Postmodernists in art, culture, and literature emphasized straying away from previous commonly accepted structures in art forms. They believed there should be more freedom and flexibility in writing and art, rather than sticking to the commonly accepted formal structures of the time. For example, postmodernist writer E. E. Cummings wrote poetry in wildly experimental forms, with many line breaks and spaces and punctuation, instead of sticking to the formal forms of sonnets, villanelles, etc.
A postmodernist visual artist photocopies a classic Renaissance painting and places that photocopy within their own painting, this is an example of the postmodernist tendency to mix high and low art.
it either that older forms of art could be mad fun of or older art belongs in museums/libraries.
Postmodernist writers believed that differences between people were socially constructed and fluid rather than fixed or inherent. They argued that categories such as gender, race, and nationality were shifting and often arbitrary, shaped by power dynamics and cultural forces. Postmodernist writers often questioned the idea of fixed identities and essential traits, emphasizing the complexity and diversity of human experiences.
A postmodernist work is more likely to have elements of pastiche, intertextuality, and metafiction compared to a modernist work. Postmodernist works often challenge traditional narrative structures and question the authority of the author.
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Cindy sherman
a.) Cindy ShermanCindy Sherman's work is considered an example of postmodernist art.hope this helps :"D
Postmodernist work refers to cultural, artistic, or literary creations that challenge traditional conventions and question established norms. These works often experiment with different styles, perspectives, and genres to create complex, fragmented, or contradictory narratives. Postmodernist artists and writers seek to provoke critical thinking and explore the ambiguity of meaning in a constantly changing world.
That humans could create an orderly society
Cindy Sherman is often regarded as a postmodernist photographer. Her work primarily involves staged self-portraits that explore themes of identity, gender, and representation, challenging traditional notions of the female subject in art. By adopting various personas and styles, Sherman critiques the media's portrayal of women and the construction of identity, embodying the postmodernist emphasis on fragmentation and the questioning of authenticity.
The estate by Postmodernist Robert Rauschenberg conveys the energy and chaos of modern energy life by creating a describing scenes that happen everyday in large everyday cities.