Major
true
The importance of the establishment of major and minor tonality in the Baroque was that each tonality came to be associated with certain types of music. Major tonality was associated with happy occasions and minor tonality with sadness or sensuality.
Major
tonality, terraced dynamics or classic
Tonal range is the various shades of grey between absolute black and absolute white
true
The importance of the establishment of major and minor tonality in the Baroque was that each tonality came to be associated with certain types of music. Major tonality was associated with happy occasions and minor tonality with sadness or sensuality.
Major
The characteristic that does not describe a minor scale is being major in tonality.
In a minor key, the chords that are major are the III and the VII chords. These major chords add a sense of tension and color to the overall tonality of the piece, creating a dynamic contrast with the minor chords and enhancing the emotional depth of the music.
Expanded or extended tonality can be related to composers such as Hindemith and early Schoenberg. It means extension of the common practice tonality. It results in highly chromatic music, where remotely related regions / harmonies are introduced, often in rather dense manner, free use of extended chords (9ths, 11ths, 13ths) as well as quartal harmony. Basically, it is all about quite free use of the whole chromatic gamut, while still maintaining a sense of central tone (tonic), though it is often hard to determine if you are in major or minor due to the high degree of chromaticism.
In music, major keys sound bright and happy, while minor keys sound darker and sadder. One can identify if a piece is in a major or minor key by listening to the overall feeling of the music and paying attention to the tonality of the major and minor chords used. Major chords have a more uplifting sound, while minor chords have a more melancholic feel.
tonality, terraced dynamics or classic
No (apex)
Around the Baroque era, tonality went from modal to major and minor. The key signature was born out of the rigid sequence of tones and semitones in major and minor scales.
There are several types: Tonal (In a key): This can be a major or minor key. Modal (In a mode) Atonal: No key, no tonic note. There are various other more complex types like twelve tonality, whole tonality and polytonality, but these are the main three types.
Power chords are neither major nor minor in music theory. They are considered neutral or ambiguous in terms of major or minor tonality because they consist only of the root note and the fifth of a chord, lacking the third that determines whether a chord is major or minor.