical cubism is more 3-D while synthetic cubism is more 2-D. Analytical cubism sought to analyze an object, while synthetic cubism synthesized (or combined) various objects. However, both manipulated line, shape, form, and color to achieve this.
Two French words that describe cubism are "fragmentation," which refers to the breaking down of objects into geometric shapes and forms, and "multidimensionnel," meaning multidimensional, which highlights the technique of depicting subjects from multiple viewpoints simultaneously. These concepts capture the essence of cubism's innovative approach to representation in art.