An augmented seventh is a musical interval spanning seven note names and 12 semitones - for example, C to B sharp.
An augmented seventh chord in music theory is a four-note chord consisting of a root note, a major third, an augmented fifth, and a minor seventh. It has a tense and dissonant sound due to the augmented fifth. In functional harmony, the augmented seventh chord is often used as a dominant chord, creating tension that resolves to a tonic chord.
An Augmented Seventh (aug7) chord is made up of a root note, a major third, an augmented fifth, and a minor seventh. This chord has a dissonant and tense sound due to the augmented fifth interval, which creates a sense of instability and tension in the music.
An augmented sixth is a musical interval equivalent to a minor seventh, but spanning six note names - for example, C to A sharp.
The formula for constructing an augmented 7th chord is root, major third, augmented fifth, and minor seventh intervals stacked on top of each other.
Intervals that are considered dissonant in music theory are the minor second, major second, tritone, minor seventh, major seventh, and augmented fourth.
An augmented 7th chord in music theory is constructed by combining a root note, a major third, an augmented fifth, and a minor seventh. This chord has a unique sound that is both tense and dissonant, making it a versatile and expressive choice in music composition.
An augmented 7 chord in music theory is made up of a root note, a major third, an augmented fifth, and a minor seventh. It has a unique and dissonant sound that can create tension in music. This chord is often used in jazz and other genres to add color and complexity to a musical piece.
She was augmented by peace and quiet
An augmented third inverts to a diminished sixth.
My temporay part-time job augmented my income nicely.
An augmented vector is a vector that is augmented with an extra dimension. This new dimension always takes on the value of 1. e.g. X = (5, 2) X' = (5, 2, 1) where X' is the augmented form of vector X.
I don't think the augmented triad was used on purpose or with much emphasis, at least not in the same way the diminished triad was used. For example, Bach will purposely sustain or emphasize diminished traids and seventh chords, but I wouldn't expect to hear an augmented triad except as a result of passing tones. You could certainly find the tones C E and G# played at the same time, but usually not in a way that indicates it being treated like a specific chord.