The chorus in Greek drama would move around the orchestra in a circular dance known as the "coryphaeus" while singing or reciting the odes. They provided commentary on the action of the play and reflected on the themes and messages being presented. This movement helped to enhance the performance and engage the audience.
It is in the choral comments and odes that the chorus introduces the importance of history and fate in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader comments on the way in which Theban Princess Antigone's life is going because of her fateful behavior. The odes draw cultural parallels to ancient Greek literature. The comments and the odes emphasize the mysterious and non-mysterious workings of fate through the equivalent of historical examples.
To entertain, explain, interpret and summarize are the functions of the chorus in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus entertains by dancing across the stage and singing odes. The members explain the offstage, onstage and past events of the characters. They interpret the characters and their interactions. They summarize the happenings and have the last words in the play.
To entertain and to instruct are the purposes of the odes in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus entertain with the dancing that accompanies the singing of the odes. The members instruct the audience in cultural parallels that relate to and shed light on the play's characters and events. In particular, they use the odes to justify the albeit oftentimes mysterious workings of divine will and fate on human lives.
Pindaric odes are longer, more complex, and follow a stricter structure with irregular stanzas, while Horatian odes are shorter, simpler, and have a more structured stanza form. Pindaric odes often celebrate triumphs and heroic feats, while Horatian odes focus on everyday life and often convey moral teachings.
The main types of odes are the Pindaric ode, the Horatian ode, and the irregular or free verse ode. Pindaric odes are formal and elaborate, following a specific structure. Horatian odes are more relaxed and less formal, while irregular odes do not adhere to a strict structure or form.
Entertainment through choral odes and information through dialogue are the elements of theater that are in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term theater describes a form of entertainment that is meant to be performed. Its performance nature is evidenced in the chorus' rhythmic odes. It also is found in the informational comments by the chorus, main characters and subsidiaries such as messengers and servants.
== == A group of actors who function as a unit, called a chorus, was a characteristic feature of the Greek tragedy. The members of the chorus shared a common identity, such as Asian Bacchantes or old men of Thebes. The choragos (leader of the chorus) sometimes spoke and acted separately. In some of the plays, the chorus participated directly in the action; in others they were restricted in observing the action and commenting on it. The chorus also separated the individual sins by singing and dancing choral odes, though just what the singing and dancing were like is uncertain. The odes were in strict metrical patterns; sometimes they were direct comments on the action and characters, and at other times they were more general statements and judgments. A chorus in Greek fashion is not common in later plays, although there are instances such as T.S. Eliot's Murder in the Cathedral, in which the Women of Canterbury serve as a chorus.
To basically talk about what you just read in your own words.
The choral odes relate as intermission, entertainment, and commentary to the play's action in 'Oedipus Rex'. First, they signal the end of one episode and the beginning shortly thereafter of the next. Second, they're performed by trained dancers and singers. The chorus that renders the odes may be identified as Theban elders. But the actual actors are anything but decrepit or untalented. Third, the odes tend to comment on important background to the action and on the actions preceding the particular interlude.
It is in the odes that poetry is found in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone's story is presented in dramatic format. Each episode is told in prose. But poetry may be appreciated in the odes that the chorus sings between each episode.
'Odes' are humourous, short, rhymes. So batteries don't produce odes.
That she is the cursed and that her behavior does not make her fate better are what the choral odes say about Antigone's fate in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone is described and self-described as the cursed daughter of a cursed royal house. The chorus is not sympathetic to Antigone's downfall. In fact, chorus members observe that like father, like daughter Antigone gets the fate that her uncontrolled behavior wins for her.