Usually manages the lighting department - including the setup, packup, crewing and overall production of an entertainment lighting installation. They usually have little or no creative involvement in the production - this is usually the job of the lighting designer.
The director
Jobs such as Stage Director, Assistant Director, Artisitic Director, Sound and Lighting, casting Directors, Musicians, Actors, etc.
usually the director or the actor if they want but that doesnt happen often.
When filming movies the Technical Director is normally responsible for the technical aspects of film production. It is not a clearly defined role and varies from studio to studio. Often the Technical Director's title is more defined such as Lighting Technical Director or Effects Technical Director.
Axel Akesson was the senior lighting technical director on Harry Potter and the Half Blood Prince. He works at Cinesite.
Lighting can make or break a photograph. It sets the mood, can accentuate certain things and hide or diminish other things. Styles of lighting can soften or sharpen and harden a look. Any actor is quite aware of this fact, and becomes fast friends with the lighting director.
first learn to write and spell, then ask again
The Director of Photography (or DP) is in charge of what the film looks like, in the sense of its cinematography. They are in charge of the camera and lighting crews and deal with the technical aspects of the film.
The lighting technician is usually in the lighting booth of a theatre or the front-of-house position in an arena. In the case of a travelling show, a lighting technician will travel with the road crew and supervise the setup of the lighting rig by the local crew. He or she may also be backstage performaing maintenance on malfunctioning fixtures, or working with the lighting director at the light board during tech design.
As of June 2010, yes. He was born April 12, 1914.
As well as the obvious producer and director, there are also jobs such as editor, location manager, voice over artist, lighting director, and script supervisor just to name a few.
The answer is Ryan Campbell, a young talented lighting genius from Toronto who joined the tour in 2010. Nicknamed "Stumpy", he re-architected the total look and feel of the set using state of the art equipment and techniques. An upcoming star in his own right