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What else can I help you with?
Can you change the width and length of a artboard after you create it?
Yes, you can change the width and length of an artboard after it has been created in most design software, such as Adobe Illustrator or Photoshop. This typically involves selecting the artboard tool and adjusting the dimensions in the properties panel or by dragging the edges. However, it's important to note that changing the size may affect the layout of elements within the artboard.
What is an artboard in Adobe illustrator?
The artboard is your "working space", so to speak, usually a square or rectangle in the center of the screen. Things created within the artboard will show when you save or print the image. In the newer versions of Illustator, you can have multiple artboards open in one window.
What is a good ms paint style software on MacBooks?
Artboard and Sketchbook Express. Both can be found the the App Store.
Can you rasterize a vector object in adobe illustrator?
Absolutely - there's a couple of ways to do it. 1. Export the file to a BMP or PSD format (File>Export) 2. For Objects on the artboard, select and then click on Object>Rasterize.
How do you bring image into illustrator?
This depends on the type of image you're attempting to bring into Illustrator.For jpg, bmp, gif, and other pixel images, you can use File > Open > filename.jpg and Illustrator will open a new document with that image as the first object on the page.Or, with Illustrator open (but not maximized) you can grab a file on your desktop and drag it into the illustrator window. If you have a file open, Illustrator will drop the contents of that file onto the artboard as if you copied and pasted it. If you have no illustrator files open, it will create a new illustrator document with that image as the first object on the page. This will also work with PDFs.
I am hearing a lot about UIHUT, What is this uihut Can anyone explain about how they are growing?
UIHUT platform is a website that provides over 23,000 high-quality UI designs and coded resources for web and mobile projects. These resources include web templates, illustrations, coded templates, Flutter apps, icons and 3D assets in popular design file formats like Figma, XD, Sketch, and more on their website. UIHUT dot com is growing because it offers a variety of benefits for designers and developers, such as: • 100% editable design files that can be customized to suit different needs and preferences. • Access to the UIHUT Figma plugin that allows users to copy-paste any design from UIHUT onto their Figma artboard • A B2B design market that enables users to incorporate large amounts of resources into their SaaS and design tools. • A B2C plan that allows users to use available resources for personal and client projects. • A wide range of categories and themes to choose from, such as web designs, illustrations, web app designs, mobile UI, 3D illustrations, icons, etc.
How has the discipline of photography impacted digital graphic design?
I'm not real fond of this question, so let's rephrase it into a similar one that's better: How has the availability of affordable, high-quality digitized imagery impacted digital graphic design? Executive summary: Affordable digitized photos have made it possible for more publishers to use more photos and more color than ever before, which enables them to attract more readers. First, let me tell you about the really old days--back in the 1960s. If you wanted to print a photo in your magazine (forget "newsletters"--those never had any pictures) and you just wanted black & white, you took a picture of it through a "halftone screen" onto Photo Mechanical Transfer paper. The screen broke the photo into dots of various sizes, which made it printable on press. You pasted the PMT onto an artboard and shot the board on the same camera. Then you stripped the negative into a flat and made a plate from it. If you wanted color photos, you shot the photo four times with different screens and different filters in front of the lens, then stripped those negatives into your layout flats. Color was something you only did every once in a while--the cover and maybe two or three pictures inside. And newspapers NEVER ran color photos, except in the special "Rotogravure section" on Sunday. (Ask me later what rotogravure was.) Forward to the late 1970s. There were two ways to do a color photo. The first was to use a drum scanner--a very large machine--to create the separations. The other was to use an image editing workstation like a Scitex or a Hell. Either way you're looking at somewhere between half a million and a million and a half to buy the equipment, and you need a lot of training to use it. It was far easier to make separations, and the seps were better, but it still cost too much to throw a ton of color photos on a page. Now? It's so simple to put tons of photos on a page, everyone does it. The pages look a lot better than they did in the old times. They're prettier. Now here's the flipside: very few people, outside New York and Los Angeles, actually care about what they're putting out, as far as quality goes. Everyone thinks you can fix anything in Photoshop, so you get pictures that are blatantly awful. Now, we get pictures of the company's CEO in a wrinkled suit with a huge shiny spot on his forehead. Thirty years ago, he wore a freshly-pressed suit to the photo shoot and his secretary put a little makeup on him before he went in front of the camera. The difference was night and day. Do I want to go back to the old days? In a way, yes. If I could get the nice professional-looking photos we used to see, but not have to strip flats together by hand, I'd be a happy camper.
