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Around the Baroque era, tonality went from modal to major and minor. The key signature was born out of the rigid sequence of tones and semitones in major and minor scales.
G major, D major, E major, B major, F sharp major, F sharp minor, A sharp major, etc.
G major, C major, D major.
C major is a major scale starting from C.
The importance of the establishment of major and minor tonality in the Baroque was that each tonality came to be associated with certain types of music. Major tonality was associated with happy occasions and minor tonality with sadness or sensuality.
Major
Major
major
There are several types: Tonal (In a key): This can be a major or minor key. Modal (In a mode) Atonal: No key, no tonic note. There are various other more complex types like twelve tonality, whole tonality and polytonality, but these are the main three types.
The tonality of the piece is only established after the intro however it is in G major. The modal sound of the piece makes it sound as though there is a key change however there isn't.
tonality, terraced dynamics or classic
It doesn't make sense to ask what is the tonality of THE Messiah chorus because there are lots of choruses in Messiah. If you mean the most well-known one, the Hallelujah chorus, it's in D major.
Tonal range is the various shades of grey between absolute black and absolute white
It doesn't make sense to ask what is the tonality of THE Messiah chorus because there are lots of choruses in Messiah. If you mean the most well-known one, the Hallelujah chorus, it's in D major.
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