true
more chromatic
Highly chromatic harmony.
Late Romantic composers could see that harmony was becoming much more complicated and fluid, but they probably couldn't imagine a freedom from tonality. It took Schoenberg and others of the early 20th century to achieve that.
There are quite a few differences between Indian and Western music. These differences include tonality, rhythm, and meter usage for example.
The texture is:- -The harmony during the classical era was mainly pleasant. -Most harmonies were diatonic and very rarely chromatic. -It was less structure but still used primary chords such as tonic, dominant and sub-dominant. -It primarily uses basic triad with very little use if any of unexpected clashing harmony.
The name for the use of conventional keys harmony is 'tonality'.
Expanded or extended tonality can be related to composers such as Hindemith and early Schoenberg. It means extension of the common practice tonality. It results in highly chromatic music, where remotely related regions / harmonies are introduced, often in rather dense manner, free use of extended chords (9ths, 11ths, 13ths) as well as quartal harmony. Basically, it is all about quite free use of the whole chromatic gamut, while still maintaining a sense of central tone (tonic), though it is often hard to determine if you are in major or minor due to the high degree of chromaticism.
atonality and serialism
more chromatic
Chromatic Harmony is the use of chords containing tones not found in the prevailing major or minor scale but included in the chromatic scale (which has twelve tones): often found in Romantic Music. Diatonic harmony is created exclusively from whatever melodic resource we choose to create within.
Highly chromatic harmony.
Justine Shir-Cliff has written: 'Workbook for Chromatic harmony' -- subject(s): Harmony
as tonality. Tonality refers to the system where all pitches and chords are organized and related to a central pitch or "tonic" that provides a sense of stability and resolution in music. It is a fundamental concept in Western music that helps create a sense of harmony and coherence in a composition.
James Brooks McDaniel has written: 'From the top down' -- subject(s): Tonality, Harmony
A. G. Crosskey has written: 'Harmony and tonality in the music of Franz Liszt with particular reference to the sonata in B minor'
Late Romantic composers could see that harmony was becoming much more complicated and fluid, but they probably couldn't imagine a freedom from tonality. It took Schoenberg and others of the early 20th century to achieve that.
The chromatic scale is important in music theory because it includes all 12 notes in an octave, allowing for a more complete understanding of harmony and melody. In composition, it is used to create tension, resolution, and color in music. In performance, musicians use the chromatic scale to add embellishments, create chromatic passages, and explore different tonalities.