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Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..
In ascending order, the names for each scale degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and the tonic again.
The subdominant in any major scale is the fourth note. So, in C major, the subdominant is the F.
The subdominant note in a key is the 4th. In G minor, it's C.
The subdominant is the 4th note in a scale, so in A major it's D.
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..
The tonic of E flat major is E flat. Its dominant is B flat and its subdominant is A flat.
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..
In ascending order, the names for each scale degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and the tonic again.
Ascending up the major scale, the terms for each degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and tonic again. The prefix "super" means above the tonic, and "sub" is below the tonic.
Traditional harmony is based on the diatonic scale, particularly the major and minor modes. Cadences are resolved through the dominant and subdominant chords. Indeed some simple pieces with traditional harmony of this kind use only the chords of the dominant, subdominant and tonic.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
Do, Re, Me, Fa, So, La, Ti, & Do
A harmonic minor scale in the key of E flat works best. For effect, go from the tonic chord to the submediant, than the supertonic, and then to the leading tone. Then do a subdominant chord, leading to the tonic with the dominant note played with the note a half-step above the dominant. It works if you want extra drama.
They're called the degrees of the scale, and they are as follows: 1st - Tonic 2nd - Supertonic 3rd - Mediant 4th - Subdominant 5th - Dominant 6th - Submediant 7th - Leading tone
In a major scale the subdominant chord is a major chord,thus the dominant chord is major7.
They are basic tonal reference points. Tonic is the key the music is in. Dominant is exactly five whole tones above tonic. This is true of any key. If you are playing in C major, the dominant is G major. If you want to transpose the piece into D major, the tonic is D and the dominant is exactly five whole tones higher - A.