Chromatic Harmony is the use of chords containing tones not found in the prevailing major or minor scale but included in the chromatic scale (which has twelve tones): often found in Romantic Music. Diatonic harmony is created exclusively from whatever melodic resource we choose to create within.
Diatonic includes half steps and whole steps, while chromatic usually only includes half steps.
I don't know the technical definition, but it just means that a tuner can tune to all the notes of the chromatic scale, including flats/sharps.On the guitar this is one note per fret spacing. An example of this is on the e string play it open first then fret the first fret ,second fret,third fret and so on for all the frets and all the strings. The noteg\s will be E F F# G G# A A# B C C# D D# then it starts at E again. Just remember there are no sharps after E and B and this pattern repeats all the way up and down the fretboard. NOTE - chromatic is moving in semitones as opposed to diatonic which is moving in tones.
chromatic from the greek word chrōmatikós
Harmony. You spelt it right.
Harmony in French is l'harmonie.
harmony, without dispute
Chromatic. Diatonic autoharps hadn't been invented yet.
It is diatonic. Di means two, so you can think of it as two tones. A chromatic semitone would be from D to D#, or Eb to E. The difference is that Chromatic semitones use the same letter name twice, while diatonic semitones do not.
7 note scale. Any mode of major scale with no chromatic alterations
Treble and bass buttons on diatonic accordions play two different notes on the push/pull of the bellows while treble and bass buttons on chromatic accordions play the same note regerdless of the bellows direction.
George Loughlin has written: 'Diatonic harmony' -- subject(s): Diatonicism, Harmony
Diatonic decoration only uses notes that are in the key signature(white keys on piano for C major). Chromatic decoration uses all notes including those outside the key signature (white and black keys for C major).
The texture is:- -The harmony during the classical era was mainly pleasant. -Most harmonies were diatonic and very rarely chromatic. -It was less structure but still used primary chords such as tonic, dominant and sub-dominant. -It primarily uses basic triad with very little use if any of unexpected clashing harmony.
more chromatic
using notes of the chromatic scale-apex
Highly chromatic harmony.
Justine Shir-Cliff has written: 'Workbook for Chromatic harmony' -- subject(s): Harmony
Based on an octave of 12 semitones, as opposed to a seven-note DIATONIC scale. A chromatic scale consists of an ascending or descending line of semitones. An instrument is said to be chromatic if throughout all or most of its compass it can produce all the semitones. Chromatic, a word ultimately derived from the Greek noun which means "complexion" or "color", and then from the Greek adjective χρωματικός (khrōmatikós; "colored"), may refer to: In music: Chromatic scale, the western-tempered twelve-tone scale. Chromatic chord, chords built from tones chromatically altered from the native scale of the musical composition. Chromaticism, the use of chromatic scales, chords, and modulations. Total chromatic, the use of all twelve pitches of the chromatic scale in tonal music. Chromatic genus, a genus of divisions of the tetrachord characterized by an upper interval of a minor third.Diatonic and chromatic, as a property of several structures, genres, and other features in music, often contrasted with diatonic. http://www.answers.com/chromatic?cat=health