A mixer in a band can do a variety of things, usually the tracey style synth stuff.
A good stereo mixer for a beginners band can run you around $79-$99 to start.
If you want to record to a computer then the mixer needs to have a USB output. Then you also need to have recording software on your computer eg Garage Band or Ableton.
The mixer output should be a signal at the IF frequency ... generally 455 KHz in an AM radio. It's the difference-frequency between the onboard local oscillator and the frequency of whatever's coming down from the antenna. Expect no RF energy from the mixer when there's no RF energy in the passband of the RF amp section ahead of the mixer ... i.e. nothing being received. If the RF section is wide open across the band, or there IS no RF section and the antenna goes straight to the mixer, and there's no mixer output, then this indicates that either you're on the far side of the moon receiving nothing across the whole AM band, or else your antenna input is grounded and the mixer is shielded.
Yes. In fact, I would recommend doing this instead of just running the mics through your band's powered mixer. That way, all your drum sounds (pre-mixed) will fit into just one input on your band's powered mixer. It takes about a minimum of 6 or 7 mics to capture a drum kit properly and that's a hell of a lot of inputs to be using on your band's P.A. Just run the mics through your own mixer, then run your mixer's "Main 1" output to your band's P.A. input. Use a balanced cable. Also, if the mixer that you are using is unpowered, then get yourself a couple powered monitors to run directly off of it so you can have some monitoring without using one of the the P.A. monitors. If your drum mixer IS powered, however, just get yourself some speakers and you've got yourself some monitors. In a nutshell, I recommend getting a small powered mixer for your drum mics (something with 100W minimum) with unpowered monitors running right off of it (use the "Main 2" output). Connect the mixer's "Main 1" output to your band's P.A. system for the final mix. But remember, if you do it like this, you have to dial in a good mix on your drum mics through your own little mixer because the sound guy will only be able to adjust the volume of the drum kit AS A WHOLE through the main P.A. system. This is what I do and it works very well.
It shouldn't be a problem. Instead of taking the output of the mixer to a PA system you would take it to a recording device such as a tape machine, CD burner, hard drive, etc.
just grab a bunch of people to make a band and then have a singer drummer guitarist bass guitarist or a hip hop band then get a mixer guy a rapper and a backup singer
stereo mixer output to powered mixer input
The intermediate frequency (IF) amplifier lies between the mixer and the demodulator. The mixer shifts the input radio frequency (RF) signal into the range of the IF amplifier. The IF amplifer is a band pass amplifier, so only RF signals that are the IF frequency distance away from the local oscillator in the mixer can pass through to the demodulator. This process is called the superhetrodyne process.
Concrete mixer, food mixer, an alcoholic drink? More information is needed.
yes, because Pyle Pro 8 Channel Stereo Pa Mixer Sound Board has all Input Channels Features LED Peak Indicators For Visual Signal Monitoring and has 3 – Band EQ(High – Mid – Low) On Each Input Channel .
Probably not, if the cupboard has doors that close completely. This will prevent dust from getting to the mixer. A mixer cover is a necessity only if the mixer spends most of its time on the countertop.
A virtual mixer is a routing matrix