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What do you find most impressive about the way Carol Rumens uses languages to create a picture of the lines of child labourers in the poem?
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∙ 16y ago
In her poem, Carol Rumens uses language to vividly depict the harsh reality of child labor by creating strong visual imagery through words. She effectively conveys the emotions and struggles of the child laborers through her use of language, making the reader feel connected to their plight. Rumens's skilful use of language helps create a powerful and haunting image of the lines of child laborers, evoking a sense of empathy and awareness in the reader.
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What do you find most impressive about the way Carol Rumens uses languages to create a picture of the lines of child labourers in the poem Carpet Weavers Morocco?
Carol Rumens uses vivid and evocative language, such as "click of pickets" and "slow snail of shayla," to create a striking image of child laborers. She effectively conveys the harsh conditions and endless repetition of their work through her choice of words and imagery, making the impact of their suffering resonate with the reader.
When was Carol Rumens born?
Carol Rumens was born in 1944.
What has the author Carol Rumens written?
Carol Rumens has written: 'A necklace of mirrors' 'A strange girl in bright colours' -- subject(s): English poetry 'From Berlin to heaven' 'Plato park'
What is cow gizzard?
Nothing. Cows don't have gizzards, birds do. Where chickens have gizzards to break down food, cows have rumens.
What is rumen?
it is the first part of the stomach where your food goes INCORRECT. It's one of the stomach chambers in ruminant animals, like cows. Humans do not have rumens.
Do Ruminant animals have a four-chambered stomach and have cellulose-producing microbes in their rumens?
Ruminant animals have 4 stomachs but the microbed don't produce cellulose, they break it down.
What thing in grass helps cows make milk?
Energy and protein. Cows need the energy for their bodies to produce milk and to keep them healthy. They are able to digest grass in their rumens to get the protein and energy for them that can be found in milk.
How herbivores are able to get enough nutrition out of just leaves and grass?
They have a special multi-chambered stomach and/or a large cecum that enables digestation/fermentation to take place to get the nutrients out that they need to live, reproduce, meet physiological demands and be mobile. These same herbivores often rely on microflora in their rumens and/or cecums to break down the plant matter for them to use.
How are herbivores able to get enough nutrition out of just eating leaves and grass?
They have a special multi-chambered stomach and/or a large cecum that enables digestation/fermentation to take place to get the nutrients out that they need to live, reproduce, meet physiological demands and be mobile. These same herbivores often rely on microflora in their rumens and/or cecums to break down the plant matter for them to use.
Is bluestone British slang for a disease?
I think I finally found the answer myself: it was a late-19th c. term for gin/whiskey so bad as to compare with vitriol. (I found the listing in the OED supplement).I came across the word today (1/12/10) in a W. E. Henley poem, "Waiting," introduced by Carol Rumens in the Guardian.Go read it!!-- BGT
The carpet weavers written by carol rumens?
the children are at the loom of another world Their braids are oiled and black, their dresses bright Their assorted heights would make a melodious chime They watch their flickering knots like television as the garden of Islam grows, the bench will be raised Then they will lace the dark-rose veins of the tree-tops The carpet will travel in the merchant's truck It will be spread bye the servants of the mosque Deep and soft, it will give when heaped with prayer. The children are hard at work in the school of days From their fingers the colours of all-that-will-be fly and freeze into the frame of all-that-was.
Expiain the 2nd stanza of the poem carpet weavers morocco by carol rumens?
In the second stanza of "Carpet Weavers Morocco," the speaker describes the physical toll that weaving carpets takes on the workers, highlighting their bent posture and cramped working conditions. The weariness and pain of the weavers are contrasted with the beauty and intricacy of the carpets they create, highlighting the stark reality of labor behind such artistry.
